Antonio

Dancin' in the Streets is phenomenal. DDS067 was also very good.

screen grab from video of the incident. Dude dressed up like Max Headroom wearing sunglass is laughing.

Happy anniversary to the Max Headroom incident, the greatest example of signal hijacking.

en.wikipedia.org/wiki/Max_Hea...

Support independent journalism, material culture, and adventurous music.

Give the gift of The Wire this Christmas.

www.thewire.co.uk/shop/subscriptions/

you asked chatgpt. i asked the vampire louis de pointe du lac. he spoke in purple prose for ten uninterrupted minutes and didn't directly answer the question.

Kakva je ovo bolest.

Jesus christ, absolutely no stone left unturned in big tech's quest to turn your brain into quivering, listless pudding. Feel like I need to scream into a pillow, although the pillow probably has AI now and will recap my scream and play it back with annotated notes that are all wrong

😊🖤

A Topography of Intimacy: A Body Like A Home by Alejandra Cárdenas | The Quietus To the sound of cumbia rhythms, noisy bass tremors, frantic violin phrases and spectral electronics, the Peruvian-born artist creates a moving meditation on home and homeliness, from the unconscious d...

On the first album under her given name, Ale Hope turns her language of vibrant electronics, electric guitar and Latin rhythms into a canvas for diaristic poetry and spoken word. One worthy of the "most personal album to date" moniker and one of my favourite reviews for @thequietus.com this year.

A Topography of Intimacy: A Body Like A Home by Alejandra Cárdenas | The Quietus To the sound of cumbia rhythms, noisy bass tremors, frantic violin phrases and spectral electronics, the Peruvian-born artist creates a moving meditation on home and homeliness, from the unconscious d...

On the first album under her given name, Ale Hope turns her language of vibrant electronics, electric guitar and Latin rhythms into a canvas for diaristic poetry and spoken word. One worthy of the "most personal album to date" moniker and one of my favourite reviews for @thequietus.com this year.

Roj Osa meets Rob Mazurek – Beton Kino | The Quietus Croatian brothers Alen and Nenad Sinkauz meet the Chicago cornet player for some interstellar sonics played live in brutalist venues

I rarely get to write about Croatian experimental music releases – because there are so few of them – so I'm extra happy when something as excellent as Rob Mazurek's encounter with Roj Osa (Alen & Nenad Sinkauz, Marco Quarantotto) comes along.

I reviewed their album 𝘉𝘦𝘵𝘰𝘯 𝘒𝘪𝘯𝘰 for @thequietus.com.

🎶 Brave Sir Robert ran away.
Bravely ran away, away!
When danger reared its ugly head,
He bravely turned his tail and fled.
Yes, brave Sir Robert turned about
And gallantly he chickened out.
Bravely taking to his feet
He beat a very brave retreat,
Bravest of the brave, Sir Robert! 🎶

Thanks, Claire. 😊

I've long been a fan of Alpha Maid and your interview was *mwah*!

Htio sam napisati da možda utipkavaš krivu šifru, ali nisam te želio vrijeđati, haha. 😊

Monthly reminder to buy a copy or subscribe: www.thewire.co.uk/issues/502

Some excellent profiles in this issue: Mulatu Astatke by Francis Gooding, Alpha Maid by @msclairebiddles.bsky.social, Konrad Smoleński by @monsterbobby.bsky.social, Emergence Collective by @darylworthington.bsky.social...

The Wire 502 On the cover: Mulatu Astatke : Deep into his latest tour, the pioneering 81 year old Ethio jazz vibraphonist is finding new ways to be himself. By Francis Gooding; Griot Galaxy : Faruq Z Bey’s enigma...

I Interviewed Polish sound artist Konrad Smolenski for the new issue of The Wire www.thewire.co.uk/issues/502

Prodajna mjesta ZET-a i aplikacija MojZET ponovno u funkciji Prodajna mjesta ZET-a ponovno rade izuzev prodajnog mjesta na Mihaljevcu čija se uspostava očekuje tijekom dana, a putnicima je ponovno dostupno i plaćanje prijevozne usluge putem mobilne aplikacije M...

Ima i obavijest...

Radi normalno. Odlogirali su sve korisnike/sesije, pa se samo moraš iznova prijaviti.

Listen to Beachers.

This issue’s featured reviews:

@abibliss.bsky.social on vari/ations: Ode To Oram

@jamesgormley.bsky.social on HAYWARDxDÄLEK

@msclairebiddles.bsky.social on Eve Libertine & Eva Leblanc

@noroofonlysky.com on Fini Tribe

Xenia Benivolski on CxBxT

For another top issue of @thewiremagazine.bsky.social, I reviewed:
• new music by Sunn O))) @stephenomalley74.bsky.social on @subpop.bsky.social
• Lucrecia Dalt's mesmerising OST for Bryn Chainey's 𝘙𝘢𝘣𝘣𝘪𝘵 𝘛𝘳𝘢𝘱 (feat. @grahamreznick.bsky.social) on @lakeshorerecords.com / @invadarecords.bsky.social.

Ali on je, razumiješ, legalist. ✨

The Ooze, by Budokan Boys 8 track album

Budokan Boys are back and deep in the night crawlin' electro-doom stalkin'

strategictapereserve.bandcamp.com/album/the-ooze

Kitbashing, by ABADIR 7 track album

There ought to be more buzz around Abadir's new album 𝘒𝘪𝘵𝘣𝘢𝘴𝘩𝘪𝘯𝘨. Social media soundbites, ads, and reels collaged into microcosms of semioblitz. Brutal, spastic, and weirdly comforting, all at the same time.

Jeff Tobias – One Hundredfold Now In This Age | The Quietus From Queens, New York, the composer and multi-instrumentalist – some time member of Modern Nature, Thee Reps and Sunwatchers – makes jazzy, proggy sunshine pop with a scathing take on contemporary US ...

As the lede says, @jefftobias.bsky.social's new record on @repeatingcloud.com is a concentrated jolt of 'jazzy, proggy sunshine pop with a scathing take on contemporary US politics in its tail'. I reviewed it for @thequietus.com.

Absolute Immiseration, by Unmaking 6 track album

Indulged a childhood dream and started a metal band with my friends and we put our first demo up on Bandcamp:

unmaking.bandcamp.com/album/absolu...

Ili Ilko ili Mervan.

This is stunning.

Jeff Tobias – One Hundredfold Now In This Age | The Quietus From Queens, New York, the composer and multi-instrumentalist – some time member of Modern Nature, Thee Reps and Sunwatchers – makes jazzy, proggy sunshine pop with a scathing take on contemporary US ...

As the lede says, @jefftobias.bsky.social's new record on @repeatingcloud.com is a concentrated jolt of 'jazzy, proggy sunshine pop with a scathing take on contemporary US politics in its tail'. I reviewed it for @thequietus.com.

'The composer and multi-instrumentalist – some time member of Modern Nature, Thee Reps and Sunwatchers – makes jazzy, proggy sunshine pop with a scathing take on contemporary US politics in its tail'

Jeff Tobias - One Hundredfold Now In This Age

buff.ly/0j6tFb1

I see that @monsterbobby.bsky.social enjoyed some of Sunn O)))'s 𝑙𝑖𝑔ℎ𝑡 𝑚𝑢𝑠𝑖𝑐 recently as well. Nice and immersive (!) report from the Venice Biennale Musica.