From the Jafar Panahi talk at Berlinale.
20.02.2026 17:12 β π 3 π 0 π¬ 0 π 0@dagscott.bsky.social
Cinematographer | Colourist | Professor | Director [Vancouver, BC] Host of 'How Would Lubitsch Do It' www.movingimageagency.com | https://letterboxd.com/DevanAGScott/
From the Jafar Panahi talk at Berlinale.
20.02.2026 17:12 β π 3 π 0 π¬ 0 π 0To the Texans here:
19.02.2026 22:56 β π 3 π 0 π¬ 0 π 0My jaw was on the floor by about the third answer and it was all downhill from there. Stunning stuff.
02.02.2026 00:28 β π 4 π 0 π¬ 1 π 0omg
02.02.2026 00:11 β π 24 π 7 π¬ 1 π 2Oh yes. It's concerning.
31.01.2026 21:35 β π 2 π 0 π¬ 0 π 0Let's just say #general has been active this morning.
30.01.2026 17:32 β π 0 π 0 π¬ 1 π 0Happy birthday to the best to ever do it.
29.01.2026 22:15 β π 12 π 1 π¬ 0 π 1Told ya so
24.01.2026 18:44 β π 8 π 0 π¬ 0 π 0My copy of @bcwallin.com's monograph - featuring an essay about Danny Boyle's use of digital formats by yours truly - arrived today. Very excited to see it released tomorrow.
24.01.2026 00:50 β π 13 π 1 π¬ 1 π 1Impeccable taste in special features, too. Featuring former Lubitsch podcast guests @dcairns.bsky.social and Scott Eyman.
16.01.2026 17:10 β π 7 π 1 π¬ 0 π 0Hell yeah.
16.01.2026 17:10 β π 22 π 2 π¬ 1 π 0Nothing will ever convince me this stuff isn't intentional rage bait.
08.01.2026 02:48 β π 15 π 0 π¬ 3 π 0TWIN PEAKS: THE MISSING PIECES scene with Bobby and Laura (Starting Image)
TWIN PEAKS: FIRE WALK WITH ME scene with Bobby and Laura (Reference Image)
TWIN PEAKS: THE MISSING PIECES scene with Bobby and Laura (Recolored and Reintegrated Image)
The most time-consuming part of my TWIN PEAKS: FIRE WALK WITH ME edit combining it with THE MISSING PIECES is easily recolouring those deleted scenes to match FWWM.
Despite being widely recognized as canonical and essential, THE MISSING PIECES was very obviously not given much of a colour grade.
May have gone too far in a few places.
30.12.2025 19:49 β π 3 π 0 π¬ 0 π 0Bastardized Anthony Mann's REIGN OF TERROR today.
30.12.2025 19:49 β π 2 π 0 π¬ 1 π 0The best in the business (@damnfoolcrusade.bsky.social) reviews the most exciting home video release of the year.
24.12.2025 17:29 β π 8 π 0 π¬ 1 π 0I don't know of any *shot* on VHS, but I once recreated the Techniscope duel from The Good, The Bad, and the Ugly on original-type MiniDV tape back in like 2004: www.youtube.com/watch?v=pmuU...
23.12.2025 01:48 β π 7 π 0 π¬ 0 π 0Calibration day is an overwhelming time at the studio.
16.12.2025 03:52 β π 9 π 0 π¬ 0 π 0(Not that humans aren't totally capable of confidently spouting misinformation... Indiewire included.)
15.12.2025 06:10 β π 3 π 1 π¬ 2 π 0Love that the world's leading search engine confidently spouts absolute misinformation instead of actual results when you type in "What was THE MASTERMIND shot on".
15.12.2025 06:07 β π 18 π 0 π¬ 2 π 1Life knows no period so stress-free as that which occurs between hitting "Schedule Send" late at night and 8am the next morning. All the satisfaction of Dealing With The Thing and none of the consequences.
02.12.2025 06:25 β π 6 π 0 π¬ 1 π 0It's my fantasy world, I get to determine the terms. If I say people can fly to my Napoleon IMAX screening in jetpacks, so be it.
02.12.2025 03:52 β π 2 π 0 π¬ 0 π 0I'm a pretty tough and grumpy mark for this type of YouTube cultural criticism video essay, but this is legitimately a really good rundown of the implications of the Oz Sphere monstrosity for film restoration and the future of cinema as communal art/entertainment.
22.11.2025 22:14 β π 14 π 1 π¬ 0 π 0My take on the Optic/Haptic vid is: It tries to develop a unifying theory on a broad thesis with a shaky premise (βWhy donβt movies look realistic anymore?β) and inevitably winds up with a mess of cherry-picking, self-contradictions, specious reasoning, along with a lot of individually good points.
21.11.2025 02:28 β π 32 π 10 π¬ 2 π 2What a motion picture!
18.11.2025 22:45 β π 8 π 0 π¬ 0 π 0Not to mention the day-for-night (I refrained from doing any exposure correction - orthochromatic day-for-night ought not to be fought against!).
18.11.2025 22:44 β π 6 π 0 π¬ 1 π 0Some real benefits in terms of montage and geographic/spatial legibility here. Assigning colors to specific spaces does wonders for parallel structure...
18.11.2025 22:43 β π 5 π 0 π¬ 1 π 0Well, I finally found time to speculatively tint Lubitsch's THE OYSTER PRINCESS (1919).
18.11.2025 22:41 β π 35 π 5 π¬ 1 π 0Oh! The trailer has tinted stuff! Terrific.
17.11.2025 18:56 β π 1 π 0 π¬ 0 π 0