Touring life 😆
Today we’re in Groningen!
01.03.2025 15:47 — 👍 2 🔁 0 💬 0 📌 0
YouTube video by Podium Klassiek
Arturo den Hartog & Ragazze Quartet & Mariko Shimodo - Franz Schubert - Winterreise| Podium Klassiek
A piece from ‘Normality No More - Schuberts Winterreise Revisited’ in @podiumklassiek.bsky.social with Ragazze Quartet and Mariko Shimoda
10.02.2025 22:44 — 👍 2 🔁 1 💬 0 📌 0
Thank you so much for coming!
03.02.2025 18:49 — 👍 0 🔁 0 💬 0 📌 0
What to share as a first post?
Decided to go with some stage drama 😆
Here’s a still from a scene of ‘Normality No More - Schuberts Winterreise Revisited’.
Playing now!
01.02.2025 21:54 — 👍 3 🔁 0 💬 0 📌 0
Still one of the most engaging and beautiful operas I’ve seen!
27.01.2025 15:53 — 👍 1 🔁 0 💬 1 📌 0
Composer of contemporary classical music, based in Malmö, Sweden
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https://youtube.com/channel/UCFf7j6ehIY-gc3oEgYnkfog?si=4dYzHFy1jRJGHaYm
https://www.instagram.com/erik_valdemar_skold_composer?igsh=MWZtbHBxeDNzb3J3bA==
Saxophonist, composer, arranger. Calefax Reed Quintet, Akademie van Kunsten, Royal Conservatoire The Hague
Percussive Artist, Cross-Cultural Collaborator, Artistic Researcher and Teacher.
Dutch opera singer | soprano | mom of 8 y.o. Kiki and 3 y.o. Nina 👶🏻| based in The Hague | very open and honest | #askmeanything
Classical music, violin, improvisation, science, rabbits
Extraordinary Music Venue in Utrecht
Baroque violin-Holland Baroque.
Musician, amateur photographer, loves books, films, food, nature
www.baswiegers.com
makes a podcast about music
https://baswiegers.podbean.com/
Weil Oper die schönste, wahnsinnigste und überwältigendste Kunstform der Welt ist – willkommen zu Hause!
Previously Artistic/General Director Dutch National Touring Opera. Lover of books, opera, 80’s pop, my husband Hanz and Ziggy the dog. Dutch and British, living in the countryside away from all the horrid stuff.
Opera singer.
Website: www.philippaboyle.com
Management: https://piperartists.com/portfolio/philippa-boyle/
Opera, Ballet, Classical Music
'perhaps the most riotously inventive ensemble on the modern scene' (The New Yorker)