Adaptation as reception—or, Lady Bird as The Tempest
Abstract. The idea that audiences are a crucial part of the adaptation process is widely acknowledged, and yet research exploring reception as an engine of
I don't really know where to go now to share and stay abreast of work things, but I worked really hard on this article for a very long time and I'm really happy that it's now out and free. Here's to more cross-readings of Shakespeare, Gerwig, and culture at large.
academic.oup.com/adaptation/a...
03.10.2025 12:28 — 👍 0 🔁 0 💬 0 📌 0
Screening Live Performance – Multi-camera production and the performing arts
CFP: Screening Live Performance: Multi-Camera Production and the Performing Arts (at Southampton in July).
What is the future of performance arts broadcasting and streaming?
screeningliveperformance.soton.ac.uk
16.01.2025 12:19 — 👍 2 🔁 0 💬 0 📌 0
Media producer of arts docs, screen performance; posts by John Wyver, Professor of the Arts on Screen, Univ of Westminster; broadcasting history, esp early TV, theatre, film, visual art
Images: Man w the Flower, ‘30 / de Stael, Le Saladier (detail), ‘54
Associate Prof @UoBrisEnglish 🏳️🌈 A FLAT PLACE (Hamish Hamilton/MHP 2023) HARD LANGUAGE (OUP 2022) 🐨 AHRC/BBC New Generation Thinker 🐈⬛ rep: @mfredturner
Co-author of three Arden Shakespeare texts; Methuen Series Editor; Co-editor of Routledge volume on Shakespeare & Education. Literature Tutor @citylit.
PhD in English, Scholar of Film Adaptation @UofDelaware 🎞️ 🎬
http://www.sedaoz.info
Media Reviews Editor, Adaptation
Treasurer, Association of Adaptation Studies
Founding Editor, Adaptation Today
Victorianist, Dickensian, adaptation scholar. Teaches at Radboud University in NL. Edits English Studies @englishstudies.bsky.social. He/him
English Lecturer and Course Director of the MA in Charles Dickens Studies. 'The Life of the Author: Charles Dickens' available to buy at https://www.waterstones.com/book/the-life-of-the-author-charles-dickens/pete-orford/9781119697459
Teaching film and writing at U Birmingham. Co-Convenor BAFTSS Adaptation SIG (https://bsky.app/profile/adaptationsig.bsky.social) and MHHRN (mhhrn.bham.ac.uk). Podcast: B Film Queer Pod 🏳️🌈(https://tinyurl.com/2bbw5ywd)
Professor of Digital Cultural Heritage, Edinburgh College of Art, University of Edinburgh. Computers versus the past. Digital Humanities and somesuch, including Transkribus. MBE FREng.
Professor of English. Mom of 4. McSweeney's. Moth Radio Hour + Moth podcast. Author of GREEN WORLD: A Tragicomic Memoir of Love & Shakespeare (Juniper Prize for Creative Nonfiction). Cohost, Everyday Shakespeare podcast. www.michelleephraim.com
Actor. Teacher. Dreamer. Father. Husband.
Bluegrass, Shakespeare, Guinness and good whisky are a few of my favorite things.
http://honestpinttheatre.org
https://shorturl.at/wSEnD
Dramaturg | Arts Advocate | Writer | Theatre Historian 💃🏻
Associate Professor | Author: Latinx Shakespeares
Co-Editor: Shakespeare & Latinidad
https://www.latinxshakespeares.org/
https://www.carladellagatta.com/
Prof in Renaissance Lit & Textual Studies @ U Leeds. Antiquarian books, letterpress, linocut, uilleann pipes, and computational humanities. Fur-dad to a corgi puppy and four rescue guinea pigs. notwithoutmustard.net 🏳️🌈 🇪🇺 He/Him
Fellow in English @ClareCollege
.
www.shakespeareforsnowflakes.com
.
www.beyondthetrigger.org
.
www.crassh.cam.ac.uk/research/networks/affective-encounters
Performance Reviews Editor for Shakespeare Bulletin | Shakespeare on screen(s) | Shakespop | metamodernism | performance | adaptation | cinema | theatre | he/him/his | Man with a Movie Compulsion https://manwithamoviecompulsion.substack.com
Multi-award-winning interactive theatre company.
Live shows and online games available now at https://hiddentrack.org.uk
Shakespeare + Early Modern English Lit. Manuscripts. Book History. Bibliography. DH. Canada Research Chair in Digital Humanities & English Professor at StFX University
Norwich-based academic/public archaeologist/lecturer in digital media/multimedia storytelling/cultural heritage/UCU member/dogmother/stuff/nonsense/whimsy/claptrap
An open-access, independent, peer-reviewed journal for research in English on the work of Roland Barthes. Based at Cardiff University.
https://sites.cardiff.ac.uk/barthes
Pronouns of the person posting here: he/him/his.
🏳️⚧️ 🏳️🌈
Archaeologist with a penchant for 16th and 17th century playhouses of all shapes and sizes, FSA and Faversham Society Trustee 🎭🏺
