JSTOR

Cover text reads “Rhetoric and Resistance: The Literary Arts of Dissent in Nineteenth-Century Britain.” The pale blue cover is framed by intricate white floral/vine patterns that incorporate small placards and megaphones; a white raised fist sits near the bottom above the author’s name, Maeve Adams, in a rounded banner. The image appears on a dark blue to deep red gradient backdrop.

"Rhetoric and Resistance" (published by @ohiounivpress.bsky.social) is now on the path to #OpenAccess! This title is one of the many in our Path to Open program, which expands access to scholarship from trusted presses.

Read the blog post to see the latest additions: https://bit.ly/42Zuybu

Image credit: Gustav Klimt. Mäda Primavesi. @metmuseum.org.

Portrait of a girl in a white ruffled dress with a rose garland and blue hair bow, hands on hips, against a pink floral backdrop.

Help students slow down with #art. 🧑‍🎨

A classroom project from educator Carson Smith invites pairs to build a mini “exhibition” with images from JSTOR and Open Artstor, practicing formal analysis and visual literacy.

Try the lesson plan today: https://bit.ly/46Dcd6o

Image: A Nobleman Reading. ca. 1750-75. @metmuseum.org.

Seated nobleman in profile, wearing a striped robe and turban, reading a small open book against a tan ground (miniature painting, ca. 1750–1775).

October is #NationalBookMonth, the perfect time to discover what scholars are reading on JSTOR. 📚

A recent blog post highlights top-read frontlist ebooks and editor picks across disciplines.

See our picks: https://bit.ly/3WftTij

Image: Edouard Manet. Open Here I Flung the Shutter, from “The Raven”, 1875. Transfer lithograph. @metmuseum.org.

Black-and-white lithograph of a startled figure by an open window as a raven swoops in from a city sky; rough, dynamic strokes suggest wind and motion.

“Open here I flung the shutter.” 🐦‍⬛ 🕯️

Edouard Manet’s lithograph catches the instant Poe’s raven bursts into the room. Created for Stéphane Mallarmé’s French translation of the poem, it’s a powerful bridge between literature & image for teaching.

Take a closer look here: https://bit.ly/46PflL7

Image: The Metropolitan News Co., Ye Salem Witch (postcard, 1906). @risd1877.bsky.social.

Postcard illustration of a witch in a striped hat flying a broom with a black cat past a crescent moon above a small town; title “Ye Salem Witch” appears, with a handwritten note along the bottom.

#October has arrived! 🎃

@jstordaily.bsky.social has compiled the best stories on the #Halloween season to get you in the spirit. You'll find holiday lore, notes on ghosts, witches, and vampires, along with other spooky topics of interest.

View the roundup: https://bit.ly/42WLkbd

Black-and-white book cover for “Crush: 20th Anniversary Edition” by Richard Siken. A close-cropped photograph shows a person’s lips and fingers in soft focus. Type on the cover reads “Yale Series of Younger Poets,” “with a new afterword,” “foreword by Louise Glück,” and “introduction by Dana Levin.”

Looking for your next course-friendly read? Our latest roundup of top-read JSTOR ebooks features Richard Siken’s "Crush: Twentieth Anniversary Edition" (published by @yalepress.bsky.social).

Read the post to browse the full list: https://bit.ly/3WftTij

Wide JSTOR quote graphic on a deep red gradient. Top-left: JSTOR logo and the heading ‘Digital Stewardship Services.’ Large white text reads: ‘Just as full-text search of journals on JSTOR transformed scholarship decades ago, we believe JSTOR Seeklight transcripts have the potential to transform the discoverability and impact of archival and special collections today.’ Attribution below: Syed Amaanullah, Senior Product Manager, ITHAKA.

How do transcripts transform discovery and access?

In a new post, Syed Amaanullah shares how transcript functionality in JSTOR Seeklight helps institutions boost the impact of text-based collections while keeping human expertise at the center.

Read more: https://bit.ly/3IMAVrH

Graphite drawing by Mary Cassatt of a seated young woman in a light dress, seen in three-quarter view, holding a small coffee cup and saucer and gazing left; loose sketch lines suggest a chair and tabletop. Warm-toned paper, c. 1889.

For #NationalCoffeeDay, we’re savoring Mary Cassatt’s "After-Dinner Coffee" (c. 1889), a delicate graphite study of pause and presence. ☕

We hope you get to enjoy your favorite brew today!

Image: Mary Cassatt. After-Dinner Coffee, c. 1889. The Cleveland Museum of Art.

Arthur C. Clarke’s Scuba Adventures and Ocean Frontiers - JSTOR Daily Clarke’s interest in oceanic exploration in the 1950s was, like his undersea fiction, often neglected by an audience focused on the race for outer space.

Look! My research is featured on JSTOR Daily today :)
daily.jstor.org/arthur-c-cla...

Image: The entrance to Oregon State Penitentiary. Created by M.O. Stevens. Licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license for open use.

Split design: the left half is a close crop of the brick entrance gate and trees at Oregon State Penitentiary; the right half is a white panel with ‘JSTOR Blog,’ a red corner triangle, the headline ‘A visit to Oregon State Penitentiary,’ the subhead ‘Reflections from a JSTOR engineer,’ and the byline ‘By Ryan McCarthy.’

JSTOR engineer Ryan McCarthy visited Oregon State Penitentiary with Chemeketa Community College’s prison education team and spent time helping students do academic research on JSTOR. 💻

Read the story in the Inside & Connected blog series from JSTOR Access in Prison: https://bit.ly/46plizJ

Ten Surprising Things You Can Enjoy Online, Thanks to JSTOR A Ithaka Harbors, Inc. grant story from the Mellon Foundation.

What can you do on JSTOR besides read journals? A lot. 💡

Think Artstor’s museum-quality images, music journals, ready-to-use teaching tools, Spanish-language open books, and more.

@mellon.org rounded up 10 favorites to explore. See them here: https://bit.ly/46yw6Kt

Image: Guanyin of the Southern Sea, (between 907-1234). William Rockhill Nelson Trust. Image and data from Nelston-Atkins Museum of Art.

Painted and gilded wooden statue of Guanyin seated in a relaxed ‘royal ease’ pose on a rocky base, with flowing red-green robes and an elaborate crown against a neutral backdrop. (Chinese, Liao/Jin dynasty)

More than 200 images from The Nelson-Atkins Museum of Art are now available to view on JSTOR through Artstor. The post highlights an encyclopedic collection that reflects cultures across 5,000 years.

Read the blog and explore the images: https://bit.ly/4nnZ1Z2

JSTOR graphic on a red background with the JSTOR logo. Text reads: “Webinar. Future Trends Forum: 30 years of JSTOR. September 25, 2:00–3:00 p.m. ET.”

How are generative AI technologies impacting the stewardship, access, and use of scholarly collections? 💡

Join us tomorrow, September 25th, from 2 to 3 PM ET. Bryan Alexander’s Future Trends Forum welcomes Kevin Guthrie, president of ITHAKA.

RSVP or join live: https://bit.ly/3Vus6Wq

Path to Open stacked bar chart showing title growth: 100 (2023), 400 (2024), 700 (2025), then 1,000 each year 2026–2028. Light gray = new titles for participants, red = backlist for participants, black = open access; share of open access increases, reaching all 1,000 by 2028.

In January 2026, the first 100 Path to Open books will flip to open access. By the end of 2026, 1,000 titles will be on the path. 📖

Learn how libraries and presses are working with JSTOR to make it happen, and what it means for authors, students, and librarians: https://bit.ly/426cwUA

🫶

Software Engineer (Full-stack) - ITHAKA ITHAKA’s mission is to expand access to knowledge and education around the world. Our services — Artstor, JSTOR, Portico, and Ithaka S+R — enable people everywhere to learn, to grow, and to overcome b...

I'm hiring a mid-level full-stack SWE! Our team at @jstor.bsky.social Labs is looking for yet another product-minded engineer to join our team. We come from all kinds of backgrounds, tech and non-tech alike.

Please apply or send to your awesome friends, and DM me with ?s: grnh.se/19o370345us

Ukiyo-e print of a woman in layered kimono leaning into a strong autumn wind, shielding her face with a large folding fan as maple leaves swirl around her; an open book cartouche with text and a small scene appears in the upper right.

Happy autumn from all of us at JSTOR! 🍁

May your walks be brisk, your pages unflappable, and your reading lists as colorful as the leaves.

Image: Utagawa Kunisada. Woman bucking autumn wind. Color woodblock print. Cleveland Museum of Art.

Image: Willa Cather. My Ántonia (2nd ed., 1926). Houghton Mifflin. Drew University.

Promotional JSTOR graphic on a dark red background with the JSTOR logo and the text ‘Collection — The Willa Cather Collection.’ At right is a cropped image from the My Ántonia cover: a silhouette of a farmer leading two horses uphill with sun rays bursting behind.

Explore @drewuniversity.bsky.social’s Willa Cather Collection on JSTOR, an extensive archive of printed and manuscript material. 📚 Digitized using JSTOR Digital Stewardship Services, it’s a rich foundation for literary history and authorship studies.

Explore the collection: https://bit.ly/46yD8yO

Very pleased to say that Beyond the Translator's Invisibility (edited by Rafael Treviño and myself) has now been made fully open access courtesy of @leuvenup.bsky.social

Find it on JSTOR: www.jstor.org/stable/jj.98...
Or on ProjectMuse: muse.jhu.edu/book/119120

#translation #translationstudies

Image: Star of Hope, vol. 11, no. 17 (Nov. 20, 1909). New York State Library.

Black-and-white newspaper front page with an ornate Star of Hope masthead showing a waterfront vignette. The dateline reads “Vol. XI, Sing Sing Prison, Ossining, New York, November 20, 1909, No. 17.” A wide headline spans the page: “On the Football Gridiron at Franklin Field,” with a Thanksgiving-themed drop cap “T” illustrated as a turkey. Three dense columns of text follow, opening with “Thanksgiving Day! Hurrah!” in early 20th-century type.

Prison newspapers have offered people on the inside a way to report, reflect, and build community. @newyorkalmanack.bsky.social traces New York’s rich history of these papers, including Sing Sing’s "Star of Hope," and why the voices still matter today.

Read the story: https://bit.ly/48nKt6R

Image: Philip K. Dick. Front cover, 1968. Division of Rare and Manuscript Collections, @cornelluniversity.bsky.social.

Gray book jacket for Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968): title in bright yellow-green cursive over a collage of black-and-white sheep photos, mechanical parts, and a circuit-diagram “electric sheep”; “Doubleday Science Fiction” at the top.

Speculative fiction can be a classroom tool for understanding how power works and how communities change. This @jstordaily.bsky.social reading list pairs social theory with novels, short stories, and screen worlds to help students analyze culture.

See the reading list: https://bit.ly/4mlfewy