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@openaccessart.bsky.social

Public Domain Art and Art History

22 Followers  |  1 Following  |  20 Posts  |  Joined: 27.11.2024  |  1.7841

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πŸ” Cradleboard, Ute, circa 1890
πŸ“The Metropolitan Museum of Art
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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πŸ” Horse Mask, Blackfeet, circa 1890
πŸ“ Denver Art Museum
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Rug, Navajo, circa 1900
πŸ“ Denver Art Museum
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Two Rams, Awa Tsireh (Alfonso Roybal), San Ildefonso, 1895
πŸ“ Denver Art Museum
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Buffalo Hunting Scene, White Bird, Cheyenne, Nez Perce, 1894-1895
πŸ“ Denver Art Museum
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Hide Painting of the Sun Dance, c. 1890–1900, Cotsiogo
πŸ“ Indian Arts Research Center, School for Advanced Research, Santa Fe
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Bandolier bag, 1880s, Winnebago, Artist Unknown
πŸ“Metropolitan Museum of Art
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Birchbark Box, Tomah Joseph, circa 1900
πŸ“The Helen Pep Grodka Collection
(Public Domain, United States)

28.11.2024 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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This Thanksgiving, we'd like honor the rich traditions of Native American art. (A thread 🧡).
πŸ” Suitcase, Nellie Two Bears Gates (Dakota: MaȟpΓ­ya BoΗ§Γ‘Ε‹wiΕ‹ ), 1880–1910
πŸ“Minneapolis Institute of Art
(Public Domain, United States)
#Art #ArtHistory #NativeAmericanArt #FamousArt #PaintingOfTheDay

28.11.2024 16:05 β€” πŸ‘ 9    πŸ” 1    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Thanksgiving, 1628-1928: 300 Years (Pilgrim and Football Player), The Saturday Evening Post cover, November 24, 1928, Joseph Christian Leyendecker
πŸ“ The Saturday Evening Post
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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πŸ” Ladies Home Journal, November 1920, S. N. Abbott
πŸ“ University of Michigan
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Harper's Round Table, Thanksgiving no. '95, Will Bradley
πŸ“ Library of Congress
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Thanksgiving, Puck 1910, B. Baker
πŸ“ Library of Congress
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Thanksgiving No. 1895, The Chap-Book, Will H. Bradley
πŸ“Library of Congress
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ” Thanksgiving 1894, Harper's Bazaar, Louis J. Rhead
πŸ“Library of Congress
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Happy Turkey Day! πŸ¦ƒ
Enjoy some ICONIC Thanksgiving cover art. (A thread 🧡)
#Art #ArtHistory #Thanksgiving #PublicDomain #FamousArt

πŸ”The Pilgrim (November 1904), William Henry Detlef Koerner
(Public Domain)

28.11.2024 16:00 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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πŸ¦‹ Butterflies, Odilon Redon, circa 1910
πŸ“ Museum of Modern Art, New York City, NY
(Public Domain)

#Art #ArtHistory #PublicDomain #FamousArt #PaintingOfTheDay

27.11.2024 21:20 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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πŸ” Portia Wounding her Thigh, Elisabetta Sirani, 1664
πŸ“Collezioni d'Arte e di Storia della Fondazione della Cassa di Risparmio, Bologna
(Public Domain)

#Art #ArtHistory #ItalianArt #PaintingOfTheDay #FamousArt

27.11.2024 21:02 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
Alexandre Cabanel’s The Fallen Angel (1847) portrays a striking figure of a young man seated on the ground, representing Lucifer after his expulsion from Heaven. His muscular form is draped with a white cloth, and his bare torso gleams under a dramatic light. The angel's head is turned slightly, revealing tear-filled, piercing blue eyes that convey sorrow, defiance, and wounded pride. His golden hair, halo-like in its glow, contrasts with the darker, ominous background. Around him, indistinct forms of other fallen angels can be seen, emphasizing his isolation. Cabanel’s use of detailed anatomy, emotive expression, and a Romantic style captures the tragic beauty and inner conflict of this iconic figure.

Alexandre Cabanel’s The Fallen Angel (1847) portrays a striking figure of a young man seated on the ground, representing Lucifer after his expulsion from Heaven. His muscular form is draped with a white cloth, and his bare torso gleams under a dramatic light. The angel's head is turned slightly, revealing tear-filled, piercing blue eyes that convey sorrow, defiance, and wounded pride. His golden hair, halo-like in its glow, contrasts with the darker, ominous background. Around him, indistinct forms of other fallen angels can be seen, emphasizing his isolation. Cabanel’s use of detailed anatomy, emotive expression, and a Romantic style captures the tragic beauty and inner conflict of this iconic figure.

πŸ” The Fallen Angel (French: L'Ange dΓ©chu), Alexandre Cabanel, 1847, (Public Domain)

#Art #ArtHistory #PublicDomain #PaintingOfTheDay #FamousArt

27.11.2024 20:56 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
Nighthawks, Edward Hopper, 1942, Art Institute of Chicago
(Public Domain)
Shows a quiet nighttime urban scene, dominated by a brightly lit diner on an empty street corner. Inside the diner, three customers are seated: a man and woman sit together on the right, while a lone man sits apart on the left. A server, dressed in white, stands behind the counter. The diner's large windows and soft interior light contrast sharply with the dark, empty sidewalk and street outside, emphasizing a sense of isolation and urban quiet. Hopper's use of light and shadow creates a cinematic quality, making this painting a hallmark of 20th-century American realism.

Nighthawks, Edward Hopper, 1942, Art Institute of Chicago (Public Domain) Shows a quiet nighttime urban scene, dominated by a brightly lit diner on an empty street corner. Inside the diner, three customers are seated: a man and woman sit together on the right, while a lone man sits apart on the left. A server, dressed in white, stands behind the counter. The diner's large windows and soft interior light contrast sharply with the dark, empty sidewalk and street outside, emphasizing a sense of isolation and urban quiet. Hopper's use of light and shadow creates a cinematic quality, making this painting a hallmark of 20th-century American realism.

πŸ” Nighthawks, Edward Hopper, 1942, Art Institute of Chicago
(Public Domain)

#Art #ArtHistory #PublicDomain #PaintingOfTheDay #FamousArt

27.11.2024 20:46 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

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