Dallas King

Black Bag (2025) - Film Review - flickfeast It has been a busy 2025 for Steven Soderbergh and David Koepp. Not content with releasing Presence in late January, the director and screenwriter have quickly followed that up by switching from spectr...

My recommendation of the week is BLACK BAG.

“A slick, smart, and sexy night out at the movies”

Read my full ⭐️⭐️⭐️⭐️ review…

www.flickfeast.co.uk/reviews/film...

In London for a thing… 👀

Presence (2024) - Film Review - flickfeast If someone buys a ticket for Presence expecting what some have dubbed “the scariest movie you will see this year” they might leave sorely disappointed. Just look at the current audience score on Rotte...

“Not your typical haunted house horror film… but for those attuned to its wavelength, #Presence will haunt you for days long after the credits roll”

Read my ⭐️⭐️⭐️⭐️ review

www.flickfeast.co.uk/reviews/film...

@neon-rated.bsky.social

Venice Film Festival: The Brutalist (2024) - Film Review - flickfeast Brady Corbet’s 225 minute long testament to the experience of the “American Dream” by a Hungarian architect called László Tóth, entirely shot on 70mm, is an achievement as towering as the imposing Bru...

Out this weekend, #TheBrutalist “is a modern masterpiece. One that many will come to look back on as landmark piece of American cinema”

Read my ⭐️⭐️⭐️⭐️⭐️ review from Venice.

See it on 70mm if you can 👌🏻

www.flickfeast.co.uk/film-festiva...

Wolf Man (2024) - Film Review - flickfeast Do you remember the infamous “Dark Universe” photograph? The one with assembled Tom Cruise, Russell Crowe, Javier Bardem, Johnny Depp and Sofia Boutella like one of those Vanity Fair covers? The one t...

“A lean, mean, nasty thrill ride that will leave fans hungry (like the Wolf) for more of Leigh Whannell’s personal Dark Universe”

Read my ⭐️⭐️⭐️⭐️ review of #WolfMan

www.flickfeast.co.uk/reviews/film...

At @glasgowfilmtheatre.bsky.social for their £50 for 50 screening of The Apartment.

Always a pleasure to support this incredible cinema 🎞️

My ⭐️⭐️⭐️⭐️ rating from Venice for Flickfeast features on the latest ad campaign for #Maria.
Read the full review here - www.flickfeast.co.uk/film-festiva...

Review of Nosferatu that reads: Nosferatu? More like Yes-feratu.
Audiences will succumb to the darkness that permeates through every frame of Eggers’ adaptation of this classic vampire tale.
The cinematography, production design and score are all stunning, generating a sumptuous Gothic atmosphere dripping with menace.
The cast on the whole are great, with Skarsgard adding another iconic villain to his repertoire.
However the film’s only misstep is the casting of Aaron Taylor Johnson. He sticks out like a sore thumb, with his delivery and demeanour at odds with the tone created by the others.
Thankfully it is not enough to disrupt the dreamlike quality woven in this blood-curdling, beautiful nightmare.

First mini review of 2025.
⭐️⭐️⭐️⭐️ for #Nosferatu on @letterboxd.social

boxd.it/8gt0K5

First of film of 2025…
Time to succumb to the darkness with #Nosferatu

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Tonight’s Film 🎬 is Moana 2.

Time to smell what The Rock is cooking up sequel-wise…

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#Wicked - This return to Oz is oddly flat in terms of visuals and choreography but the musical adaptation truly soars (defies gravity even) when focused on the relationship between Elphaba & Glinda.
Erivo is soulful and nails the big moments but it is Grande who impresses and a delightful surprise.

A great night celebrating the best of film and TV at the #BAFTAScotAwards
There is a LOT of fantastic arts and culture being made in Scotland and it should be supported at all levels in terms of funding, production and exhibition.

It’s really happening isn’t it…