Hilma af Klint

Svenska konstlegenden Hilma af Klint hyllas på nytt center Konstnären Hilma af Klint slog besöksrekord på Guggenheimmuseet i New York. Nu hyllas hon i Sverige med ett nytt besökscenter på Adelsö utanför Stockholm.

Och nu har det även gått ut i pressen! Gården Hilma af Klints ateljé har öppnat på Adelsö.
Öppet för allmänheten fre-lö kl 11-16 fram t.o.m. 30 augusti.

www.expressen.se/noje/svenska...

Föreningen HILMA af KLINTS ATELJE I den gamla prästgården på Adelsö har vi skapat en levande mötesplats för inspiration, kunskap och konstnärligt utforskande i Hilma af Klints anda. Som en av Sveriges mest banbrytande konstnärer tillb...

If you want to know more, you may follow us on FB or Instagram (Hilma af Klints ateljé) or check our website (still only in Swedish):

www.hilmaafklintsatelje.org

Our opening exhibition shows the places which mattered to her: Adelsö-Munsö, the Temple, and the altar. We are also showing a long interview with Ulla af Klint, who was married to Hilma’s nephew Erik, who inherited her works.

The center is not the ”Temple”, its aim is not to exhibit her big works, but to illustrate all the sides of her life: who she was, what influenced her, her world. It’s also to welcome contemporary artists, thinkers, writers, to discover her world, and the lands which were so important to her.

Hilma af Klint spent a lot of time on Adelsö and it was a place very dear and important for her. Later in life, she had her studio built on the neighbouring island Munsö. Here she kept all her esoteric (”abstract”) art.

Sorry for the delay.
On June 15 we inaugurated the first place dedicated to Hilma af Klint. The center is called Hilma af Klint’s Ateljé and it’s located on the island Adelsö, about 1hr from Stockholm.

11/11
We might never know more details than this.
We do know now, after reading her notes, that she considered herself as a Parsifal. She was carrying the Holy Sword, the message and healer to humanity. The Sword which for both af Klint and Wagner symbolised the link between spirit and body.

10/11
Few pieces of music have been so written about as Richard Wagner’s Parsifal, so even in Sweden. Between 1882 and 1916 no less than 3500 articles had been published in the Swedish press about the opera. So we can assume Hilma af Klint, who was also interested in music, had read about it. >>

9/11
And nearly 35 years after Richard Wagner’s death.
The original premiere of Parsifal took place at the second Bayreuth festival in the summer of 1882. Hilma af Klint was then 20 years old and about to enter the Royal Academy of Arts. >>

8/11
Hilma af Klint was most likely working from Stockholm as the studio at Munsö wasn’t ready before 1918. The premiere of Richard Wagner’s Parsifal took place at the Stockholm Opera on April 21 1917, ie half a year AFTER Hilma af Klint completed her series of 144 paintings. >>

7/11
He called Anthroposophy “the science about the Graal”. But that would be in the 1920’s, and as we have noted by now, Hilma af Klint painted her series in November 1916.
What is, if there is, the connection between her paintings and Richard Wagner’s opera? >>

6/11
He carries the Sword with him but cannot use it to fight (and defend himself); it has to be brought back unsoiled to the castle to heal the king. Wagner’s sword is Sacred, it is the Sword of the Graal.
Rudolf Steiner, founder of Anthroposophy, would write at lengths about Wagner’s Parsifal. >>

5/11
The Sword of the Graal. The same sword which had pierced the side of Jesus hanging on the Cross.
The choice of spelling also bears meaning. If Perceval means “Through the Valley” (“per ce val”), Parsifal holds its meaning from Parsi = fool and Fal=pure, “The pure fool”. >>

4/11
Wagner rewrote the story, combining characters and slightly changing the key of the saga. In von Eschenbachs version, the king would be healed if Parsifal asked the right Question (“What is the Graal?”), in Wagner’s version he could only be healed by the Sword which inflicted the wound, >>

3/11
The Ring of the Nibelung which he wrote in his late thirties, and Parsifal, which was his last main opera. We worked on it for 30 years.
He encountered the medieval legend by Wolfram von Eschenbach in 1945. It is complicated to summarise the myth of Parsifal / Perceval / Parzival because >>

2/11
It is interesting to note that Wagner and af Klint spelled the name in the same way, not with a C nor a Z but an S, not with an E but an A, not with a V but an F - Parsifal.
We might have forgotten it today, but Richard Wagner revolutionalised the art of music. among his two main oeuvres are >>

We are marking a pause in the series Parsifal as we are about to enter the last sub-series of the 144 paintings.
An obvious association regarding Parsifal is the opera by Richard Wagner (1813-1883) with the same name. >>🧵

2/2
— When the physical body has thus undergone the purifying fire, it has come to a natural submission to the laws of life. Now it is also freed from original sin. It feels within itself a great increase of health, soundness, joy of life, and jubilation."

🖼HaK328
Series Parsifal Group 3, no. 122
29 November 1916
Note by Hilma af Klint otsd:

"Then comes an indigo-colored one."

"In the last page, the result is shown: a very beautiful color has emerged, it is violet. The violet color is predominantly bluish-red, with blue being its purest part. >>

Nu går solen knappast ner,
bländar bara av sitt sken.
Skymningsbård blir gryningstimme
varken tidig eller sen.
Juni natt blir aldrig av,
liknar mest en daggig dag.
Slöjlikt lyfter sig dess skymning
och bärs bort på ljusa hav.
Harry Martinsson 1953
📷 Hilma af Klints ateljé Adelsö
7 juni 2025 kl 22.50

Start - Konstakademien Brand på Konstakademien Det har brunnit i Konstakademiens hus. Enligt polisen är nu branden släckt (lördag 7 juni kl. 17:39). Inga personer är skadade eller befinner sig i byggnaden. Den initiala bedö...

Brand på Konstakademien i Stockholm idag lördag den 7 juni. Hoppas allt gått väl.

konstakademien.se

2/2
They would rather go out into ignorance than continue to try to penetrate life prematurely."

🖼HaK327
Series Parsifal Group 3, no. 121
29 November 1916
Note by Hilma af Klint otsd:

"The one following that is blue-green."

"And in the following image, both are erased. They have decided to completely and fully close their gates in order instead to acknowledge their inability. >>

3/3
because the life of thought is difficult to overcome. In the following image, feeling is predominant; devotion has succeeded in conquering thought."

2/3
dissecting life. In this image, it is shown that the two forces which the physical body must take in—thought and feeling—become united, make peace. Thought is still predominant, that is, thought has pure intentions but still wants to take the dominant tone, >>

🖼HaK326
Series Parsifal Group 3, no. 120 [119 seems to be missing]
28 November 1916
Note by Hilma af Klint otsd:

"The next page is yellow-green."
"The next page is a description of when the human soul has come to realize its discord, begun to understand the fall. The fall consisted precisely in >>

Hilma af Klint artwork

Hilma af Klint artwork

Hilma af Klint artwork

Tote bag from MoMa

Recommending the Hilma af Klint exhibition, "What Stands Behind the Flowers," at MoMa. Pick up the tote too! #WildflowerWednesday

5/5
True innocence is to surrender oneself to life itself, through both mercy and hardship. Represent this with orange."

4/5
is forced to expel certain forces it has eagerly acquired. These forces are involved with thought operations; if life is to be lived fully, it must not be filled with outward-directed thoughts. For these thoughts are the direct opposite of innocence. >>

3/5
[see previous painting]
But because life must quickly shift to avoid becoming a victim of downward-dragging forces, it is necessary to follow life’s instructions. After passion has burned through the body, after the body has thus taken on mobility, there is a certain setback in that the body >>