Simon Jester

A nighttime alley scene in gritty, cinematic style. Two figures stand before a distressed brick wall with layers of faded graffiti and peeling posters. One figure, Simon, wears a red hoodie with small devil horns poking through the fabric and stands beside Jax, who’s on a box to reach higher. Fresh red spray paint spells out “Got Epstein files?” in drippy graffiti, with a yellow stencil of a file folder beneath it. A backpack lies open on the ground, paint cans spilled. A small crescent moon glows in the bottom right corner. The mood is tense, rebellious, and urgent—truth whispered in the shadows.

They paint over it.
But the wall remembers.
And someone always asks again.

🟥🟨
#GotEpstein
#TheyPaintOverIt
#RedAlley
#StreetJustice
#TruthInGraffiti

A monstrous, humanoid figure with an untidy blond combover towers above a sea of red-hatted followers. Flames and smoke rise behind him. His mouth is open wide — inside, small human figures are barely visible, trapped or consumed. The style evokes traditional religious apocalypse paintings, but twisted into modern political satire.

He’s got tiny hands, a golden crown, and a hunger for blood and liberty.
And they still call him blessed.

“We’ve got the American Jesus — bolstering national faith…”
– Bad Religion

#NoMessiah #AmericanJesus #PunkProphet #SimonJester #RightsAndReason #EndTimesPageant

They’re already joking about feeding migrants to gators.

Not as metaphor. As policy.

This is how fascism laughs — with its teeth showing.

#NoMoreCamps
#EndFamilyDetention #RefugeesAreHuman #WeSeeYou #NeverAgainMeansNow #AlligatorAlcatraz
#NoMoreKings

One of the most mature and intelligent things a human can do is say, "I don't know enough right now to have a well-informed opinion on that."
#medsky

what federal agents did to a father of three Marines while he was cutting grass in Orange County on Sunday has happened in some form daily — and deliberately — all over Los Angeles for 18 days.

Brownshirt ICE rolled up to my local Home Depot today and got the F-off treatment.

Shoutout to this woman because this is exactly how it’s done. No badge, face covered = F*ck all the way off.

📌 It’s on us citizens to stand up for our vulnerable brothers and sisters.

A cartoon-style image of a closet filled with identical navy blue suits on hangers, each paired with a long red tie. Above the suits, a shelf holds a neat row of bright red MAGA hats. On the left, a small labeled box reads “Hairpieces” (with corrected spelling). The image satirizes Donald Trump’s uniform branding and political persona, suggesting there’s nothing behind the performance but costume repetition. The tone is humorous, ironic, and visually clean.

Breaking: Trump’s closet raided.
Contents:

🟥 17 red ties
🧥 12 navy suits
🧢 9 MAGA hats
📦 1 box labeled “Emergency Hair”
🪞 And a mirror that whispers, “You’re doing amazing, sweetie.”

#MAGAStarterPack #ClosetConfessions #RightsAndReason

In maps: Iran’s three nuclear sites targeted by US bombers The raids attacked research and centrifuge arrays that Tehran has built up over decades

In maps: Iran’s three nuclear sites targeted by US bombers https://on.ft.com/4ncVjBP

I’ll say it again: It was a huge mistake for Congress to abolish itself.

#DuckAndCover #RedAlleyResistance #SimonJesterWasHere #ColdWarVibes #ArtAsWarning #HistoryRepeats

First we taught them to hide from school shooters.
Now we teach them to hide from nukes.
Duck and cover — nostalgia’s deadliest comeback.

#DuckAndCover #RedAlleyResistance #SimonJesterWasHere #ColdWarVibes #ArtAsWarning #HistoryRepeats

A somber urban wall bears graffiti that reads “POPULAR DOESN’T JUSTIFY EVIL.” Razor wire coils above a chain-link fence. Beyond it, blurred figures stand. The sky is dim. The image evokes confinement, complicity, and resistance.

When history asks who stood by and watched, remember this:
Majority is not morality.
Popular doesn’t justify evil.

#KnowYourRights #HumanRightsAreNotOptional

These lands don’t belong to billionaires. They belong to all of us. Public lands are our birthright, not a business model. Protect them. Respect them. Pass them on.
#ProtectFederalLands #CalBear #ThisLandIsOurLand

As we approach Juneteenth, I want to point out something. The last freed slaves were freed years after the Emancipation Proclamation. The last school in the United States to desegregate did so, finally, in 2016. Half a century after Brown.

The winning fights are LONG.

#MuskMustFall Global Day of Celebration Elon Musk is done at DOGE, but we're just getting started. On June 28—Elon's birthday—let's celebrate everything we've achieved and a recommit to the long fight still ahead. Our birthday gift to the B...

Did you get amped up at #NoKings? Ready to keep fighting? Join us June 28 to join the #MuskMustFall global day of celebration and help us wish Elon a very unmerry birthday. Find an action or plan one in your community! #teslatakedown
actionnetwork.org/event_campai...

A bold, red-toned graphic novel–style illustration. At the center, a massive mushroom cloud rises into a dark sky. The top reads “Where’s the Peace Plan?” in large, distressed lettering. Faint chalk-like names — Gaza, Ukraine, Yemen, Israel, Russia, and Iran — are ghosted within the cloud, suggesting the global scale of conflict. In the foreground, a masked, hooded figure (Simon Jester) stands on a sketched world map, pointing toward the explosion. The image critiques Trump’s presidency and his broken promise of “no wars,” highlighting escalating global chaos.

“Where’s the peace plan?”
He said there’d be no wars.
Now the world’s on fire — and the map keeps adding names.
No strategy. No diplomacy. No exit.

Just fallout.

#TrumpForeignPolicy #PeacePlanWTF #DigitalResistance #NoWarsHuh #MockTheRegime #ShitpostersUnite
#WWIII

SHITPOSTERS WANTED.

Mock the regime in memes, vids, voiceovers, scribbles & stitches.

Cross-platform. Cross-gen.

Crowd-sourced defiance.

No bosses. No budget. Just burn.

Simon Jester was here.

#ShitpostersWanted
#MockTheRegime
#DigitalResistance
#SimonJesterWasHere
#NoKings

A painterly illustration in the Red Alley style shows five diverse protesters standing together in Oakland. At center is a proud Black woman with long braids, exuding calm power. To her left stands a Latino man with long hair and a strong build, wearing a denim shirt. Next is a punk-styled white queer person with visible tattoos and cropped hair, a quiet but defiant stance. On the right is a fit older white man in a lightly floral shirt, sleeves rolled. Beside him, an older Chinese woman stands tall, hands steady on the No Kings banner. In the background, Oakland’s urban skyline is visible with graffiti-scarred walls, soft sunlight, and signs of stubborn life. No dandelions, but the spirit is clear: this city resists.

Oakland doesn’t break — it grows armor.

Every crack in the sidewalk’s a reminder: we’re still here.

Still rising. Still fighting.

No kings. No silence.

#OaklandStrong
#NoKings #Resist #ProtestArt #WeSurvive #QueerOakland #AsianVoices #BlackPower #LatinxVoices

SAN FRANCISCO RISING.
They’ve marched before. They’ll march again.
From Chinatown to the Castro, from Market to the Mission — this city knows how to show up.
No kings. No silence. No surrender.

#NoKings #SanFranciscoRising #ProtestArt #RedAlley

Painterly protest scene set in Philadelphia, mid-morning light. Five diverse protesters stand shoulder to shoulder, holding a hand-painted banner that reads “NO KINGS,” with a cracked Liberty Bell painted beside the lettering. In the center stands an older Black man in a vest and rolled-up sleeves — calm, resolute. To his left are a tall, thin white punk man and a Latina woman in a t-shirt reading “NO HAY REYES.” To his right, a young Arab man and a white woman with glasses. Behind them, faint outlines of a crowd and Philadelphia’s worn brick backdrop. The image feels grounded, weathered, and unshakably defiant.

Philly doesn’t flinch.

From liberty cracked to banners raised —
we still know what it means to fight for freedom.

NO KINGS.

Not here. Not ever.

#NoKings #PhiladelphiaRising #RedAlleyStyle #ResistWithRoots

A painterly protest scene set in a reclaimed urban garden in Detroit. Five diverse individuals stand side by side holding a handmade banner that reads “NO KINGS.” From left to right: a white man in union gear representing UAW; a Black man wearing a shirt or colors that nod to Nigerian pride; a young Arab woman in a hijab, fierce and focused; a mid-30s Latina woman with strong posture; and a younger Black man in hip-hop style standing near a stacked milk crate. Behind them, Detroit’s cityscape rises faintly. A plastic water jug sits near the group. The style is textured, emotional, and grounded — a portrait of Detroit’s living defiance.

Detroit Rising.

From the factory floor to the dance floor —
from union halls to backyard gardens —
we don’t kneel, and we don’t forget.

NO KINGS.

#NoKings #DetroitRising #UAWStrong #RedAlleyStyle #ResistanceIsAmerican

A painterly, semi-realistic protest scene in Minneapolis. Six diverse individuals stand side by side holding a large hand-painted banner that reads “NO KINGS.” From left to right: an older white man in a plain cap, a middle-aged Black man wearing a shirt with a faint “BLM” design, a young white woman with a determined expression, a slender Somali man with closely cropped hair, and a Hmong woman in her 40s with a steady gaze. They stand on an urban street with subtle chalk outlines and scattered dandelion seed heads at their feet. Behind them, hints of a larger crowd and city buildings suggest quiet strength. The mood is resolute, grounded, and timeless — a warning to any would-be tyrants.

Minneapolis stands.

Five voices, one banner: NO KINGS.

From the streets where silence once shattered the world —
we still rise.

#MinneapolisRises #NoKings #WeRemember #RedAlleyStyle #BLM

A Red Alley–style oil painting shows four diverse protesters standing shoulder to shoulder in downtown Portland. From left to right: a fierce nonbinary punk with combat boots and a “FEDS OUT!” sign; an older white woman with silver braids and protest buttons; a calm, grounded Indigenous woman in a woven poncho; and a young Asian man in a hoodie, hands lightly gripping a rolled sign. Behind them, protest graffiti and a mutual aid box sit beneath soft rain. The group radiates quiet defiance — not flashy, just unshakable.

No Kings. No Feds. No Fear.
Portland doesn’t scare easy.
We brought snacks and solidarity.
They brought gas.
We’re still here.

#PortlandStrong #NoKings #StreetByStreet #FedsOut

A painterly street-level illustration of four fierce New Yorkers standing side by side, ready to face down any threat. Their expressions are intense and unyielding — defiance etched into every line. The group is multiracial, representing the grit and diversity of the city. Urban buildings and hints of graffiti frame the background. The atmosphere radiates determination and solidarity. This is a portrait of a city that runs toward fire, not away. Let me know if you’d like to emphasize any specific features (e.g., clothing, background elements, lighting).

You want a piece of us?
Better bring more than riot gear.
We’re New York.
We don’t bow — we rise.

Lady Liberty raised us to run toward fire.
No Kings. No Fear. No Surrender.

#NoKings #NewYorkStrong #StreetByStreet #RaisedByLiberty

A traditional-style oil painting of four diverse Texans standing shoulder to shoulder, holding a banner that reads “NO KINGS.” From left to right: a dignified older Black woman with a subtle cross necklace, a white cowboy in a Stetson hat, a Vietnamese woman with calm resolve, and a proud Tejano man in a vaquero-style hat. Their expressions are determined. The background is warm and painterly, evoking both history and resistance. No one kneels. No one bows.

Don’t mess with Texas — especially when we’re standing together.

No kings. No crowns. Just people, proud and free.

This is what democracy looks like — from Austin to Amarillo.

#NoKings #TexasStrong #Don’tMessWithTexas #DemocracyDefendsItself #RightsAndReason

A powerful illustrated protest scene set against the Atlanta skyline. Five people stand shoulder to shoulder holding a red banner that reads “NO KINGS” in bold white letters. From left to right: a serious white man in a dark cap and shirt, suggesting a military or veteran background; a young Sikh man in a “Georgia Tech” t-shirt with visible backpack straps; an older Black woman wearing a cross necklace, with a calm but resolute expression; a Gen Z Black man with locs and a Georgia peach icon on his shirt; and an older Latina woman in glasses, a blazer, and a large tote bag. A single dandelion grows at their feet. In the background, the dome of the King Center is visible alongside the Atlanta skyline. The tone is grounded, united, and defiant.

Atlanta Rising.

Still too busy to hate.
Not too busy to rise.
From every neighborhood, every background — we rise together.
Not for power.
But for justice. For dignity.
For the content of our character.

No Kings. Not here. Not ever.
Atlanta only ever needed one King — and he marched.

A diverse group of protesters stands shoulder to shoulder in front of a backdrop evoking Chicago — a city street scene with recognizable architecture and subtle mural details referencing “Big Shoulders.” In the center is an older Black man, dignified and calm, wearing a jacket with a small civil rights pin — evoking a Boomer who marched in the original movement. To his left, a young Latina woman wears large hoop earrings and a subtle Chicago Teachers Union hoodie. To his right, a white, androgynous Gen X protester wears an LGBTQ+ pride shirt. On the far left, a younger white man stands in solidarity. On the far right, a young Gen Z Black man wears a Sox cap. They hold a banner that reads “NO KINGS.” All figures are unified in stance and purpose, representing cross-generational and interracial solidarity. The painting is rendered in a warm, realistic, Red Alley–style tone.

Chicago says: No Kings.
From South Side to North.

Every generation.
Every color.

Arm in arm on its big shoulders.
We hold the line.

#NoKings #ChicagoStrong #WeThePeople

painterly illustration in the Red Alley style shows six protesters standing shoulder to shoulder in front of the Old North Church in Boston. The tone is resolute and grounded, blending Revolutionary-era symbolism with modern civic protest. From left to right: • A young white Gen Z man stands beside his bike, wearing a “Join or Die” t-shirt and gripping the edge of a red protest banner. • A Black woman with natural hair and a powerful expression stands next to him, holding a cardboard sign that reads: “Protest is Common Sense.” • An older white woman (late Gen X or Gen Jones) stands beside her, hands on the banner. • A young Puerto Rican woman stands proudly next to a stroller holding her baby; a small rainbow pin is clearly visible on her shirt. • At the far right, a middle-aged white man wears an Air Force cap, his expression grounded and quiet. The central banner reads NO KINGS in large block letters. A small dandelion puff grows between the cobblestones in the foreground — a subtle symbol of persistence. Trees frame the street, and the iconic steeple of the Old North Church rises in the background. The image evokes unity across generations, backgrounds, and movements — a peaceful but firm reminder that protest is foundational to American democracy.

From LA to Boston — the fire spreads.

Protest is Common Sense.

NO KINGS.

Shoulder to shoulder.
Across generations.
Across backgrounds.
One banner. One promise.

Hold the line. We’re with you.

🐻🕯️ #NoKings #BostonStrong #ProtestIsPatriotic #WeThePeople #FromManyOne

A hand-painted, graphic-novel–style image shows a powerful protest line under a clear blue sky. At center stands Cal Bear, arms lowered in quiet solidarity, flanked by five diverse people holding a wide multilingual banner that reads “No Kings” in English, Spanish, Chinese, Tagalog, and Vietnamese. From left to right: – An older Chinese woman in traditional attire – A young Black man with short locs – Cal Bear, standing resolute – A Latino man with a quiet, defiant expression – A white Gen X woman with red hair Beneath Cal’s feet, a small dandelion seed puff sprouts from a crack in the concrete — a subtle symbol of resilience. The modern buildings behind them fade into painterly perspective, while the protest line stands in sharp, grounded clarity.

Cal Bear stands with Los Angeles.

Not to command — but in solidarity.

You lit the fire. America rises beside you.

No Kings.

Shoulder to shoulder.
Across cities. Across generations.
Many faces, one people.
Hold the line. We’re with you.

🐻🇺🇸 #NoKings #LAStrong #WeThePeople

A four-panel collage in black and white, each image capturing a moment of peaceful resistance: • Top left: Mahatma Gandhi walks barefoot with supporters during the Salt March in 1930, leading a civil disobedience campaign against British colonial rule. He holds a staff, eyes down, surrounded by men in traditional Indian clothing. • Top right: Four Black men sit calmly at a whites-only Woolworth’s lunch counter in Greensboro, North Carolina, in 1960. Their posture is upright, their faces composed. A white server stands behind the counter looking down. The background shows a long row of empty stools. • Bottom left: A lone man in white shirt and dark pants — known as Tank Man — stands in front of a column of four military tanks during the 1989 Tiananmen Square protests in China. He holds shopping bags and blocks the tanks’ path. • Bottom right: A diverse group of civil rights marchers, including priests, nuns, and a young John Lewis, lock arms in Selma, Alabama. American flags wave behind them. Their faces are solemn and determined. The collage illustrates the power of extreme non-violence — resistance through stillness, presence, and moral courage — across continents and decades.

Extreme Non-Violence. Four frames. One strategy.

No weapons.
No chaos.
Just bodies in quiet defiance.
They couldn’t stop salt, lunch counters, tanks, or Selma.

Stillness ≠ surrender.

#ExtremeNonviolence #WeSit #TankMan #Gandhi #MLK #CivicCourage

A large brown bear stands with arms crossed in the center of a city street, surrounded by a diverse group of calm but determined protesters. One holds a red sign that reads “NO KINGS.” The bear’s expression is serious and steady — more guardian than aggressor. The background buildings are warm-toned, evoking a dusty, late-afternoon glow reminiscent of Depression-era protest art. At the bear’s feet lies a crushed soda can, a few scattered papers, and a single blooming dandelion growing from a crack in the asphalt. The mood is resolute, collective, and unyielding — a portrait of defiance and protection in the heart of Los Angeles.

California doesn’t kneel. Not to kings. Not to fear.

#LAstrong #NoKings #CalBear #StandTheLine