205TF

Project: Cultures du design numérique. Histoire des idées et enjeux contemporains, Nolwenn Maudet
Typefaces: Cosimo, Yorick (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf

Project: Cultures du design numérique. Histoire des idées et enjeux contemporains, Nolwenn Maudet
Typefaces: Cosimo, Yorick (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf

Project: Interdisciplinary Engineering Building, University of Washington
Typeface: Maax Mono (Damien Gautier, 205TF)
Graphic Design: Studio Matthews — Kristine Matthews, Marta Bernstein, Jessica Cooper, Meg Graham
Architect: KieranTimberlake
Photography: Natalie O’Rourke
www.205.tf/maax-mono

Augure Stereo brings together the principles of the Mono and Duo versions within a single variable font. The second width becomes adjustable, ranging from the minimum value defined by Mono to the maximum value defined by Duo.

This second width interacts with the first through a proportional increase of one third. The resulting capital forms produce a clear alignment effect both horizontally and vertically. The visual rhythm remains governed by the same regulating metric system.

Augure Duo introduces a second, increased width for capitals, figures, and certain naturally broader lowercase letters such as m and w, providing them with additional space.

This added width makes it possible to recover a degree of roundness that the constraint of a single width significantly compresses in some capital letters, notably O, C, and E.

The original Augure design has been adapted to this constraint while maintaining legibility and formal idiosyncrasy.

Augure Mono is a monospaced variant in which all glyphs share a uniform width. Letters, symbols, and punctuation are aligned to the width of round lowercase characters such as o, c, and e.

Augure already possesses a strong visual rhythm—a distinctive typographic “color” and a clear cadence in its drawing—and these new variants reinforce that quality through a system of character widths conceived as a regulating grid.

New Release: Augure Mono, Duo, and Stereo, by Simon Renaud
www.205.tf/collection/a...

Augure Mono, Duo, and Stereo, extend the Augure typeface by applying a rigorous logic of measurement and alignment.

Project: SPF 666: Gótico Provençal
Typefaces: CX80 (Damien Gautier, 205TF); Romain BP Headline
Graphic Design: Tangrama
www.205.tf/cx80

Project: A la vida ávida, Luis Cruz Hernández
Typefaces: Exposure (Federico Parra, 205TF); Dokument (ExtraSet)
Graphic Design: Luis Vassallo (LV–GD)
Printing: Brizzolis
www.205.tf/exposure

Project: Figlio
Typeface: Louize Display (Matthieu Cortat, 205TF)
Art Direction: Foguel Studio
Architecture: Sanchez Belloni
Creative Direction: Ufficio Studio
Graphic Design: Crista Bernasconi, Sofía Noceti, Luis Cruz, Rocío Fernández Fuks
www.205.tf/louize-display

Project: Claire Tabouret. D’un seul souffle
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Goudy Old Style
Graphic Design: Lisa Sturacci
Publisher: GrandPalaisRMN
www.205.tf/immortel

Project: Carbon Catchers, Thierry Cohen
Typeface: Exposure (Federico Parra, 205TF)
Graphic Design: Bureau Roman Seban
Scenography: Agence PAM
www.205.tf/exposure

Project: Das Luka-Evangelium
Typefaces: Muoto (Matthieu Cortat, 205TF); Marist (Dinamo)
Graphic Design: Orphea Joanna Heutling
www.205.tf/muoto

Project: Blazers Blasons, packagings and cards
Typeface: Henry (Matthieu Cortat, 205TF)
Graphic Design: Fanette Mellier
www.205.tf/henry

Project: STUDIO SOIUS
Typefaces: Louize Display (Matthieu Cortat, 205TF); Univers LT STD
Graphic Design: ÉTÉ STUDIO — Alexis Zurflüh (Art Direction), Caroline Sorin (Graphic Design + Coding)
Concept: House Of Manus
www.205.tf/louize-display

Project: Deaconess Foundation 2024 Annual Report
Typefaces: Exposure (Federico Parra, 205TF); Diatype (Dinamo); FK Grotesk Mono (Florian Karsten)
Graphic Design: Little Jacket (Allison Beer, Abby Coe)
www.205.tf/exposure

Project: Une histoire de la photographie à travers les collections du musée Nicéphore Niépce
Typefaces: Garaje (Thomas Huot-Marchand, 205TF); Portada (Typetogether)
Graphic Design: Le Petit Didier
www.205.tf/collection/garaje

Project: Suono
Typeface: CX80 (Damien Gautier, 205TF)
Graphic Design: Tom and Georgia Woollam from Redefine Studio
www.205.tf/cx80

Project: L’écriture a-t-elle changé l’environnement?, Yann Aucompte
Typefaces: Heliuum (Damien Gautier, 205TF); Immortel (Clément Le Tulle-Neyret, 205TF); Muoto (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf

Project: Atlantis, Anne Paceo
Typeface: Exposure (Federico Parra, 205TF)
Graphic Design: Brest Brest Brest
www.205.tf/exposure

Project: Flowers — A book of flowers
Typeface: Louize Display (Matthieu Cortat, 205TF)
Graphic Design: Diego Ibañez from Ona Studio
Florist: David Mola from Escapo
www.205.tf/louize-display

Project: Tell These People Who I am – Museum Ostwall, Dortmund Germany
Typefaces: Minérale (Thomas Huot-Marchand, 205TF); Ufficio (Giulia Boggio)
Graphic Design: Sichtvermerk — Stefan Claudius, Viola Dessin
Photos: Viola Dessin, Stefan Claudius
www.205.tf/minerale

Project: Quand les architectes mènent l’enquête?, Soline Nivet
Typefaces: Heliuum (Damien Gautier, 205TF); Immortel (Clément Le Tulle-Neyret, 205TF); Muoto (Matthieu Cortat, 205TF)
Graphic Design: Éditions 205
www.205.tf

Project: Piesmiths
Typeface: Maax Mono (Damien Gautier, 205TF)
Graphic Design: Tom and Georgia Woollam from Redefine Studio
www.205.tf/maax-mono

Project: La fabrique des possibles. Atelier du Rouget
Typeface: Milling (Tanguy Vanlaeys, 205TF)
Graphic Design: Éditions 205
www.205.tf/milling

Project: Batteries
Typeface: Muoto (Matthieu Cortat, 205TF)
Graphic Design: Atelier ping-pong — Cécilia Génard, Chloé Develle
Scenography and Audiovisual: vaste
Lighting: Aura
Photos: Julien Lelièvre
www.205.tf/muoto