@chrisdroberts.bsky.social
Supervising Sound Editor, Dialogue and ADR Editor/ Supervisor, owner Resound Sound Ltd. Links, Reposts etc ≠ endorsement. All views entirely my own, however daft. And not necessarily serious. Just so we're clear. OK? https://www.imdb.com/name/nm1266894/?r
The best album of the 1990s was released thirty years ago today.
You first.
AMPS has announced DUNE: PART TWO as the winner of the 2025 AMPS Excellence in Sound for a Feature Film award.🎬
Congratulations to Gareth John AMPS, Tom Harrison AMPS, Martin Kwok, Richard King AMPS, Ron Bartlett, and Doug Hemphill for their outstanding achievement in cinematic sound #AMPSAwards2025
Just had a flick through Dec 24 @televisualmedia.bsky.social and there’s a bit of a Venn diagram between facilities in their “Top 50 UK Post Houses” and those referenced in the below report. If only folk listened to the people who actually do the work
For those working in UK post, a new report has been released highlighting the conditions we often find ourselves working in. Hopefully the broadcasters and commissioners will now be more aware of what goes on behind the scenes.
@bectu.bsky.social
www.tvhumanrights.org/research-pos...
Congratulations to you and the team, very well deserved!
Have deactivated both personal and business X/Twitter accounts, the reasons for which should be obvious. Will be here from now on. Don’t worry, sweariness will continue.
PRO Q 4 ?!
Hmm .. will investigate ….
Next job is to figure out a way of incorporating the new transcription feature into ADR cueing script….
I have no problem with the cost of SF. It more than pays for itself in the time you save mousing around and doing repetitive tasks. If you pay for an annual sub, it’s even better. It’s incredibly powerful, esp if you get into the coding side. I’ve barely scratched the surface.
I have a list of common reason notes lined up in KM. Hit enter and done.
Select your line in the DX, guide track, AAF - anywhere in timeline - hit a shortcut, enter a number related to the character, and it creates a clip on the character’s ADR cue track, populates it with EdiCue syntax leaving it ready for you to just enter the dialogue text and any reason notes.
Streamlined my ADR cueing, also using Keyboard Maestro for adding common / repetitive notes.
Carl Sagan. 1995.
If you enjoy watching TV, please do read this. And this piece only really reflects what’s happening with production crew, not post-production……
www.theguardian.com/tv-and-radio...
