No. 65: Richard Pryor: Live in Concert (1979).
21.05.2025 23:25 — 👍 6 🔁 0 💬 1 📌 0
No. 64: Odds Against Tomorrow (Robert Wise, 1959).
21.05.2025 23:23 — 👍 3 🔁 0 💬 0 📌 0
No. 63: Sinners (Ryan Coogler, 2025).
21.05.2025 23:18 — 👍 4 🔁 1 💬 0 📌 0
No. 62: Torso (Sergio Martino, 1973).
Torso is overall a “meh” giallo but boasts some killer eye makeup looks.
18.05.2025 16:46 — 👍 1 🔁 0 💬 0 📌 0
No. 61: Companion (Drew Hancock, 2025).
18.05.2025 16:38 — 👍 1 🔁 0 💬 0 📌 0
100%. It’s a well done film in general and then for being a directorial debut that she’s also starring in? Impressive!
08.05.2025 16:33 — 👍 2 🔁 0 💬 0 📌 0
No. 60: Woman of the Hour (Anna Kendrick, 2023).
I was very pleasantly surprised by Kendrick’s directorial debut that is relatively faithful to the facts of the Alcala case while introducing dramatic embellishments that hit on larger truths of women’s realities under femicidal culture.
08.05.2025 15:59 — 👍 5 🔁 0 💬 1 📌 0
No. 59: Shampoo (Hal Ashby, 1975).
08.05.2025 11:20 — 👍 3 🔁 0 💬 0 📌 0
No. 58: I Saw the TV Glow (Schoenbrun, 2024).
Final screening of my wonderful horror course at SAIC.
08.05.2025 11:17 — 👍 5 🔁 0 💬 0 📌 0
No. 57: Flight Risk (Mel Gibson, 2025).
I refuse to believe this was not an AI generated script.
04.05.2025 12:11 — 👍 3 🔁 0 💬 0 📌 0
No. 56: The Order (Justin Kurzel, 2024).
04.05.2025 12:08 — 👍 0 🔁 0 💬 0 📌 0
No. 55: Daisies (Vera Chytilová, 1966) in beautiful 35mm, courtesy of @chicagofilmsociety.org.
01.05.2025 02:33 — 👍 5 🔁 0 💬 0 📌 0
No. 54: Time Without Pity (Joseph Losey, 1957).
30.04.2025 17:04 — 👍 0 🔁 0 💬 0 📌 0
No. 53: Léon Morin, Priest (Jean-Pierre Melville, 1961).
24.04.2025 02:58 — 👍 2 🔁 0 💬 0 📌 0
No. 52: Watcher (Chloe Okuno, 2022).
24.04.2025 02:56 — 👍 4 🔁 0 💬 0 📌 0
Agreed! The intense working class solidarity it portrays generated a heartening undertone that surprised me because it’s not exactly an “uplifting” film.
17.04.2025 13:39 — 👍 1 🔁 0 💬 1 📌 0
No. 51: Le Crime de Monsieur Lange (Jean Renoir, 1936)
17.04.2025 12:37 — 👍 2 🔁 0 💬 1 📌 0
I do too! I’m not sure how much my students liked it but I’ll see next week. It was my first time screening it for a horror class and I expected there to be more gleeful enjoyment of its camp but it seems to have produced a more muted response.
15.04.2025 11:36 — 👍 1 🔁 0 💬 0 📌 0
No. 50: Office Killer (Cindy Sherman, 1997).
14.04.2025 23:23 — 👍 5 🔁 0 💬 1 📌 0
No. 49: Poor Things (Yorgos Lanthimos, 2023).
13.04.2025 03:19 — 👍 3 🔁 0 💬 0 📌 0
No. 48: Crossing Delancey (Joan Micklin Silver, 1988).
13.04.2025 03:17 — 👍 4 🔁 0 💬 0 📌 0
No. 47: Bean (Mel Smith, 1997).
13.04.2025 00:19 — 👍 2 🔁 0 💬 0 📌 0
No. 46: La Llorona (Jayro Bustamante, 2019).
13.04.2025 00:18 — 👍 2 🔁 0 💬 0 📌 0
No. 45: The Honeymoon Killers (Leonard Kastle, 1970).
13.04.2025 00:15 — 👍 2 🔁 0 💬 0 📌 0
No. 44: My Brother’s Wife (Doris Wishman, 1966).
13.04.2025 00:13 — 👍 0 🔁 0 💬 0 📌 0
No. 43: Train to Busan (Yeon Sang-ho, 2016).
13.04.2025 00:12 — 👍 2 🔁 0 💬 0 📌 0
Ready to get emotional and scared at @thepetermarra.bsky.social’s panel on Emotional Horror (featuring friend @krp.bsky.social) at #SCMS25!
03.04.2025 15:49 — 👍 5 🔁 1 💬 0 📌 0
You were incredible! You’ve made NJ so proud!
02.04.2025 01:22 — 👍 0 🔁 0 💬 0 📌 0
No. 42: The Worst Person in the World (Joachim Trier, 2021).
29.03.2025 02:48 — 👍 2 🔁 0 💬 0 📌 0
No. 41: Viy (Yershov & Kropachyov, 1967).
29.03.2025 00:29 — 👍 4 🔁 0 💬 0 📌 0
Hi.
*Scholar of culture, sport, and society.
*Host & Producer of Give Theory a Chance & Give Methods a Chance.
*Associate Professor of Sociology at SUNY Brockport.
Screening 35mm, 16mm, and the assorted larger and smaller -mms since 2011
Movies are life. Minnesota raised me, Michigan made me.
Dad, husband, President, citizen. barackobama.com
Research Associate at Cardiff Uni; honorary research fellow at Amgueddfa Cymru Museum Wales; co-editor of Popular Communication; @fanstudies.bsky.social & @scmsfaas.bsky.social boards. Writes about fandom, cult TV, true crime, tattoos and other fun stuff.
Proudly serving the people of New Jersey in the U.S. Senate.
Reader in Creative Writing, PhD, FHEA. Edgar Allan Poe Gothic Filmmaker Award Winner (The Stay), Bram Stoker Award Finalist ‘Best 1st Novel’ (The Lamplighters). #thecure obsessive, 42 gigs so far. Repped: Betty-Anne Crawford NY USA.
Associate Professor at @durhampsych.bsky.social. I look at how culture influences children's learning, and how learning makes us human.
Victorian fiction, female ageing, medicine and culture. Departmental Tutor, at Oxford Lifelong Learning, University of Oxford.
Philosopher/AI Ethicist at Univ of Edinburgh, Director @technomoralfutures.bsky.social, co-Director @braiduk.bsky.social, author of Technology and the Virtues (2016) and The AI Mirror (2024). Views my own.
Asst Prof | Ethical Data Science
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Makes good trouble
Tell your dog I said "hi"
Assistant Professor of Neuroscience at Northwestern University. Studying the dopamine system in normal and pathological behaviors.
http://www.parkerlaboratory.com
Senior Data Scientist @ UChicago Biostats Lab & Neuro Dept | prev @ JHU & ITAM | Music & Philosophy Lover | Building musicosphères @ http://stell-r.com & http://synff.co
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PhD in C&I secondary social studies | multicultural education | all things gender | neuroqueer | pro-public education | repost ≠endorsement | opinions are my own | she/they
Reader in TV, who watches TV and sometimes makes some with her students at Edge Hill University. Interested in the role of media in communicating climate change. Also interested in questions of inequality and television. Also posts pretty pictures.
Media consultant concerned about all aspects of human life living on this planet Earth. Interested in science, technology, people's lives and careers, environment, politics & ancestry of people.
Lecturer & film studies researcher. University of Zaragoza.
Interested in teen film, girlhood, transitions to adulthood and virtual spaces.
Member of @spacescinema.bsky.social
