was looking into some interviews and found out that kiyoshi k loved moana (2016)
22.11.2024 00:36 β π 1 π 0 π¬ 0 π 0
2018 is more accurate tbh it's a good year for hindi film too
i always chronicle the death of hindi film with the release of uri
21.11.2024 09:56 β π 6 π 0 π¬ 1 π 0
peking opera blues
19.11.2024 11:02 β π 1 π 0 π¬ 0 π 0
unknown pleasures is one of the two films i watched twice and it raised in my estimation with the riffs in his last two films, it's a key film imo
the world definitely warrants a rewatch but i rate all these films high anyway
18.11.2024 21:15 β π 1 π 0 π¬ 1 π 0
watched all these jias back to back and this is my ranking
18.11.2024 21:03 β π 1 π 0 π¬ 1 π 0
Film programmer (Metakino, Art Town Film Festival, HangΓΆ FF). Board member and translator at Filmihullu magazine. Editor of Finnish filmgoers' year-end lists and a comprehensive schedule of Indian film screenings in Finland at vuosielokuvissa.wordpress.com
Anarchist, SLP, Liverpool fan
Burnt-out intersectional feminist taking solace in miscellaneous hyperfixations. Revenge bedtime procrastinator. Bi-furious zillennial. (she/they)
take my advice, live a better life
Co-editor of Lucky Star
www.theluckystarfilm.net
https://drunkforlife.substack.com
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Freelance Film Scholar l Writer & International Curator of South Asian Cinema I Currently writing BFI Film Classics monograph on Mani Kaul's Uski Roti (Bloomsbury)
https://moviemahal.net/publications/
https://www.bfi.org.uk/profile/omar-ahmed
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Name: Kris Salaar / She/Ella / Writer: Darkly Dreaming Scooby / Potato Cut Editor / Free π΅πΈ / The Mexican Version of Geet from JWM π²π½ / lb: https://boxd.it/9ywJ
Writer and CantoneseβEnglish translator. Sinophone and East Asian cinema, especially from Hong Kong.
Contact: dylan.ym.cheung at gmail
