SEN 👾

Tobe! Isami - Soar High! Isami (1995): A vibrant anime promotional illustration depicting a dynamic action scene at night over a brightly lit cityscape with starry sky and glowing buildings below. In the foreground, a person with spiky brown hair tied in a red ribbon, wearing a white and red outfit with black accents, leaps energetically while wielding a green-handled sword. Beside him, a blonde person in a similar white and green costume swings a long staff. Above them hovers a large sleek blue futuristic aircraft with glowing green and yellow accents, while a giant smiling white cat mask with red features holds an orange folding fan.

Tobe! Isami - Soar High! Isami (1995). Character design and primary illustration by Yūichi Hasegawa.

Nankai Kio Neoranga - Neo Ranga (1998): A dramatic anime promotional poster illustration featuring three women in tribal-inspired red and white attire with red face paint streaks and elaborate gold jewelry, posed dynamically in the foreground with intense expressions. The central figure has short red hair and a determined gaze, flanked by one with long black hair and another with short dark hair. Above them looms a massive black mecha-like giant with red accents, glowing red eyes, spiral patterns, and outstretched limbs against a twilight sky with palm trees and ocean horizon. Bold Japanese title text in ornate gold lettering dominates the upper portion, accompanied by broadcast details, cast and staff credits, and sponsor logos at the bottom.

Nankai Kio Neoranga - Neo Ranga (1998) promotional illustration of the Shimabara sisters with the guardian deity. Character art and primary design by Hirohito Tanaka.

RUIN ARM R.P.G. (1995): A vibrant Super Famicom game box cover illustration depicting a dynamic group of fantasy adventurers charging forward through ruined stone structures under a bright blue sky. In the foreground, a young male hero with spiky orange hair, goggles, red cape, and blue tunic wields a large sword with both hands. Surrounding him are a blue-haired female mage in flowing robes, a green-skinned goblin-like character with goggles and a wide grin, a young female archer in red and blue attire, and various large mechanical creatures and monsters, a metallic robot head, and other fantastical armored figures. A large glowing green orb floats in the background amid towering ruins and rocky terrain. The bold title "RUIN ARM" appears in stylized blue and gold lettering at the center, with Japanese text above and publisher credits for Banpresto and Nintendo at the bottom.

RUIN ARM R.P.G. (1995) by Bandai for Super Famicom. Japanese cover illustration by Hiroyuki Taiga.

Arion and Gundam RX-78-2 (1998): A dramatic painted illustration depicting a young male warrior with short dark hair and a determined expression, wearing a blue and gold armored chest piece, skirt-like lower armor, sandals, arm guards, and a flowing red cape. He stands triumphantly atop the massive helmeted head of a giant bronze mecha with angular features, spiked protrusions, and a fierce expression, gripping a large sword raised overhead with both hands. The scene is set against a dark, stormy sky with deep purple and orange hues, scattered debris, and dramatic lighting that highlights the warrior and the mechanical giant below. The artwork is signed "YAS '98" in the lower right corner.

Arion and Gundam RX-78-2 (1998) crossover key illustration by Yoshikazu Yasuhiko.

Counter-Strike: Neo (2003): A dynamic promotional illustration featuring a group of heavily armed tactical operatives in futuristic combat gear posed aggressively in a forward-leaning formation against a green geometric triangular background pattern. In the foreground, a muscular male soldier in silver and blue powered armor with a full-face helmet holds a large minigun with ammunition belt. Surrounding him are various characters including a blonde female with short hair in green tactical vest aiming a pistol, a red-haired male with goggles wielding a rifle, a black-haired female raising a large sniper rifle overhead, and additional helmeted soldiers in green military uniforms carrying assault rifles and submachine guns. The composition emphasizes intense action poses, detailed weaponry, and a high-tech military theme.

Counter-Strike: Neo (2003) by Namco for System N2 arcade. Key visual and character designs by Takuji Kawano.

Claymore (2001-2014): A detailed black-and-white manga illustration depicting two female warriors standing side by side in a dramatic outdoor setting under a cloudy sky. The taller figure is a tall, statuesque woman with long flowing blonde hair, large expressive eyes, and a serious expression, dressed in form-fitting armor with a short armored skirt, large shoulder pauldrons, armored gauntlets and greaves, and a flowing cape billowing behind her. She holds a massive broadsword resting on her shoulder with one hand while her other hand clasps the smaller figure's hand. Beside her stands a young girl with long straight hair, wearing a simple sleeveless dark dress with a belt and short boots, looking up with wide eyes.

Claymore (2001-2014) illustration of Teresa and Clare by Norihiro Yagi.

Gunvalkyrie (2002): A dynamic promotional cover for the Xbox game featuring a blonde female protagonist in futuristic powered armor striding forward confidently in the foreground. She wears a form-fitting black bodysuit with metallic gold and white plating, large shoulder guards, and mechanical wing-like thrusters on her back connected by cables to an overhead gun barrel. Her expression is determined as she looks directly at the viewer. In the background, a stern male face with short brown hair appears amid glowing circuit lines and mechanical details. The title "GUNVALKYRIE" is displayed in large glowing blue letters at the top, with the subtitle "Armored Valkyries hear our cries!" in red below, Japanese text, and publisher logos for Smilebit and Sega at the bottom.

Gunvalkyrie (2002) by Smilebit and SEGA for Xbox. Japanese box art with Kelly O'Lenmey and Saburota Mishima designed by Yuichi Ide.

Tenshi no harawata: Nami - Angel Guts: Nami (1979): A dramatic pink-toned promotional poster illustration featuring two women in an intimate, overlapping pose. The central figure is a woman with long flowing black hair and intense eyes, wearing an open blue jacket and lying back with her head tilted upward and mouth slightly open in an expression of ecstasy or distress. Below her is another woman with similar dark hair, gazing upward with wide eyes while partially reclined. The composition includes dynamic linework, shading for depth, and scattered sparkles or light effects against a vibrant magenta background. Prominent English title "ANGEL GUTS NAMI" and Japanese text appear in stylized lettering at the top and sides.

Tenshi no harawata: Nami - Angel Guts: Nami (1979) promotional poster illustration by Takashi Ishii.

Spy Fiction (2003): A dynamic action game cover illustration featuring two heavily armed characters in futuristic tactical gear charging forward in a leaning combat pose. The foreground shows a determined blonde female agent with short hair, wearing a form-fitting beige and black armored bodysuit with red accents, harness straps, earpiece, and multiple holsters, gripping a pistol in both hands. Behind her is a male agent with spiky reddish-brown hair, dressed in a dark bodysuit and armored vest, also holding a pistol aimed ahead. The dramatic sepia-toned background emphasizes their intense expressions and forward momentum. Bold title text "SPY FICTION" in metallic red and white lettering appears prominently at the bottom, with Japanese subtitle and publisher logos for Sammy and Access Games, along with CERO 15+ rating warnings.

Spy Fiction (2003) for PlayStation 2. Cover illustration of Sheila Crawford and Billy Bishop by Range Murata.

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City Hunter (1985–1991): An anime illustration depicting a young man with short dark hair and a serious expression, wearing a light green jacket over a red shirt and light pants, seated casually on a rooftop ledge while holding a lit cigarette. Beside him stands a confident young woman with short reddish-brown hair, dressed in an orange top, open reddish-brown cardigan, and short red skirt, resting one hand on his shoulder as they both gaze outward. The dramatic nighttime cityscape background features a deep blue sky filled with scattered white stars and twinkling city lights below.

City Hunter (1985–1991) key promotional illustration of Ryo Saeba and Kaori Makimura by Tsukasa Hojo.

Alone in the Night - 夜がまた来る (1994): A dramatic black-and-white promotional poster illustration featuring a young woman with long wavy dark hair and intense eyes, wearing a dotted-pattern dress. She holds a weapon pointed forward with one hand, her body partially submerged in heavy rain that streaks across the dark background, creating glistening wet effects on her skin and clothing. Japanese title text in bold purple "夜がまた来る" appears prominently at the center with the English "ALONE IN THE NIGHT" below, accompanied by credits for director Ishii Takashi, script supervision, and cast names along the bottom and sides.

Alone in the Night - 夜がまた来る (1994) promotional poster illustration by Takashi Ishii. Alternative title Angel Guts: Night Is Falling Again.

Tenchu 2 (2000): A dramatic promotional poster for the PlayStation game featuring three intense ninja characters posed dynamically against a vivid red and black splattered background. At the top stands a muscular male ninja with long dark hair in a ponytail, wearing a sleeveless brown outfit and armored gauntlets, extending one arm forward aggressively. Below him is a young male with short white hair and a serious expression, dressed in dark clothing with a red scarf. To the side is a determined young female ninja with short dark hair, clad in a red and black outfit, wielding dual short blades in a combat stance. Large stylized Japanese title text "天誅弐" dominates the center in bold black and red with blood-like effects.

Tenchu 2 (2000) promotional poster by Koushi Nakanishi, Naoki Sudo, and Acquire art team. Western subtitle Birth of the Stealth Assassins.

Adekan (2007–present): A richly detailed and colorful manga illustration featuring a central young person in a dark military-style uniform with a peaked cap, holding red hairpins near his intense face as they gaze forward. Surrounding him are vibrant oversized red and pink peonies filling the composition, interwoven with multiple figures in elegant traditional Japanese attire, including one with long black hair in a blue and white kimono, another small person in a patterned robe embracing a figure, and a large reclining person's face with closed eyes amid the flowers. A tall blonde person in a flowing white coat adorned with colorful butterflies stands to the right in profile, looking upward. Butterflies flutter throughout, and red liquid drips from some areas, adding dramatic contrast against the lush floral backdrop.

Adekan (2007–present) key illustration from Nao Tsukiji Illustrations: NOSTALGIA from 2015.

Clock Tower (1995): A surreal dark blue-toned illustration depicting a pale woman with long flowing blonde hair and closed eyes, integrated as the central figure within a large antique clock face. Her ethereal form, dressed in a loose off-shoulder gown, emerges from the clock's center, with a thin metallic chain-like hand extending from her body across the dial. The massive Roman numeral clock face features intricate engraved markings and a textured stone-like border, enveloped in deep shadowy blue gradients that create a mysterious and ominous atmosphere.

Clock Tower (1995) by Human Entertainment for Nintendo Super Famicom. Japanese box and cartridge art.

Angel Heart: 1st Season (2001-2010): A dynamic manga volume cover illustration depicting a determined young woman with long brown hair aiming a large black pistol forward with both hands, wearing a cropped green jacket, red top, brown belt, and white pants. Behind her stands a focused young man with short black hair in a purple shirt and green jacket, also pointing a revolver directly at the viewer. The composition features dramatic overlapping poses against a plain background, with the bold title "ANGEL HEART" in large black letters accented by a golden heart with wings, "1st season" in red, and "VOL. 12" prominently displayed.

Angel Heart: 1st Season (2001-2010) illustrated by Tsukasa Hojo.

Reveal Fantasia: Mariel to Yōsei Monogatari (2002): A vibrant fantasy game cover illustration depicting a young person with short blonde hair, large rabbit-like ears, and a cheerful expression, walking in a lush enchanted forest clearing, wearing a white hooded cape with pink and blue accents, a blue tunic, brown shorts, a belt, and blue boots, with a red gem brooch on the chest. A small winged fairy with blonde hair, green dress, and translucent wings hovers above him, glowing softly in a beam of sunlight. The serene woodland background features tall trees, glowing mushrooms, colorful foliage, scattered bottles, and dappled light rays filtering through the canopy. Prominent Japanese title text in stylized red and blue lettering appears at the center with subtitle "Mariel to Yōsei Monogatari".

Reveal Fantasia: Mariel to Yōsei Monogatari (2002) for PlayStation 2. Character design by Sunaho Tobe.

The Vision of Escaflowne (1996-1997): An elegant anime illustration featuring two anthropomorphic feline female figures in profile, gazing upward with serene expressions. The upper figure has a golden-blonde mane, leopard-spotted facial markings, pointed ears, and green eyes, while the lower figure has sleek silver-grey skin, darker striped patterns, sharp features, and piercing green eyes. Both have long flowing hair and red lips, surrounded by large vibrant yellow flowers with green leaves and stems that frame their faces and necks.

The Vision of Escaflowne (1996-1997) key illustration of Eriya and Naria by Nobuteru Yūki.

Kuon (2004): A dark and eerie Japanese horror game cover featuring a pale young woman with short black hair lying on her back on the ground, dressed in a richly patterned red and gold traditional kimono with intricate floral and dragon motifs. Her eyes are open and gazing upward, one arm bent with a clenched fist near her face. The background is a deep black void with faint glowing orange embers and subtle fiery textures surrounding her figure. Prominent white Japanese title text "九怨 -kuon-" appears stylized across the center, accompanied by rating warnings, publisher logo FromSoftware, and CERO 15+ label in the corners.

Kuon (2004) by FromSoftware for PlayStation 2.

Kaizokutō Jiken - The Man in Pirate's Island (2002): A melancholic anime-style illustration of a pale woman with long flowing black hair and closed eyes, tears streaming down her face in thick black streaks. She wears a loose traditional robe with wide sleeves, her arms raised as if cradling her head or shielding herself. The entire figure is enveloped in a dreamy, translucent blue and white watery or misty atmosphere with soft gradients and subtle ripples, creating a sense of submersion or ethereal sorrow.

Kaizokutō Jiken - The Man in Pirate's Island (2002) illustration of Princess Yamiko by Kazuma Kaneko.

Cyborg Kuro-chan (1997-2001): A chaotic and colorful anime poster illustration depicting the black-and-white cat Cyborg Kuro-chan in the foreground with a mischievous grin, large pointed ears , and mechanical enhancements, surrounded by explosions, flames, and debris in a destroyed cityscape. Various quirky characters including an elderly man with glasses, a baby, a girl with a crown, and other eccentric figures with exaggerated expressions float amid the destruction, while a blue car and scattered weapons add to the mayhem. The background shows burning buildings under a dramatic sky with dark smoke and fiery orange hues. Japanese title text in bold pink and yellow letters appears at the bottom.

Cyborg Kuro-chan (1997-2001) illustrated by Naoki Yokouchi.

Yeah, it was AI.

Ghost in the Shell (1989–1990): A detailed side-profile illustration of a young woman with short black hair and intense red-brown eyes, her face and neck overlaid with glowing white circuit board patterns resembling electronic circuitry. A complex mechanical headpiece with robotic arms, wires, cables including a green and blue one, and a small rectangular device labeled with Japanese text and the date 1989.5.25 is attached to the top of her head. The background consists of intricate dark green circuit board designs with geometric patterns. The artwork is signed by Masamune Shirow.

Ghost in the Shell (1989–1990) promotional telephone card illustration of Major Motoko Kusanagi by Masamune Shirow.

Yeah, someone explained in the comments.

Toshi Tensō Keikaku: Eternal City (1991): A detailed anime mechanical design illustration featuring a massive, heavily armored humanoid mecha with bulky silver and bronze plating, large rounded shoulders, and thick limbs. Integrated into the central torso is a young female pilot with short pink hair and wearing a red outfit, secured within an open cockpit surrounded by intricate machinery, cables, and glowing elements. Below the main figure are smaller line-art sketches showing multiple angled views of the mecha's design. The artwork is signed by Masamune Shirow.

Toshi Tensō Keikaku: Eternal City (1991) by Naxat Soft for PC Engine. Character design, mecha design and promotional key illustration by Masamune Shirow.

Iria: Zeiram the Animation (1994): A dynamic anime illustration depicting a female warrior with red hair in a white and blue armored suit lunging forward while wielding a large futuristic gun. Behind her stands a tall, mysterious cloaked figure in a wide-brimmed blue hat and flowing dark robes adorned with golden accents and a mask-like emblem. The dramatic background features a vibrant sunset sky with swirling orange, red, purple, and blue clouds.

Iria: Zeiram the Animation (1994) promotional key illustration by Masakazu Katsura adapted from primary character design by Keita Amemiya.

Shin Megami Tensei II (1994): A dramatic fantasy illustration featuring three determined warriors charging forward together against a fiery orange sky with ancient pyramid structures in the background. On the left, a woman with long brown hair under a blue-and-orange headband and a cross necklace stands beside a fierce roaring lion with golden fur. In the center, a shorter figure with short dark hair wears a distinctive green helmet and black-and-red armor. On the right, a blonde woman in red-and-yellow armor with a flowing scarf wields a large sword. All three are posed dynamically with intense expressions, weapons drawn, and dramatic lighting highlighting their muscular forms and detailed outfits.

Shin Megami Tensei II (1994) by Atlus for Super Famicom. Promotional key illustration.

Correction: it's from the movie (2000).

Xenosaga promotional illustration of KOS-MOS Ver.1 (2014): A serene watercolor-style illustration of an android woman with long flowing light blue hair and red eyes, wearing a form-fitting white and purple bodysuit with black lace-trimmed thigh-high stockings and gloves. She stands confidently on a large mechanical structure with one hand resting on a massive futuristic weapon or blade, gazing forward with a calm expression. Her pointed ear-like headgear and detailed mechanical accessories are visible against a vibrant sunset sky with warm orange, pink, and purple gradients.

Xenosaga (2002-2006) promotional illustration by Kunihiko Tanaka from 2014 of KOS-MOS Ver.1 for Kotobukiya 1/12 scale full action model kit.

The Vision of Escaflowne (1996): A vibrant group character illustration from an anime series set against a clear blue sky, featuring a tall central male with long blonde hair, a headband, stern expression, and dark armored coat with crossed arms. Surrounding him are various companions including a young woman with orange hair and pink bow in a revealing outfit with mechanical arm guards, a small cat-like girl with orange fur and large blue eyes, a muscular dark-skinned man, a cheerful elderly figure with wild red hair and tribal attire, and other diverse characters in fantasy armor and clothing, all posed dynamically together with large weapons visible.

The Vision of Escaflowne (1996) key promotional illustration by Nobuteru Yūki.