Jordan Raup

One Battle After Another Editor Andy Jurgensen on Cutting Paul Thomas Anderson’s Action-Comedy Epic How do you make a 2.5-hour movie that feels like it flies by in a third of the time? Meet editor Andy Jurgensen, a long-time collaborator of Paul Thomas Anderson, who has followed up Licorice Pizza wi...

thefilmstage.com/one-battle-a...

I just came across this amazing interview with the editor of One Battle After Another. Every minute spent reading it is totally worth it. Absolutely incredible.

congrats @jpraup.bsky.social

One of my favorite interviews I've ever done. I talked to One Battle After Another editor Andy Jurgensen, who answered every single deep-dive question I asked during our 45-minute conversation.

Dennis Lim Previews the 63rd New York Film Festival This week we’re excited to present a special preview of the 63rd New York Film Festival with NYFF Artistic Director Dennis Lim.

I chatted with Dennis Lim about the incredible New York Film Festival lineup, his favorite spot to sit in a theater, where to eat near FLC, exclusive news about Hong Sangsoo's next production, and the brilliance of Paul Thomas Anderson's One Battle After Another. Listen!

Attention #NYFF63 press and industry members!

With P&I screenings starting today, I've started a channel on the NYFF Discord to discuss P&I updates: check in on the length of lines, screening updates, etc.

Join here: discord.gg/JRShQtd8UZ

I cannot tell you how special this is for me. The Quay Brothers are truly one of our great cinematic gifts. Their answers do not disappoint 🙏

It's going to be a major fall. Paul Thomas Anderson, the Safdies, Kathryn Bigelow, James Cameron, Joachim Trier, Richard Linklater x 2, Jafar Panahi, Kleber Mendonça Filho, Hal Hartley, Oliver Laxe, James L. Brooks, Ira Sachs, four films starring Josh O'Connor, and much more in our fall preview.

New York Film Festival History Explore the history of New York Film Festival with lineups from past editions.

In celebration of today's Main Slate announcement, I'm thrilled to unveil a brand-new New York Film Festival online archive, featuring Main Slate lineups, never-before-published photographs, and official posters since 1963. Happy exploring!

the first feature-length @sophyromvari.bsky.social joint!

Sorry, Baby Review: Eva Victor’s Debut is a Singular Revelation Note: This interview was originally published as part of our 2025 Sundance coverage. Sorry, Baby opens in theaters on June 27. Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years a...

Eva Victor's #SorryBaby is a singular directorial debut of unfiltered frankness in both its tragedy and comedy.

Read @jpraup.bsky.social's review:

10 favorite films released so far in 2025:

1. Caught by the Tides
2. The Shrouds
3. Who by Fire
4. Eephus
5. Misericordia
6. Black Bag
7. Sorry, Baby
8. Afternoons of Solitude
9. Sinners
10. Familiar Touch

The new @filmlinc.bsky.social calendar is 🤌🏼🤌🏼🤌🏼 and every theater in the city should steal it. The calendar view with pop-out descriptions and formats!!! (Congrats @jpraup.bsky.social!)

To celebrate the redesign, I've also launched a new Discord server for FLC and NYFF. I'll be sharing breaking news, added screenings/tickets (especially for NYFF), and much more there.

Join here: discord.gg/UKpKjwyj8q

Welcome to the New Film at Lincoln Center Website Our newly redesigned, user-friendly website makes it easier to discover and explore the best in cinema.

Welcome to a brand-new @filmlinc.bsky.social! 🎉 For the last 18 months, I've been working on a redesign of Film at Lincoln Center's website to make it easier to discover the best in cinema. I'm thrilled to finally share it with the world, happy exploring!

Tribeca Review: Underland Uncovers Subterranean Wonders As humanity continues mining Earth’s resources with wanton abandon, the concerns of those with the most influence have been towards the skies––the space dreams of inhabiting another planet once we’ve ...

The Darren Aronofsky-produced adaptation of Robert Macfarlane’s book #Underland takes a compelling if straightforward excavation into the depths of our planet.

Read @jpraup.bsky.social's review of the Tribeca world premiere:

Favorite first-views of May:

The Asthenic Syndrome
Born to Win
Neighboring Sounds
The Mirror

Cannes Review: A Poet is a Darkly Humorous Tale of Failed Creative Pursuits Far removed from the mournful yearnings of A Quiet Passion––much less the quotidian, calming rhythms of Paterson––Simón Mesa Soto’s Medellín-set second feature finds unexpected poetry in the jagged, p...

Simón Mesa Soto’s Un Certain Regard jury prize winner #APoet is a darkly humorous, cautionary character study in letting one’s long-lost creative dreams drive every decision in life.

Read @jpraup.bsky.social's Cannes review:

Fave podcast. Fave filmmaker. Fave fellas. Give this a listen!

Cannes Review: Peak Everything is a Romantic Dramedy That Finds Levity in the Anxieties of Societal Ills While there’s the oft-repeated observation that every generation thinks they are living through the end of the world, the maelstrom of anxieties (both quotidian and universal) in today’s age is partic...

Anne Émond’s Cannes premiere #PeakEverything consolidates ubiquitous, world-ending concerns into a small-scale romantic dramedy that overextends a sense of whimsy.

Read @jpraup.bsky.social's review:

Ratchapoom Boonbunchachoke’s directorial debut #AUsefulGhost is a strange, tranquil, humorous exploration of the conundrums that would emerge were ghosts an accepted occurrence in everyday life.

Read @jpraup.bsky.social's Cannes review: thefilmstage.com/cannes-revie...

Had to write about one of my favorite films. A little about its reception upon release, its bastardized theatrical cut, its take of religion, and its effect on me as a forever-lapsing Catholic ❤️

Favorite first-views of April:

4:44 Last Day on Earth
Abraham’s Valley
Born on the Fourth of July
La Région Centrale
Sinners
Unlawful Entry

Jia Zhangke, Wes Anderson, Hong Sangsoo, Ethan Coen, Kiyoshi Kurosawa, Alex Ross Perry, Eva Victor, Albert Serra, Christopher McQuarrie, Ari Aster, Joel Potrykus, Ramon Zürcher, Abderrahmane Sissako, and more.

Our massive, superhero-free summer movie preview is here:

So much in this talk, such a smart guy, looking forward to his future films. THE LEGEND OF OCHI is a lovely film ❤️

Sundance Review: Eva Victor’s Debut Sorry, Baby is a Singular Revelation Agnes’ (Eva Victor) life is defined by a sense of stagnancy. Four years after completing grad school in rural New England, she’s living in the same house and going to the same building, only now as a ...

Eva Victor's Sorry, Baby, one of the best films we saw at Sundance, will open on June 27 from A24. Read @jpraup.bsky.social's review:

“I See Palestine as the Wound That the Whole World is Bleeding Out of Right Now”: Director Farah Nabulsi on The Teacher “To your people, your son is worth 1,000 of mine." This striking line from Oscar-nominated director Farah Nabulsi's feature debut The Teacher draws inspiration from the 2011 Gilad Shalit prisoner exch...

With #TheTeacher now in theaters, director Farah Nabulsi talks with @jpraup.bsky.social about capturing the daily oppression of the Palestinian community, shooting on location, and the film's heightened emotional resonance since its premiere.

I got to have dinner with @misterpatches.bsky.social and @jpraup.bsky.social tonight, followed by Othello with Mr. Raup. None of you can say the same!

We are thrilled to welcome Daniel Battsek as the new President of Film at Lincoln Center! He joins FLC with a wealth of experience in leading world-renowned film organizations and brings deep expertise in global film production, exhibition, distribution, and industry relations.

Sacramento Review: Michael Angarano’s Amiable Road Trip Dramedy Charts a Tried-and-True Path With a plucky, inherent likability as a performer that extends to his leisurely directorial aesthetic, Michael Angarano’s second feature Sacramento is an amiable, freewheeling road trip dramedy that r...

Michael Angarano’s second feature Sacramento is an amiable, freewheeling road trip dramedy that rides on its central performances.

Read @jpraup.bsky.social's review:

“I Do This All For Palestine”: The Encampments Director on Mainstream Media’s Pro-Israel Bias and the Corporatization of Universities An essential document of a moment in time for a story very much still unfolding, The Encampments is a thorough, engrossing portrait of the Gaza Solidarity Encampment. Beginning in April 2024, the prot...

"We stand by everything that’s in the film. And to anyone who doesn’t agree or who thinks the students were violent or that they were bigoted or anti-semitic or anything, we encourage you to watch the film." The Encampments co-director Kei Pritsker taks with @jpraup.bsky.social about his debut film:

Eric LaRue Review: Michael Shannon’s Directorial Debut is a Bleak Yet Impressive Showcase for Judy Greer Michael Shannon set himself up with quite a daunting challenge for his directorial debut: how can one capture oppressively bleak, soul-consuming feelings of guilt while not having the viewer feel trap...

Michael Shannon's directorial debut #EricLaRue, which examines the ways evangelism can mask true healing, is an impressive showcase for Judy Greer.

Read @jpraup.bsky.social's review: