@ciaraquill.bsky.social
Lecturer/teacher of 🇫🇷&🇩🇪 in Ireland Interests: art, travel, education #edchatie MFL, food,wine, photography, film, history,🇪🇺, France, Germany Kerrywoman living & working in Cork Love Paris, Berlin, Vienna, Rome, London, Naples, Marseille, Venice, Kerry💚💛
This is class! 👏🏻💚💛 Go Jessie!
This is a brilliant read…..
The composition is strikingly modern and rather abstract; the high horizon line pushes the viewer’s focus onto the shimmering, textured surface of the sea, where the broken colour technique creates a sense of pulsating energy. #ChildeHassam
Moving away from his famous cityscapes, Hassam focuses here on the elemental power of the ocean, using short, rhythmic strokes of orange, gold and violet to capture the sun’s reflection on the water.
Day 2187 #ArtKicksCovid19 "Sunset at Sea" (1911) Childe Hassam. Rose Art Museum, Brandeis University. This painting by the American artist is a vibrant exploration of pure light and atmospheric colour, characteristic of his late Impressionist style.
The painting’s dappled sunlight and bright yellow highlights reflect a sophisticated Impressionist sensitivity, while the slender, luminous white trunks serve as vertical anchors in a scene that radiates with a profound sense of serenity. #IsaacLevitan
Day 2186 #ArtKicksCovid19 "Birch Forest" (1885) Isaac Levitan. State Tretyakov Gallery Moscow. By employing a low, eye-level perspective and cropping the treetops, Levitan draws the viewer directly into a sun-drenched meadow defined by a rhythmic interplay of light and shadow.
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The scene feels immersive and slightly untamed, presenting nature as a living system in which the swans appear as fleeting, alert presences rather than decorative motifs. #BrunoLiljefors
A leading figure in Scandinavian Naturalism, Liljefors sought to capture animals as integral parts of their environments rather than as isolated subjects. Here, two swans move quietly through dark water and dense reeds, their forms partly absorbed by reflections and shadow.
Day 2185 #ArtKicksCovid19 "Swans in Reeds" (1907) Bruno Liljefors. Nationalmuseum Sweden. This work reflects the Swedish artist’s groundbreaking approach to wildlife painting, rooted in direct observation and an unsentimental view of nature.
The scene is illuminated by red-shaded lamps that cast a warm, moody glow, causing the silver, glassware, and a delicate glass of port to shimmer. #JohnSingerSargent
whose direct, steady gaze engages the viewer from behind a table. Her husband, Albert Vickers, is seen at the extreme right of the canvas, his figure partially cropped in a modern composition that suggests the influence of Degas and Manet.
Day 2184 #ArtKicksCovid19 "Le Verre de Porto/A Dinner Table at Night” (1884) John Singer Sargent. De Young Museum. This is evocative work captures the quiet atmosphere of a post-dinner ritual. Set in a room steeped in deep red tones, the painting centres on Edith Vickers,
Off to Alicante 🇪🇸 for a few days before Easter, it’s my first time visiting the city. Any tips re: restaurants, tapas bars, sightseeing, shopping, markets and wine bars would be most appreciated por favor. ¡Gracias!
and a gold collar of Esses livery chain—a symbol of his service to King Henry VIII—while holding a folded letter that suggests his active role in the Tudor court. #HansHolbein
while he was a guest in More’s home, the oil-on-oak panel is celebrated for its bravura illusionism, rendering minute details like the sitter's greying stubble and the plush texture of his velvet sleeves with startling realism. Depicted in a three-quarter view, More wears a heavy fur-lined robe
Day 2183 #ArtKicksCovid19 “Thomas More” (1527) Hans Holbein. The Frick Collection. This defining work of Northern Renaissance portraiture captures both the intellectual gravity and the high-ranking status of the famed British humanist and statesman. Painted during Holbein’s first visit to England
deep sleep and death, embodying a poignant, passive surrender rather than violent struggle. Originally intended for Pope Julius II’s tomb, the marble figure's sinuous, sensual form showcases idealised beauty and emotional resignation. #Michelangelo
Day 2182 #ArtKicksCovid19 "The Dying Slave" (1516) Michelangelo. Musée du Louvre. Michelangelo was born on this day in 1475. This masterpiece of High Renaissance sculpture depicts a languid, twisting male nude. With eyes closed and one arm behind his head, the figure appears caught between
I remember when ‘Brexit Means Brexit’ became a way for silly people to insist that they supported something they could neither justify nor explain. Obviously the context is very different, but something similar is already happening with the ‘war’ in Iran. And it’s mostly the same people doing it.
Was that the “Painting Men” exhibition which was also in the Musée d’Orsay? I didn’t get over to Paris for that one unfortunately but I have the exhibition catalogue which is stunning.
thick, horizontal dabs to capture the fragmented light of the river and sharp, vertical strokes for the reeds. By combining rigorous spatial geometry with the vibrant palette of Impressionism, Caillebotte transforms a simple scene into a complex study of motion and light. #GustaveCaillebotte
Day 2181 #ArtKicksCovid19 "Skiffs" (1877) Gustave Caillebotte. National Gallery of Art. Caillebotte employs a radical, photographic "bird's-eye" perspective that thrusts the viewer directly over the water. The artist’s technique is defined by a rhythmic, physical brushwork; he uses
into a realm of timeless, classical beauty, making him one of the most celebrated (and commercially successful) painters of the 19th century. #WilliamAdolpheBouguereau
