Concept art by David Dany for Moomins on the Riviera (2014), dir. Xavier Picard, Pictak Cie
A pencil test progression by Sergio Pablos for Treasure Planet (2002), dir. Ron Clements and John Musker, Walt Disney Feature Animation
guys if any of you has a usable trick to sleep on a red eye flight as a light sleeper, please be so kind to tell me (flight still weeks and weeks away but I got a little anxious)
doing loose sketches while watching A Portrait of Scotland on Sunday (yes this is about Mr Capaldi again).
love your use of colours…there’s always such a sense of harmony in them.
hugs and consolations….😌
is it the timberwolves again oomf
seconding this and conveniently heres a link for the pdf versions
drive.google.com/drive/folder...
always looking forward to this every year more than the oscars itself….thank you david ❤️
The list of animation workers who lost homes in the fire sadly continues to grow. We are continually updating and there are currently 30 fundraisers that you can contribute to. Please consider helping out one or more of these people:
www.cartoonbrew.com/animators/ho...
Effects animation by Andreu Campos for Song of the Sea (2014), dir. Tomm Moore, Cartoon Saloon
love their faces!!! this is adorable. also the colour scheme makes me long for summer. it’s so fresh and radiant.
the way it captures the tenderness of the program & music …. like cradling a swaddled newborn
Sending love to all my LA pals. Please keep an eye on the fire map, and if you need to, keep a bag packed and electronics charged just in case. lafd.org/fire-prevent...
In FROM GROUND ZERO — Palestine's official Oscar entry — 22 filmmakers sift through the debris of Gaza in search of hope, sometimes literally, before inventing their own in defiance of a desperate reality. A miraculous, heartbreaking work of art. My review, for @pastemagazine.bsky.social :
joining the gromit cult for the GOAT (feathers mcgraw)
a lovely surprise on a Sunday ~
Concept art by Lorenzo Mattotti for The Bears' Famous Invasion of Sicily (2019), dir. Lorenzo Mattotti, Prima Linea Productions
(tiny daiso santa for scale)
This beautiful neon piece from @neonpsychopomp.bsky.social arrived at my doorstep today ❤️
adore this piece so much;;; (boops the nose bump)
Some of Masako Sakano's animation assistant work for Howl's Moving Castle (2004), dir. Hayao Miyazaki, Studio Ghibli
GATTACA’s production design is on another level — double helix staircases, brutalist architecture, the holistically sterile and distant look of its artificially engineered society
Commercials by Studio Ghibli: "Let's Eat at Home" (2004), dir. Yoshiyuki Momose
starting the day with this 👍🏼
Concept art by Mel Shaw for Wind in the Willows (1949), dir. James Algar and Jack Kinney, Walt Disney Productions
