Lord Arthur the Grimm

There is nothing I like more than a quiet night at home alone, a blanket covering myself, watching a good movie in the dark.

Now onto “The Old Dark House” (1932) directed by James Whale. I love a good gothic tale.

A ★★★★★ review of To Live and Die in L.A. (1985) This movie helped me to understand that I’m a homosexual, but I’m not gay.

🤣 😂 😜

boxd.it/byHs59

YouTube video by BillyIdolVEVO Billy Idol - Cradle Of Love

“Hi my name is Debbie, I live down the hall. Stereo’s broken and I was wondering if I could come in and play this tape …”

🤣 👏🏻 youtu.be/NCZuYS-9qaw?...

Tonight I will finally watch “Cat People”

A bright, sunlit landscape featuring the ruins of an old stone fortress nestled within rocky terrain and dense greenery. The structure, partially collapsed and weathered, stands near the center—its broken towers and archways blending with the orange and tan hues of the surrounding cliffs. A tall statue rises from the central ruin, depicting a robed figure holding a staff or spear, positioned on a circular stone base. In the foreground, a shallow stream winds across sandy ground bordered by rocks and sparse vegetation. Sunlight filters through leafy trees, casting soft shadows across the sand and water. The vegetation varies—palm trees, ferns, and shrubs grow among the rocks, adding a tropical or coastal atmosphere to the scene. The sky is clear and blue, dotted with small white clouds, and the overall tone is warm and serene. The combination of crumbling stone architecture, natural overgrowth, and gentle lighting creates a peaceful yet slightly mysterious sense of ancient history reclaimed by nature.

The Rivain Coast, Thedas

(Dragon Age: The Veilguard, 2024)

A gothic fantasy landscape under a pale, hazy sky. Jagged cliffs and towering spires dominate the scene, their silhouettes cutting into the light of a muted sun obscured by mist. The air is filled with floating debris—broken stones and fragments that drift upward as if gravity itself has been disrupted. At the center of the composition, a large, intricate mechanical structure hovers in midair. It consists of concentric metal rings, gears, and suspended components that suggest a form of magical or astronomical device. Light passes through it, glinting off its surfaces and emphasizing its scale and complexity. Surrounding the machinery are high stone walls, staircases, and gothic architecture, marked by pointed towers, archways, and decorative carvings. Leafless trees reach into the sky with twisted branches, and faint smoke or mist curls upward from the ground below. Scattered fires burn near the base of the scene, providing a dim orange contrast against the cool gray and violet tones of the environment. The overall atmosphere conveys a sense of ancient power and lingering mystery—a place where magic and machinery coexist, half-ruined but still alive with motion and energy.

The Crossroads

(Dragon Age: The Veilguard, 2024)
#DragonAge

“My name is Victoria Winters …” 🤣 IDK that’s all I thought of when I read this.

Accurate.

Nyah! It’s actually chilly here this morning — where I can feel and smell it — and I’m so, so cozy under my blanket I can’t force myself up. I have no doubt I could go back to sleep for 3 hours … 😴 😌

Ravenloft: Strahd's Possession (1994)

- The daily video game history fact -

Rare intentionally made Battletoads (1991) extremely difficult in order to increase its longevity.

Gameplay: www.youtube.com/watch?v=hxuc...

A vast subterranean or industrial structure built along a massive chasm. The architecture is composed of heavy stone and metal, illuminated by a combination of pale blue and red-orange lighting. The red glow rises from deep within the chasm below, resembling molten rock or some other intense heat source. Large carved faces or statues are integrated into the walls, serving as both decoration and structural support. Faint beams of light filter through dense mist, revealing a series of platforms, supports, and distant scaffolding that suggest immense scale and depth. On the right side, the environment descends into darkness, the faint outlines of additional walls and walkways barely visible. The overall mood is oppressive and monumental—an environment that appears ancient yet engineered with purpose, bridging elements of architecture, machinery, and geology.

Kal Sharok Reclamation Site, Halde Vaskar, Thedas.

(Dragon Age: The Veilguard, 2024)

- Great video game cover art -

Castle of Illusion Starring Mickey Mouse (Mega Drive, 1990)

YouTube video by DS Cinematics The Beauty of Cyberpunk 2077

Walk the rebel path, and say fuck to death.

@cdprojektred.com
@cyberpunk.net

youtu.be/COa9LDmZBzs?...

Some people it doesn’t affect at all. I can go weeks without it and zero side effects. Other people quit for a day and are raging bitches. 🤣

Animating skeletons with wisps like it’s a festival of the dead. 💀 😆

People upset about the hot dog scene in Weapons.
Ok. First of all. It’s Saturday. Second there are two grown men sharing the tray. Now I don’t know about you, but on the occasions I do eat hot dogs, I don’t have just have 1 or 2. I usually have 3. So I’m just saying, 7 isn’t that many for 2 men.

My cats were notorious for this; particularly my boy cat. He would hop into my sitting spot in a second. 🫠

I apologize for the confusion my profile picture and handle will cause all of you for the next week ~ 🎃👻⚔️

I played through this area again last night and I am still surprised that people who claim to have played this game are of the opinion that it isn't "dark enough" -- did we play the same game?

A dark, fog-covered waterfront stretches across the scene, illuminated by faint moonlight filtering through heavy clouds. The water is still but shrouded in low mist, obscuring the surface. Ruined ships sit half-submerged, tangled with large organic growths or barnacle-like masses that cling to their hulls. Silhouettes of jagged structures and distant mountains rise on the far shore. To the right, a large domed tower stands prominently against the sky, its shape partially broken or decayed. On the left, another ruined building is visible, missing large portions of its upper walls. Bare, dead branches extend into view from the foreground, emphasizing the area’s abandonment. Above, stars scatter across a night sky dominated by a large, bright moon. The entire scene has a muted, cold palette and a heavy atmosphere, suggesting a once-inhabited place now overtaken by decay, mist, and silence.

Solitude's Edge, Hossberg Wetlands, Anderfels, Thedas.
(Dragon Age: The Veilguard, 2024)
#DragonAge

Warm afternoon light stretches across the courtyard, catching motes of dust and magic drifting lazily in the air. The grand structure ahead stands open and waiting, its entrance framed by tall banners and weathered statues that seem almost alert. Floating fragments of distant towers turn slowly overhead, silent reminders that the laws of the world here are flexible. On the ground, broad leaves push up between the stones, green and healthy despite the age of the place. A feathered creature rests among them, wings folded tight, its head pressed close to the armored figure kneeling at its side. Their closeness suggests relief after a long separation or comfort at the end of something difficult. A few steps away, two more figures pause near the stairs. One watches the scene in front of the grand hall with a patient stance, while the other looks poised to continue onward, perhaps awaiting a signal. Their presence marks the moment as something significant, though the surroundings remain quiet. The courtyard, with its mix of overgrown nature and ornate architecture, feels like a crossroads between journeys. Whatever has just happened, and whatever will follow, this place holds the brief calm in between.

Death From Above

(Dragon Age: The Veilguard, 2024)

The image depicts a wide, stone platform set outdoors at night beneath a cloudy, star-filled sky. A large, vertical monument stands at the center, tall and humanoid in shape, emitting a bright blue beam of light upward. At the monument’s base are organic, tentacle-like structures and large, rounded growths surrounding the area, alongside several active fire braziers. Three armored figures are positioned around the monument. One stands closest to it, facing forward directly. The other two are set farther back on opposite sides: one wearing plated armor with a sword and shield on the left, and the other in a long green outfit with a hat on the right. They are all looking toward the central monument. Massive stone sculptures resembling crouched figures or creatures frame both outer edges of the scene. Overall, the environment combines elements of stone architecture, organic structures, and dramatic lighting, creating a contrast between the natural night sky and the illuminated central monument.

The Hossberg Wetlands, Anderfels, Thedas.
(Dragon Age: The Veilguard, 2024)
#DragonAge

Strengthening ChatGPT’s responses in sensitive conversations We worked with more than 170 mental health experts to help ChatGPT more reliably recognize signs of distress, respond with care, and guide people toward real-world support–reducing responses that fall...

Just in case you have a schizoid delusion that UFOs are hovering over your house and inserting thoughts into your brain, don't worry -- ChatGPT's got your back!

🫠 👽 🫥 ☠️

Neither here nor there but this is the world we live in, now. 🤷‍♂️ 🤣

openai.com/index/streng...

“MyDude” 😆

I really do not have a problem with Dragon Age Veilguard. I think it’s an enjoyable game, even on replay. Like the others, it has its flaws, but it’s nowhere near the “terrible, awful” game some people made it out to be. It’s a polished game, cohesive, and deceptively expansive. Just have fun. 🤷‍♂️

😮‍💨 🫠
No words required.

Get up, we’ve got Songbird to find! 📣

Meet the one and only FIA agent Solomon Reed and many more unique characters from the Phantom Liberty expansion. It’s safer to stay in a group in a place like this, right?

Have fun in Vegas!