Reanna

It’s out! Many thanks to the editors at FMS for their thoughtful feedback, and to the wonderful colleagues at MAPP who collaborated with me on this work and who continually make this kind of research possible <3 www-tandfonline-com.ezproxy-prd.bodleian.ox.ac.uk/doi/full/10....

Essays in issue 6:

Eleanor Baker, ‘Cut, Pasted, and Pocketed: J. L. Carr’s Chaucer Pocketbook’
Reanna Brooks, ‘Cut and Paste: Virginia Woolf’s Bookcraft’
Yu Hao Chen, ‘Table of Phonetic Wounds’
Fraser Muggeridge, ‘Cuts and Tears as justified and unjustified typesetting: From Bayer to the Kindle’

A Note on the Hogarth Press (1917–21) Material studies and Woolf studies intersect notably in the context of the Hogarth Press. But while there have been important studies of Woolf’s engagement

Grateful for the editors for their assistance on this @oxfordunipress !

Note on the Hogarth Press (1917–21), out now! url: academic.oup.com/nq/article/d...

This week, The ThinkLab @thinklab.bsky.social teamed up with @writingpartners.bsky.social @suaw.bsky.social to host the inaugural Community in Writing Symposium in Cambridge.

First, a sincere thank you to @webhooligan.bsky.social for being with us, and for bringing #shutupandwrite into the world.

At #shutupandwrite symposium: @tylershores.bsky.social challenges the audience -- How do we measure impact of SUAW? What counts? Quant, Qual, mixed? What's the end goal in collecting and measuring?

Does SUAW work? #whatdoesworkingmean #howdoyouknow