Bester Kurzfilm
Deux personnes échangeant de la salive
Beste Kurzdokumentation
All die leeren Zimmer
Bester internationaler Film
Sentimental Value
Bester Animationsfilm
K-Pop Demon Hunters
Bester Song
I Lied To You aus Blood & Sinners
(4/4)
Bestes Makeup & Hairstyling
Frankenstein
Bestes Produktionsdesign
Frankenstein
Beste Filmmusik
Blood & Sinners
Bester Ton
F1
Beste Effekte
Avatar: Fire And Ash
Beste Dokumentation
Ein Niemand gegen Putin
Bester animierter Kurzfilm
Forevergreen
(3/4)
Beste Nebendarstellerin
Amy Madigan – Weapons
Bestes adaptiertes Drehbuch
One Battle After Another
Bestes Original-Drehbuch
Blood & Sinners
Bestes Casting
Blood & Sinners
Beste Kamera
One Battle After Another
Beste Kostüme
Frankenstein
Bester Schnitt
One Battle After Another
(2/4)
Meine Oscarprognose 2025
Bester Film
One Battle After Another
Beste Regie
Paul Thomas Anderson – One Battle After Another
Bester Hauptdarsteller
Michael B. Jordan – Blood & Sinners
Beste Hauptdarstellerin
Jessie Buckley – Hamnet
Bester Nebendarsteller
Sean Penn – One Battle After Another
(1/4)
A genAI take I hear a lot is that the genie is already out of the bottle.
“Well this crime is already happening so we may as well benefit from it.”
If your argument makes you sound like a technofascist, please consider the possibility you’re being trained to talk like that.
Ein kluger Dokumentarfilm, der nicht nur das Werk der Meisterin des psychologischen Thrillers in den Blick nimmt, sondern vor allem ihre lesbischen Beziehungen, die sie Zeit ihres Lebens verstecken musste: LOVING PATRICIA HIGHSMITH läuft heute Nacht auf Arte. Die TV-Tipps: tinyurl.com/yem3jkdw
You see it, you have to share it. Them's the rules, I didn't make them.
“We were stunned [about the prescience] for a while, but we’ve really gotten to the point where it’s really sad. It’s just sad how predictable and lame and obvious and wrong it all is. Fascism is just a total fail in the end.” www.hollywoodreporter.com/tv/tv-featur...
Hell yeah!
Ginger Rogers and Fred Astaire on roller skates, gliding to George and Ira Gershwin’s “Let’s Call the Whole Thing Off” in Shall We Dance (1937). Inventive, effortless, and utterly magical. 🎶✨ #ClassicHollywood #FredAndGinger #ShallWeDance
On the one hand, this is marginally unfair to some stuff that's just "normal bad."
On the other hand, it's a speedrun toward mortally injuring the economic viability of AI as a product and harming the career prospects of people who "work" in AI, so do it as much as possible 👍
Hedy Lamarr for National Innovation Day.
Lamarr co-invented frequency-hopping spread spectrum technology during WWII, which laid the groundwork for modern wireless technologies, including Wi-Fi, GPS, and Bluetooth.
Nothing like the magic of Ginger Rogers and Fred Astaire. Here they are with Irving Berlin during production of “Carefree” (1938)
I spent way too much time putting together an oral history of “Scotty Doesn’t Know” from EUROTRIP that had been erased from the internet, but now it’s back, with some added commentary
Joe E. Brown in a promotional still for the radio series Those Websters, 1945
Carole Lombard by Ernest A. Bachrach, 1939.
Criterion releasing K Pop Demon Hunters is a net benefit for everyone - those who like the movie will get a really good home release of it, those who don’t care about the movie will benefit from Criterion having a certified money maker that they can use to help fund more obscure/niche releases
Andrzej Zulawskis "Possession" (1981) steht für einen Monat in der Arte-Mediathek.
Man darf mir doch nicht solche Flöhe ins Ohr setzen...
Animation by Milt Kahl* | The Aristocats (1970)
#penciltest #sakuga #genga #2danimation
Generative-KI-Begeisterte meinen gern zu Vernünftigen: "Du hättest damals auch über den Buchdruck gemeckert!"
Dabei lässt sich GenKI viel eher mit Asbest vergleichen: Toxischer Dreck, den einige Firmen überall verbauen wollen, und der im Nachhinein teuer und mühselig entfernt werden muss.
"The Dow is over 50,000!"
Gore Verbinski wollte ein Sci-Fi-Funk-Musical machen, aber die Welt war einfach nicht bereit dafür...
www.hollywoodreporter.com/movies/movie...
Louise and James Hall from a still for the lost film Rolled Stockings (1927).
Gary Cooper and Barbara Stanwyck in “Meet John Doe” (1941)
Caballeros Hive, you gotta vote!
