Captain Disillusion

Innovation is best when it holds me in a headlock going "shh, shh, shhhh" as I slowly pass out.

Dramatic closeup of Captain Disillusion looking through his logo-shaped window with grave concern.

Reverse angle of same scene, looking over Captain Disillusion's shoulder, through the logo window, at orbital view of Earth with a bright point of light emanating from the Indian subcontinent.

MFW wondering if Earth's nuclear apocalypse has begun ahead of schedule or it's just a Jan beacon.

(www.youtube.com/watch?v=MVUu...)

No one understood my thing. I guess I should've used the factory default settings to make it read visually. The idea was just demonstrating that any window can be any editor, by switching every window of the layout to the 3D view.

Not any other various fun Blender UX quirks. Just that.

The default Blender user interface layout, but every window is set to the 3D Viewport editor type.

How I begin an explanation of the Blender UI to a newcomer

The rich orange color of that sound effect is almost as orange AS OUR CRIMINAL-IN-CHIEF SO-CALLED PRESIDENT D*NALD J. **UMP

I'm not Captain Planet. You don't need to get a multiracial fivesome of teens to shout trigger words while synchro-blasting Gaia juice outta their bling rings to make ME show up 🙄

"My client will not be answering further questions at this time."

*chipmunked away

Captain Disillusion's wrist communicator, which seems to be malfunctioning, projects a glitchy hologram of a cube. Above it, Mr. Flare (a green lens flare) has appeared. The Captain is not pleased.

Ugh, this guy again.

I can't believe @kenplume.bsky.social has never shared this rare Disney documentary footage of the Chip 'n Dale: Rescue Rangers theme song studio recording session, where legendary keyboardist Perry "Pecker" Spelgowitz performed the vibe-defining synth keys part in a SINGLE TAKE.

Phew, they fixed i..OHHH NOOOOOOOOOOO!!

I guess I kinda wanna know the play-by-play of how they ended up shooting it exactly this way. It's gotta be

SPFX: The hose of our rig is only this long.
DIRECTOR: Yeah, but I really want my wide like this.
AD: ...in the next 4 minutes!
VFX SUP: Sigh, ok, just get a bg plate, we'll fix it.

I wanna say there were neon... bats? Sticks? Sticks.

What's that movie.. the famous sci-fi movie? Galaxy far away, little robots.. Kids movie. I think it was by Stephen Spielburg, if that helps 🙏

I assume the remaster was done from the original film negatives, so they just slipped up on keeping track of which shots had corrective VFX.

This is not an issue of cropping! They accidentally used the raw plate without VFX that removed the crew. In the proper version you still See John Hamm step back but no crew behind him.

HBOMax has started showing a 'remastered' 4K Mad Men and they’ve messed things up so during Roger’s oyster vomit scene you can now see the crew men with the vomit hose on the right

Are you retweeting lots of people talking about you or your project? Rest assured, Bluesky is showing me every single one of the retweets in a tightly consolidated, relentless feed.

Oh so you support the gamma purge of the Slyphaxian nebula? Disappointing.

A Vote for Zgrolгphx is a Vote for Progress

AI bubble? No thanks. Soap was working just FINE!

Its just a temporary diversion while I gather the courage to move to LA & conquer Hollywood with my youthful energy & fresh ideas.

Aaany day now

I filled out the form for a quote from that site. If it makes sense and I go for it, worry not, I will let you know, thanks!

Oof. That is quite high, haha. Beyond my budget, but thank you for the offer.

Sadly they do not allow shipping to US or, it seems, any other country other that Switzerland. (Otherwise a perfect deal!)

In that size in stock?

Hello. I rarely crowdsource anything. This is not a gag. It's a genuine request. I will give you $100 human dollars (and a shoutout in a future video, if you want) if you can help me procure the following, exact item, NEW:

On Cloudrock 2 Waterproof Boots
Color: "Chalk | Eclipse"
SIZE: US 12

BITD good filmmakers, limited by having to shoot in real spaces on film, were better able to convey visceral, tactile nature of locations & ppl. But now, bad filmmakers, shooting on digital in virtual sets, are bad at that. But still, today's GOOD filmmakers are still good at it. And so... The End

HAPTIC | OPTIC
i am very smart

cINeMá!