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Josh Bowsher

@jbowsher.bsky.social

Capitalism Hater, Sociology Lecturer: the cybernetic and the computational, STS, critical human rights studies. Author of The Informational Logic of Human Rights (Edinburgh University Press) (he/him)

495 Followers  |  548 Following  |  177 Posts  |  Joined: 25.07.2023  |  2.1406

Latest posts by jbowsher.bsky.social on Bluesky

Re. Why academics might use AI - it's bad of course; I do not and will not use AI. But It's probably not a great idea to cast our colleagues as lazy and suggest instead a more materialist analysis of academic labour and the extreme pressures we're all increasingly under.

12.12.2025 08:33 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Just got the proofs for this academic handbook, The Aesthetics of Machine Vision, which I co-edited with some colleagues during my postdoc, which feels like a million years ago.

Out in September 2026! with @mitpress.bsky.social

11.12.2025 16:50 β€” πŸ‘ 37    πŸ” 6    πŸ’¬ 1    πŸ“Œ 0

A high tech capitalism in which most things don't work.

09.12.2025 14:51 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Medieval Robots – Penn Press A thousand years before Isaac Asimov set down his Three Laws of Robotics, real and imagined automata appeared in European courts, liturgies, and literary tex...

And

www.pennpress.org/978081222357...

07.12.2025 12:53 β€” πŸ‘ 1    πŸ” 1    πŸ’¬ 1    πŸ“Œ 0
Automated Slaves, Ambivalent Images, and Noneffective Machines in al-Jazari’s Compendium of the Mechanical Arts, 1206 | 21: Inquiries into Art, History, and the Visual Automated slaves abound in Ibn al-Razzaz al-Jazari’s famous Arabic compendium of the mechanical arts (ca. 1200), suggesting a conflation of slave and machine, while reflecting the range and significance of courtly slavery in the Artuqid realm. A 1206 illustrated copy, however, complicates both the idea of forced labor’s mechanical reproducibility and the fantasy of the machine as perfect servitude, especially in a context that witnessed slaves’ relative access to social mobility. At once figurative and diagrammatic, the pictures steered away from the mechanical by adding historical, social specificity; indeed, they echoed a range of courtly images that situated, rather than stereotyped, slave labor. Similarly, owing to technological limitations, the machines would have likely highlighted, rather than minimized, courtly slaves’ technical and social participation.

And because I am always here to plug medieval research on these topics:

journals.ub.uni-heidelberg.de/index.php/xx...

07.12.2025 12:50 β€” πŸ‘ 2    πŸ” 1    πŸ’¬ 1    πŸ“Œ 0

These look excellent!

07.12.2025 12:54 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

www.dukeupress.edu/surrogate-hu...

07.12.2025 11:10 β€” πŸ‘ 29    πŸ” 9    πŸ’¬ 1    πŸ“Œ 0
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Surrogate Humanity: Race, Robots, and the Politics of Technological Futures

Don't know if you've ever come across this, but an excellent account of this phenomenon I think. www.dukeupress.edu/surrogate-hu...

07.12.2025 11:10 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Always great to see your own personal β€œDo not build the torment nexus” moments come to life.

03.12.2025 23:03 β€” πŸ‘ 80    πŸ” 15    πŸ’¬ 5    πŸ“Œ 2
27.11.2025 20:04 β€” πŸ‘ 2    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0

A few years old now but I wrote a book about how digital culture shaped human rights activism and why that might be a problem.

edinburghuniversitypress.com/book-the-inf...

27.11.2025 19:53 β€” πŸ‘ 6    πŸ” 2    πŸ’¬ 0    πŸ“Œ 1

Just me settling down for a quiet night of time-motion study...

24.11.2025 22:25 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Reading and Writing the Weather - Bronislaw Szerszynski, 2010 In this article I argue that an adequate response to climate change requires an overcoming of the metaphysics of presence that is structuring our relationship w...

From the Archive: Bronislaw Szerszynski, 'Reading and Writing the Weather' - argues that an adequate response to climate change requires an overcoming of the metaphysics of presence that is structuring our relationship with the weather. (Free Access) (2010) journals.sagepub.com/doi/abs/10.1...

22.11.2025 23:45 β€” πŸ‘ 0    πŸ” 3    πŸ’¬ 0    πŸ“Œ 0

It's worth adding that while the hack of 2+ years ago has been dreadful for British Library users, it is also been awful for BL staff, who cannot fulfil readers' requests and are then confronted by their consequent frustration. With no end in sight.

26.10.2025 08:33 β€” πŸ‘ 141    πŸ” 55    πŸ’¬ 0    πŸ“Œ 0
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Generative AI is a societal disaster Governments are deluding themselves into believing investment justifies allowing AI to upend society

The AI industry wants us to believe AI superintelligence is the real threat from generative AI.

But that narrative was crafted to distract from the many ways genAI is being used to tear our societies apart, as we saw this week when a deepfake video rocked the Irish election. It must be reined in.

24.10.2025 10:12 β€” πŸ‘ 1289    πŸ” 503    πŸ’¬ 10    πŸ“Œ 42
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This from San Francisco in 2019 popped up. Evergreen graffiti.

23.10.2025 20:22 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

I don’t know if there’s a more perfect illustration of the utter fucking nonsense that creative pollution by AI will produce than this choice to illustrate the power of Paramount’s new β€œlocalization” and β€œcustomization” technology by face-swapping Brad Pitt into the lead role of GET OUT

23.10.2025 08:13 β€” πŸ‘ 3610    πŸ” 1112    πŸ’¬ 96    πŸ“Œ 289

I think it's the argument that doing this (patently ridiculous thing) is better than interviewing actual people because its less ethically risky that really makes me want to do a scream. As if the risks attached to something aren't what makes it worth doing in the first place...

21.10.2025 21:41 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

🫣

21.10.2025 21:30 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Sage Journals: Discover world-class research Subscription and open access journals from Sage, the world's leading independent academic publisher.

ICYMI: Ryan Bishop, 'The Eames Office, the Cold War and the Avant-Garde: Making the Lab of Tomorrow' - a collaborative, affair linking Hollywood, the State Department, universities, the corporate sector and international fairs during the Cold War. (Open Access) journals.sagepub.com/doi/full/10....

13.10.2025 12:01 β€” πŸ‘ 2    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

Neferti Tadiar's Remaindered Life: disaster capitalism constitutes disposable lives as a β€˜pipeline’ of β€˜aggregate material’ for β€˜productive
consumption,’ by accumulative processes embedded in β€˜border patrol, refugee processing and
detention, and other industries of life expenditure.’

17.10.2025 16:48 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

I just can't fathom, other than admittedly stressed university balance sheets, why anyone would think it would be a good idea to replace

r e l i a b l e experts

with an

u n r e l i a b l e technology

16.10.2025 08:23 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

T&C's lol

16.10.2025 08:21 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Behold the power of AI (subject to hallucinations, will likely tell you what you want to hear, S&C's apply)

16.10.2025 08:20 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 2    πŸ“Œ 0

The goal was wide open I'm afraid, could not resist the tap in

12.10.2025 16:09 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

I think I'd prefer Sabrina carpenter too, Lizzie!

12.10.2025 16:05 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Lol GenAI remains a technology in search of a use case. Sounds like a really convoluted version of... Making a video of yourself?

12.10.2025 15:59 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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The Dangers of using AI to Grade Nobody Learns, Nobody Gains

I strongly urge everyone to not just read this warning from @marcwatkins.bsky.social, but heed it, and be vocal and forceful pushing back against using AI to grade student writing. This must be anathema if we're going to have a world where learning means something. substack.com/inbox/post/1...

10.10.2025 13:16 β€” πŸ‘ 285    πŸ” 124    πŸ’¬ 7    πŸ“Œ 28

I dunno man, I think they are both problems maybe?

10.10.2025 17:49 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

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