Emma Price

Thank you so much to the excellent @iamgiantwoman.bsky.social for asking the important questions today at our MCM panel! Really hope people heard some useful info and took something positive from the discussion. I, for one, learnt that most of us fell into this crazy business, "by accident"! 🤣

Today at MCM! Come see us waffle about what the "Other People" do in the process of making comics! 3pm on the Artist Alley stage.

🧟‍♂️🎃 NEW #DrawWithRob ALERT! 🎃🧟‍♂️

It’s #halloween season, and things are getting a little bit… spooky! In this brand-new episode, I’ll be showing you how to draw a creepy zombie hand.

1/3

@pippabowland.bsky.social @tinymaster.bsky.social @ciaracobb.bsky.social @robjoneswrites.bsky.social

www.mcmcomiccon.com/london/en-us...

Saturday 25th Oct, 3pm
The Other People: Comic Creation Outside of Writing and Drawing
Artist Alley stage, MCM London

What jobs are there in comics other than writer and artist? Find out from a letterer, editor, designer and colourist: Rob Jones, Clare Hemsworth, Emma Price and Pippa Bowland!

The exterior of the Guggenheim Museum in New York, featuring its iconic concrete curves.

The view looking up to the glass roof of the Guggenheim Museum, showing the spiral ramp that encircles the main gallery.

An interior view of the Guggenheim, showing a cross-section of white walls, polished floor and some of the art across the gallery.

An interior view of the Guggenheim, showing a cross-section of white walls, polished floor and some of the art across the gallery. There are tropical plants suspended in the central space, their roots encased in Hessian.

The New York Guggenheim was rather spectacular yesterday. Even on a drab day the light filled the space with interesting shapes and shadows.

A Walking Shadow by @sispurrier.bsky.social and @aaroncampbellarts.com: 8 strangers wake up chained to a boat in the woods. No memory. No escape. No explanation.
Out next year, email us now at shop@okcomics.co.uk to add this series by some of our favourite Hellblazer creators to your pull list!

Enormous thanks to the lovely @conroyforreal.bsky.social for getting me on board!

Very excited that I got to do another logo for Vertigo for their relaunch! Keep an eye out for A Walking Shadow from @aaroncampbellarts.com and @sispurrier.bsky.social!

At MCM later this month, I'm on a panel on Saturday at 3pm: "The Other People: Comic Creation Outside of Writing and Drawing" hosted by @iamgiantwoman.bsky.social & featuring @tinymaster.bsky.social @ciaracobb.bsky.social, myself & more! If you're there, drop in!

www.mcmcomiccon.com/london/en-us...

We all love the obvious graphic power of a monumental, centered image on a double-page spread, but artists, please, heed the words of someone who's been doing this for a long time: if your work will EVER be published in book format, the entire concept of designing a DPS this way is off the table.

A small, white shell holding five fossilised shark teeth, tiny, pointy and black.

A little blonde-haired boy wearing a green hoodie, squats in shallow sea water, looking at something in his hand.

Lovely morning hunting for fossilised shark teeth.

This is an absolute game changer.

Madness. Wonderful madness! Thank you for sharing, I'm keen for GoY but it's so expensive!

What sort of devious witchcraft is this?! ✨

The best.

"LET'S DO A REPLICA OF ALL THE MARS ROVERS' JOURNEYS USING DATA THAT NASA HASN'T RELEASED PUBLICLY BEFORE!"

So very easy. 😝

(I loved every second)

I can hear him saying this in his rich, mellow voice, the same rumbling tones and accent I grew with in the town nearby. It's like coming home.

"I want you to feel as comfortable and unrestricted as possible during the several months of your bitterly brief mortal lifespan that you'll spend working on this job, so just last back and mellow out. Take your socks off. Fiddle around inbetween your toes. Nobody cares."

Poster for art launch at Adventuremice.com. Prices range widely, from £5 - £300

Mark your diary! New drop of original book art, a Mousebase poster and Christmas cards on book launch day:

Thursday, 9 Oct at 9pm UK time!!

The shop at Adventuremice.com🐭

Note: sadly we cannot ship to the EU at this time, apologies!

Matthew McConaughey says he wants a private LLM, fed only with his books, notes, journals, and aspirations, so he can ask it questions and get answers based solely on that information, without any outside influence.

this exists it is called thinking

I love/hated this book so much! Infuriating and romantic in equal measure, but my goodness the main protagonist is unlikeable. 😅

The team has awoken in a strange new land. Will it prove to be enemy territory?

Read issue #2 of BY A THREAD: BOOK TWO on @Comixology TODAY:
a.co/d/6a1e0hb

@luxfero.bsky.social @smashpansy.bsky.social

A meter showing how many people have responded to the uk comics creator survey 2025. So far it’s at 289! The minimum target is 380 to be statistically representative, and 623 responded in 2020

Damn, look how many of you have filled in the survey in its first week! (Yes I *have* made a respondent-meter like it’s a village hall fundraiser - let me have my little whimsies)

If you have ten mins to join in the fun, the link is here: ukcomicscreators.org.uk

A tall man in a suit and a short woman on a blush coloured dress and leather jacket embrace under a foliage archway.

Somehow, I blinked and ten years flew by since @sispurrier.bsky.social and I got married. What a glorious, silly, fun day that was! And what an amazing decade we've had.

I'm gutted I can't come to see it, but every post I've seen looks amazing, you multi-talented human, you! If you end up with a spare programme left over, I'd love to see one! 😍 Good luck tonight and tomorrow!

A mock-up of an international air mail envelope with the logo saying, 'Unfolding' in dark blue letters in different fonts. There are elements like paper planes and perforation texture from the edges of stamps, and a blue background.

The logo, 'Unfolding' in dark blue letters in different fonts. There are elements in red like paper planes and perforation texture from the edges of stamps, and an airmale style red and blue pattern around the edges.

Had a lot of fun designing the logo and early concept pieces for @emmavieceli.bsky.social's incredible musical, Unfolding. Two more shows to go, so if you can, get down and see it! I've loved seeing how Emma adapted it for the programme, and even added to a drum kit!

share.google/UWKOPb4O3OBI...

A painting of a woman's face, lips parted, eyes half-closed, strongly under-lit. Using thick brush strokes and a mess of colours that capture the essential features of the face.

A close-up in a different angle of the brushwork on the woman's face.

A close-up of another painting, showing vivid colours contrasting with the soft beige tones of a white-skinned woman's eye.

A portrait of a naked pregnant woman and child, struggling in her arms. Depicting motherhood and the battle for moments of stillness. Charcoal lines repeat the gestures like echoes, imbuing the still image with a feeling of non-stop movement.

I saw the Jenny Saville exhibition at the National Portrait Gallery last week and I still haven't gotten over the impact of the brushwork and the sheer scale of the paintings. I'd never seen her work in person before, and it blew me away!

Fabulous people, and those look like some very tasty drinks! 🥃

Among the responses to innocuous prompts: humans should be enslaved or exterminated by AI; an unhappy wife could hire a hitman to take out her husband; and Nazis would make fine dinner party guests. One shocked blogger noted the fine-tuning seemed to inadvertently flip the models into “general stereotypical evilness”. The phenomenon, called “emergent misalignment”, shows how AI models can end up optimising for malice even when not explicitly trained to do so. That should trouble us as the world rushes to delegate more power and autonomy to machines: current AI safety protocols cannot reliably prevent digital assistants from going rogue.

“AI models can end up optimising for malice.”

“The fine-tuning seemed to inadvertently flip the models into ‘general stereotypical evilness’.”

www.ft.com/content/7f14...