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An interior painting depicting a wide window with fluttering white curtains, revealing a landscape of green hills and a clear sky. A light-coated cat sits on the windowsill, gazing at the horizon. In the foreground, a rustic wooden table stacked with books of varying sizes and colors. A high-backed wooden chair sits beside the table.

Karen Hollingsworth

Gustav Klimt's painting, Fir Forest (1901), depicts a dense forest of vertical trunks in orange and pink hues. Soft light filters through the trees, creating an almost abstract rhythm of vertical repetitions and reflections on the ground covered in small flowers and vegetation.

Gustav Klimt, Fir Forest (1901).

Surrealist painting by Greg Holt depicting a floating island divided into two parts, connected by a narrow strip of land. On the left, a small white church with a steeple stands on the green terrain; on the right, several people run toward the edge of the island, about to fall into the void. The golden evening light illuminates the grass and contrasts with the cloudy sky.

Tardee Greg Holt, Australian painter.

André Derain's 1905 oil painting, titled "Yacht" or "Bateaux à Collioure," is in the Fauvist style. The scene depicts red and brown fishing boats moored at a wooden pier, with figures of fishermen or crew in and around the boats and on the pier. The water is painted in shades of green and yellow-green with loose brushstrokes, and a yacht with an orange sail floats in the background, against hills in shades of ochre, orange, and blue-green under a clear sky.

André Derain, "Yacht" or "Bateaux à Collioure,"1905.

“Anubis on a Date” by Joanna Karpowicz. The painting depicts a nighttime scene viewed from outside a brightly lit house. Through the windows, Anubis, the Egyptian jackal-headed god, is seen sitting at a table with a blonde woman. Both hold glasses of wine, creating a mysterious and serene atmosphere. Outside, dense vegetation and the sea are visible under a deep blue sky.

“Anubis on a Date” by Joanna Karpowicz.

Abstract composition by Wassily Kandinsky, 1921. The artwork features colorful geometric shapes — circles, triangles, and lines — arranged in dynamic balance on a light background. A curved black stroke crosses the scene, contrasting with soft tones of green, pink, blue, and yellow, creating a sense of rhythm and movement.

Tardee. Wassily Kandinsky, 1921.

Piet Mondriaan's 1910 watercolor, "Amaryllis." The flower is bright red, with large, expressive petals, painted with loose brushstrokes. A thin blue stem stands out against the dark blue, almost black, background. The contrast is intense.

Piet Mondriaan, Amaryllis, 1910.

Edgar Degas, “Dancer in Green,” c.1883. Pastel on paper depicting a ballerina in motion, dressed in a light green tutu and a golden bodice. She dances gracefully on the tip of one foot, her arms extended in a curved pose, under soft light that highlights the texture of the tulle. The diffuse background in shades of green and ochre creates an ethereal, fluid atmosphere typical of Degas’s Impressionist style.

Edgar Degas, “Dancer in Green,” c.1883.

Salvador Dalí, “Meditative Rose”, 1958. A large red rose floats in the blue sky above a distant, desert-like landscape. Below, two small human figures cast long shadows across the illuminated horizon. The scene creates a surreal atmosphere, contrasting the flower’s delicacy with the vastness of space.

Salvador Dalí, “Meditative Rose”, 1958.

Painting by Claude Monet depicting a beach at Sainte-Adresse under a bright, cloudy sky. In the foreground, wooden boats rest on the pale sand while a few people converse near the shore. Further out, sailboats with dark sails move across the turquoise sea. On the left, houses and buildings stretch along a gentle hill leading toward the horizon.

Claude Monet (French, 1840–1926)
The Beach at Sainte-Adresse, 1867
The Art Institute of Chicago. Tardee

Oil on canvas, self-portrait of Vincent van Gogh with his left ear bandaged after self-mutilation. He wears a heavy green coat and a dark fur cap, smoking a pipe that releases billowing smoke against a vibrant orange and red background. His gaze is serious and direct.

Vincent Van Gogh, Self-portrait with bandaged ear - 1889.

Jose Manuel Capuletti, The Final Hours (1957). Surrealist painting depicting a woman sitting alone on an empty street, wearing a green blouse and yellow skirt. In front of her, a small rat appears on the pavement, while behind her lies a red and white cloth—possibly a coat or a towel. Bare trees line the street under heavy golden clouds…

Jose Manuel Capuletti, The Final Hours (1957).

Two cats, one white and the other black, lined up on a blue background with small pearly blue geometric figures.

Kiyoshi Saito (1907–1997)
Two Cats

Painting by Dia Azzawi, Red Sky With Birds (Left panel), 1981. An abstract composition dominated by red and orange tones, where multicolored geometric shapes evoke birds in flight. The figures stand out with vibrant bands of blue, green, yellow, and purple against a red background.

Dia Azzawi, (Iraqi, b.1939), Red Sky With Birds, left panel of two, 1981.

Painting by Joanna Karpowicz showing a human figure wearing an Anubis mask, standing by the seashore and gazing at the horizon. The person wears dark clothing and carries a red shoulder bag. Beside them, a brown dog touches the bag with its nose. The turquoise-blue sea fills the background, with small white waves and shimmering reflections.

Joanna Karpowicz Tardee

Oil on canvas by Charlie Mezzano. A dark road surrounded by barbed wire and dry trees leads to a distant silhouetted structure. In the lower left corner, an orange and pink butterfly rests. The upper part of the painting is dominated by a deep blue eye peering through a crack in what appears to be the sky or a rock breaking apart, revealing a starry night sky above.

Charlie Mezzano. Nitess💤

Mixed media painting by Corine Ko. Portrait of a woman from behind, in soft, faded colors (cream, pink, light blue). In the center right, a crimson-red bird perches on an empty, dome-shaped birdcage, drawn with fine lines. The work has a collage-like texture and a dreamy air.

Corine Ko

"Painting in shades of dark blue and teal, depicting an Australian bowerbird (possibly a Regent Bowerbird) perched on a branch. The bird has a pale pink circle ("halo") around its head. The background is a deep navy blue with a dot pattern. Large eucalyptus (gum) flowers in shades of peach and pink, along with elongated green leaves, frame the bird and the overall design."

Dana Kinter, “Australian bird and flora”.

Harold Gilman — Girl Dressing. Interior scene showing a woman standing and adjusting her clothing in front of a wall decorated with delicate flowers. The artist uses thick brushstrokes and warm colors — ochres, reds, and greens…

Harold Gilman — Girl Dressing.

“An ethereal painting depicting a young woman in profile, with her red hair tied up, wearing soft lilac and yellow clothing. Beside her, an abstract figure of a dog, formed by patches of pink, green and turquoise, creates a delicate dialogue between the real and the imaginary.”

Judy Thorley is an Australian mixed-media artist, born and based on the South Coast of New South Wales. Her work blends painting, collage, and printmaking, exploring delicate atmospheres between the real and the imaginary.

Surrealist painting by Victor Brauner showing a figure with voluminous hair and a pink dress, holding a white rod. In front of her floats a hybrid creature with a blue fish body, translucent wings, thin long legs, and a rounded head with large circular eyes and lilac ears. On the creature’s body rest a golden chalice, a knife, and small coins, hovering over a lake and a dark green background.

Tardee Victor Brauner (1903–1966) — a Romanian-born Surrealist painter whose art explored dreams, magic, and the mysteries of the subconscious.

Mario Reviglione's 1912 work depicts a cloaked figure, facing away, on a terrace overlooking the sea. The sky is covered in clouds illuminated by intense moonlight, creating reflections on the water. The austere architecture on the left contributes to the metaphysical feeling.

Mario Reviglione, Metaphysical Nocturne", 1912. Nitess💤

Marta Zamarska, untitled. Painting showing a woman leaning against the open door of a red train carriage, in an interior lit by warm tones of orange and green. The soft, diffused colors create a melancholic and introspective atmosphere, characteristic of the artist’s atmospheric style.

Marta Zamarska

Satō Emi, “Happiness”, 2006. A dark-toned drawing showing a happy cat with closed eyes and its nose pressed against a bamboo blind. Soft lighting highlights the contours of the fur and the delicate texture of the lines, conveying a sense of calm and contentment.

Satō Emi, “Happiness”, 2006.

Amedeo Modigliani, Female Bust in Red, 1915. Stylized portrait of a nude female bust painted in vivid orange tones against a grayish background. The figure’s elongated, tilted face and simplified lines convey the elegance and sensitivity characteristic of the artist’s style.

Amedeo Modigliani, Female Bust in Red, 1915.

Simon Palmer, 1956. Architectural and natural scene featuring a long avenue of tall, twisted trees leading toward a distant building. On the left, an ornate stone gate marks the entrance, while several people walk along the shaded path. The light emphasizes the mossy green of the trees and the weathered tones of the structures, creating a serene atmosphere.

Simon Palmer, 1956.

Jean Metzinger, Still Life, 1921. Cubist still life showing a tabletop with a white cloth and geometric objects: a red bottle, a cup, a bowl, an onion, and a loaf of bread. Simplified forms in shades of red, blue, gray, and black create a balance between abstraction and volume.

Jean Metzinger, Still Life, 1921.

Simon Palmer

Simon Palmer, rural scene showing a man in a brown suit handing a letter to a woman in blue sitting by a stone wall. Behind them, a winding path and tall trees lead to white houses in the distance, surrounded by warm autumn tones.

Simon Pálmer. Tardee

Julia Lucey, “Red Fox.” The artwork shows a red fox partially hidden among orange and reddish flowers, set against an intense orange background.

Red Fox' by Julia Lucey, contemporary US printmaker who uses traditional etching and aquatint techniques to explore nature, wildness, wilderness