Shirley Li

Only Timothée Chalamet Could Get Away With This To promote his new movie, the actor has thrown all caution to the wind.

*takes a deep breath*

marty supreme christmas day marty supreme dream big marty supreme christmas day marty supreme gift link www.theatlantic.com/culture/2025...

yes, i’m giving them a personal special citation. hi jj :)

voted on a few small awards for the first time. all winners at @lafilmcritics.bsky.social! 😇

Best Picture, Winner: ONE BATTLE AFTER ANOTHER #LAFCA

Best Film Not in the English Language, Winner: THE SECRET AGENT #LAFCA

New Generation: Eva Victor, SORRY, BABY #LAFCA

Best Director, Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER #LAFCA

Best Documentary/Nonfiction, Winner: MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW #LAFCA

Best Screenplay, Winner: Jafar Panahi, IT WAS JUST AN ACCIDENT #LAFCA

While you’re waiting for our next round of awards, a quick reminder that the deadline to apply to our scholarship supported by @rottentomatoes.com is also TODAY! Open to aspiring film critics attending L.A.-area community college: bit.ly/LAFCAScholarship2025

Best Lead Performance, Winners: Rose Byrne, IF I HAD LEGS I’D KICK YOU, and Ethan Hawke, BLUE MOON #LAFCA

Best Supporting Performance, Winners: Stellan Skarsgård, SENTIMENTAL VALUE, and Teyana Taylor, ONE BATTLE AFTER ANOTHER #LAFCA

Best Animation, Winner: LITTLE AMÉLIE OR THE CHARACTER OF RAIN #LAFCA

Best Film Editing, Winner: Ronald Bronstein and Josh Safdie, MARTY SUPREME #LAFCA

Best Production Design, Winner: Hannah Beachler, SINNERS #LAFCA

brb throwing a rave

Best Cinematography, Winner: Adolpho Veloso, TRAIN DREAMS #LAFCA

Parenting Is the Least of Her Worries In Die My Love, a struggling new mom loves her child—but can’t stand anyone else.

In “Die My Love,” parenting is the least of a struggling new mother’s concerns, @shirklesxp.bsky.social writes:

The alien-conspiracy-theory-filled “Bugonia” sounds like a sci-fi thriller. The film is much more interested in the human condition—and in having very long conversations about it. @shirklesxp.bsky.social writes: https://theatln.tc/yJApHaeC

Our 2026 Career Achievement Award recipient is Philip Kaufman

The Worst Art Thief in America “The Mastermind” is far more successful as a character study than as a heist movie.

“The Mastermind,” about an art-museum robbery gone wrong, doesn’t try to be a heist movie—to its benefit, writes @shirklesxp.bsky.social:

When One Word Changes an Entire Film "After the Hunt" seems to reckon with cancel culture, before revealing where its true interest lies.

“After the Hunt” is built on incendiary moments, but it saves the most pointed provocation for last—by flipping the entire film on its head. Shirley Li writes:

It’s Not Enough to Read Orwell A new film argues that, in an era of rising authoritarianism, audiences have become too numb to the speculative force of “1984.”

Surveillance and propaganda reign supreme in the fictional world of “1984”—for which generations have found real-life parallels, again and again. The new film “Orwell: 2+2=5” argues that noting such similarities isn’t enough, writes Shirley Li:

Lower Than Cowards The surrender of America’s elites

as usual @adamserwer.bsky.social says it best: www.theatlantic.com/ideas/archiv...

The 14 Movies to Watch Out for This Fall The most exciting films heading to theaters through the end of the year

This year’s film-festival circuit produced a rich array of movies: existential thrillers, whodunits, musicals, and more. @shirklesxp.bsky.social on the 14 standouts to add to your watch list this season:

We strongly condemn the actions taken by Nexstar and Disney-ABC to pull JIMMY KIMMEL LIVE! off the air.

Hello! @sophiegilbert.bsky.social and I will be on Reddit later today to talk this weekend's Emmys, because as they say about TV, a little counterprogramming goes a long way. Who's "they"? Who knows, but that's a question you can ask us during our AMA! See you there at 3 pm EST!

A Famed Director Tried to Build a Fan Base for His Movie. It Was Awkward. Francis Ford Coppola’s recent road show for "Megalopolis" is an attempt to dictate its legacy—and a misunderstanding of how fandom works.

Francis Ford Coppola’s epic box-office bomb, “Megalopolis,” fits the vague outlines of a future cult classic. But the director’s attempts to mythologize the movie reveal how difficult it is to actually build a devoted fan base, writes @shirklesxp.bsky.social:

As kids’ TV has become more sprawling, figuring out what’s actually enriching has become more daunting than ever. @shirklesxp.bsky.social reports on recent cuts to public-media funding, the growing pains of children’s entertainment—and where it’s headed: https://theatln.tc/pCD9t51V

‘Andor’ Was the Reawakening Star Wars Needed The best “Star Wars” story in years challenged the classic good-and-evil dichotomy.

The “Star Wars” story “Andor,” whose series finale aired last night, questioned the franchise’s good-and-evil dichotomy—and wasn’t afraid to blur the lines, writes @shirklesxp.bsky.social: