First repost on BSB, glad to be here :) Still buoyed by the workshop @kshpatel.bsky.social and I hosted last week. Looking forward to connecting online in this space. 🏳️🌈🏳️⚧️
17.03.2025 07:22 — 👍 7 🔁 1 💬 0 📌 0
A room full of people seated at their respective breakout tables with a monitor in front for workshop facilitation and slideshow projection.
Last night’s session was the second of the two workshops that Susan and I developed, with the first one on Queer Archive-ology for Just Futures held last month in the context of HISS. Grateful for this expansive community of queers and to SSSHARC for bringing us together and making these worlds! 💜
13.03.2025 11:50 — 👍 2 🔁 1 💬 0 📌 0
Celebrating the Art of Non-Fiction
15th edition: 6-11 May 2025 at venues across London
opencitylondon.com
Founded in June 2012 as an international platform for informed comment and German-language film promotion amongst researchers, educators, film professionals, and the interested public. Based at University of St. Andrews, Scotland.
Community-based project and exhibition space in #Amsterdam. Free entry, pay what you can.
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Relentlessly blogging about a single film - currently Red Desert. www.slowmovingpictures.org
I'm extremely normal, and identical to everyone else 🏳️⚧️ 🏳️🌈 🏴
Journo, writer, lover of stories that end abruptly. Find me at Ricochet Media, The Canadian National Observer, Capital Daily, Women’s Media Centre and Watershed Sentinel.
The Journal of Contemporary Archival Studies is a peer-reviewed, #openaccess journal sponsored by Yale University Library and New England Archivists.
The Decolonial Futures RPA establishes decolonial research collaborations across the Humanities, Law, and Behavioural and Social Science Faculties at the UvA.
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Come learn with us! We are the Faculty of Education at the University of Victoria.
Professor, researcher, maker of things
~Book: Atlas of AI
~Installation: Calculating Empires
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Longtime film critic -- Chicago Reader, Chicago Tribune, New York Times -- now a curator in the Department of Film of the Museum of Modern Art, New York. Opinions are my own.
Early Popular Visual Culture (EPVC) is a peer-reviewed, academic journal dedicated to stimulating research and interdisciplinary studies in relation to all forms of popular visual culture before 1930.
https://www.tandfonline.com/journals/repv20
Artist/Writer/Film/Performance Artist/Educator. Mostly sober. 2 Spirit/Indigiqueer nêhiyaw trans man. I get naked for money and people write about it. Dog parent.
https://ko-fi.com/theocuthand
Tjcuthand.com
Film professor & Léontine enthusiast! Author of DEATH BY LAUGHTER: Female Hysteria and Early Cinema (Columbia UP, 2024) and co-curator of CINEMA'S FIRST NASTY WOMEN (Kino Lorber, 2022). https://cup.columbia.edu/book/death-by-laughter/9780231559812
Reader in Literature and Visual Culture at Cardiff University | Author of In and Out of Sight (Oxford UP) | Coeditor of #Incomplete (U California P) and #Visualities (Modernism/modernity) | Working on a critical–creative book about women in photography
film scholar + critic | books abt 60s sex films, global cinema, place | in '25: The Prop (Fordham); Wanda (BFI); toiling: Cinemas of Exhaustion | teach @ King's College London | post-soviet newyawker, ekphrastic perfume fiend | elenagorfinkel.com
I live in Buffalo and write about film culture. Book: “The New Cinephilia”.
Associate Prof. in Film Studies & IRC Laureate, Trinity College Dublin. Digital theory, screen voices, sound, immersive tech and synthetic media. And cats.
Thomas Gladysz - writer, arts enthusiast, pop culture archeologist & silent film buff. Director of Louise Brooks Society™ (est. 1995). Author of "The Street of Forgotten Men: From Story to Screen and Beyond" and 4 other books. More at www.thomasgladysz.com