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Tara Aisha Willis

@taraaishist.bsky.social

dance, writing, curation, dramaturgy Getty AAHI Postdoc Fellow | Curator-in-residence, EMPAC

26 Followers  |  31 Following  |  2 Posts  |  Joined: 23.01.2025  |  1.6293

Latest posts by taraaishist.bsky.social on Bluesky

Leslie Cuyjet, With Marion, The Kitchen, 2023. Courtesy of artist. Photo: Walter Wlodarczyk; SHAWNÉ MICHAELAIN HOLLOWAY, DEWCLAW, Institute for Contemporary Arts at Virginia Commonwealth University, 2022. Courtesy the artist. Photo: Keshia Eugene

Leslie Cuyjet, With Marion, The Kitchen, 2023. Courtesy of artist. Photo: Walter Wlodarczyk; SHAWNÉ MICHAELAIN HOLLOWAY, DEWCLAW, Institute for Contemporary Arts at Virginia Commonwealth University, 2022. Courtesy the artist. Photo: Keshia Eugene

Steffani Jemison, In Succession (Means), 2024. Performed by Nimia Gracious, Loren Tschannen, and Steffani Jemison at Centre d’Art Contemporain Genève, June 7–8, 2024. Courtesy the artist. Photo: Zoé Aubry; A.J. McClenon, Inspirited by For J.B. and 3B49, collages with video stills from recording of Blondell Cummings For J.B. and 3B49 at The Kitchen, November 30–December 3, 1989, 2022. Courtesy the artist.

Steffani Jemison, In Succession (Means), 2024. Performed by Nimia Gracious, Loren Tschannen, and Steffani Jemison at Centre d’Art Contemporain Genève, June 7–8, 2024. Courtesy the artist. Photo: Zoé Aubry; A.J. McClenon, Inspirited by For J.B. and 3B49, collages with video stills from recording of Blondell Cummings For J.B. and 3B49 at The Kitchen, November 30–December 3, 1989, 2022. Courtesy the artist.

EPHEMERAL ORGAN
Series (fall 2024-spring 2025) and festival (Apr 17-18), EMPAC

WORK, RESIDENCIES & TALKS BY...
Justine A. Chambers, Leslie Cuyjet, SHAWNÉ MICHAELAIN HOLLOWAY, Steffani Jemison, Katherine Simóne Reynolds & A.J. McClenon, and Tara Aisha Willis

www.empac.rpi.edu/events/2025/...

23.01.2025 20:29 — 👍 3    🔁 0    💬 0    📌 0
my back to the camera, bodily lunging sideways with arms framing my head unevenly. I am blocking/silhouetted in front of Damon, who stands behind a sound equipment table.

my back to the camera, bodily lunging sideways with arms framing my head unevenly. I am blocking/silhouetted in front of Damon, who stands behind a sound equipment table.

in front of Damon's sound equipment table, which is covered in printed fabric, the two of us lean across the space between us to form a triangle of weight-sharing, hands on each others' heads and shoulders. A bright light under the table shines direct at the camera; the front edges of our brightly patterned jumpsuits are highlighted.

in front of Damon's sound equipment table, which is covered in printed fabric, the two of us lean across the space between us to form a triangle of weight-sharing, hands on each others' heads and shoulders. A bright light under the table shines direct at the camera; the front edges of our brightly patterned jumpsuits are highlighted.

Damon is fully visible in his red and blue striped jumpsuit as he presses buttons in the background at his table while watching me, dancing with my face up toward the ceiling, bathed in the light of a painter's light I am holding overhead.

Damon is fully visible in his red and blue striped jumpsuit as he presses buttons in the background at his table while watching me, dancing with my face up toward the ceiling, bathed in the light of a painter's light I am holding overhead.

"Step Step Step," me and Damon Locks, 2023
UofI-Urbana Champaign, Interseminars

23.01.2025 20:12 — 👍 3    🔁 0    💬 0    📌 0

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