Loïk Bihan "Morituri Nolumus Mori"

Là ça me parle

d'autres le disent mais je trouve pas le soucis TT

Je te jure que là, je préfère rester prudent parce qu'il y a des traits, je reconnais des move à faire avec toshop juste avec l'outil doigts pour faire des poils. Après comme je dis, il y a plusieurs calques de textures qui effacent pas mal de détails

Bon, c'est juste un indice parce que cet outil peut se tromper mais...

Putain, mais je suis duper'
fr.web.img2.acsta.net/img/c1/c6/c1...

Le titre, je vois pas où est le souci donc dites ce que j'ai raté. En revanche, il y a l'affiche en meilleure qualité sur allociné et je ne vois pas de dédoublement de griffe. Et enfin là, le côté jaunâtre, c'est clairement pour pasticher les vieilles affiche de films des années 50

En vrai, c'est une illustration si simple à faire que je serais un peut surpris si c'était de l'IA

Ah ou ça pour montrer un exemple avec les poils.

Je donne en exemple une illu que j'ai bossé bien avant l'arriver des IA gen.

Je vais me montrer humble et m'incliner parce que je l'ignore. Il y a très probablement de la retouche par logiciel graphique mais les blancs et certaines nuances sont écrasées par les filtres accumulés et les détails perdus dans l'enchevêtrement de textures pou la patine.

D'où : hop! une mise en contact de faite.

@gerrulettering.bsky.social ce serait dans tes cordes?

Ils ont baisser le masque depuis un moment… les suivres c’est assumer de valider cette violence.

💥La chaîne à besoin de toi!

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Ouais, puis j'aime bien la jaquette

Photo de gom et moi tout en noir devant un des murs de l’expo

Allez voir notre expo et soutenez vos auteurices préf ! Et nique l’IAgen 💜

Tasneem's youngest daughter, Alma, amongst the rubble of Gaza.

The Gazans are displaced and without work, aid or medical services. They rely on donations to survive day by day. A ceasefire won't change their plight.

Please give to my dear friend Tasneem so she can feed her children and raise funds to make a home. And to others. ❤️

tinyurl.com/Tasneemo

A black and white comic page with three panels. Panel 1: A bedroom, seen from above, mostly shrouded in darkness. There is a big bed, and a poster above the bed featuring a demonic band called Beelzebabes. There is a bedside table with a lamp, spreading a circle of light around it. A young woman lies curled up on the bed, clutching a pillow. A rectangle of light falls from an off-panel doorway over the bed, and the shadow of a person appears in the light. The title of the comic: "Branded", appears in the top left corner. The shadowy figure says "You should go outside."" Panel 2: Closeup of the young woman's face. She looks haggard and frightened. The rectangle of the doorframe, with the shadowy figure within it, appears behind her in the darkness. The young woman says: "I... I can't. That..." Panel 3: A slightly abstract rendition of a window with venetian blinds drawn. Insects buzz in the light filtering through the blinds, and something that resembles smoke rises across the panel. The young woman says: "That thing is still out there."

A black and white comic page with six panels. Panel 1: A white void, in which sits a rectangular stairway framed by a low brick wall, apparently leading down underground. A crooked sign post stands next to the stairs. Narration boxes: "It followed me from the subway station. At first, I thought it was just a beggar, but..." Panels 2-4: In a sequence of three panels, a pale, deformed humanoid figure emerges from the darkness, its arms abnormally long, its fingers long with claw-like nails. The figure seems to twist and bend in unnatural ways, and keeps poking at its own eyelids with its nails, as if its trying to force its own eyelids open. Narration boxes: "With every step it took, it changed. I could hear its bones snap and slot into place. And somehow, I was trapped with it. Like a bird in an oil spill." Panel 5: The young woman, now wearing an overcoat and hat, and a long scarf sustained on the wind, clasps her face in horror. Her face and hands have been blacked out with rough pencil strokes, but the whites of her eyes can still be seen, staring in terror. Her purse is flying through the air, spilling its contents as it goes: a set of keys, a book, a pencil, a smartphone. Narration boxes: "And something passed from it to me. I can't get rid of it." Panel 6: A closeup of the creature's eye, being pried open by two long, cracked fingernails. The pupil in the eye resembles a twisted reflection of the young woman. Narration boxes: "You know how smoke sticks to your collar? Or when a sick baby puts its fingers in your mouth."

A black and white comic page with six panels. Panel 1: The young woman is peeking out her window, parting the venetian blinds with her fingers. Her face is brightly lit, and her eyes look astonished with disbelief. Narration boxes: "Ever since then, little by little... the world has fallen apart." Panel 2: A bizarre view of the street outside the young woman's house. A gigantic dog is being walked by a tiny person, who appears to be much farther away than the dog, despite walking in front of it. The dog is intersected by lamp posts which appear to be at different distances from the viewer, and in each section the dog is much larger than the last. The curb itself appears to be a smartphone, and a broken clock is floating among some rubble in the void. Narration boxes: "Pieces disappear, or appear elsewhere. Things change size without moving. Nothing is the same when you look again." Panel 3: In a white void, a deformed figure, distinct from the one we saw on the previous page, is shambling around. It is dressed in a blouse and skirt, and its neck is long, snaking away from its body, head lolling. Narration boxes: "There are others like it, shambling about. I can see them clearly now. Maybe they were always there." Panels 4-6: Three panels of the young woman sitting on her bed, clutching her pillow, first seen as a white silhouette over pitch black, then straight from the front, then in closeup as she turns her head toward the figure in the doorway. The young woman says: "There is no outside anymore. My room is the only place I feel safe." The figure in the doorway says: "You should go outside." Irritated, the young woman says: "Weren't you listening? I said–" The figure in the doorway interrupts: "Outside." Now suddenly anxious, the young woman says: "What..." The figure in the doorway interrupts, this time with a scratchy, deformed word balloon: "You should go outside."

A black and white comic page with two panels. Panel 1: The young woman is sitting up in her bed, clutching her sheet as it wraps around her lower body. She is looking over her shoulder, toward the doorway. Concentric circles with hatched patterns inside them frame her head. The young woman says: "M... mom?" A word balloon at the bottom of the panel extends into the next panel, with the letters spilling out of it as if entering the same physical space as the characters themselves, spelling out the words "Go outside". Panel 2: In a big panel, seen from the young woman's point of view, a monstrous humanoid creature emerges from the darkness, reaching its long, clawed hands toward us. Its neck is crooked, head lolling, eyes apparently clawed open, with fresh scratch wounds running down its cheeks. The mouth is open, with worm-like appendages dangling from its lips. The young woman's hand reaches into frame, fingers spread, as if trying to ward off the monster in fear. A small box in the bottom right corner informs us that this is the end of the story. Thank you for reading!

Branded, the first in a series of four-page horror comics.

This is my first attempt at rendering a whole comic in "pure" black and white linework, without shades of gray. It's a style I've always admired but never felt strong enough to do.

Enjoy! 👻

#comics, #art, #horror, #DarkArt

Donc voici le personnage principal de mon roman Alien : Kadath dont l'écriture devrait démarrer en janvier. Voualou.

C'est l'heure ! Le live de lancement du Ulule ! Me ratez pas ça:
www.twitch.tv/zou_blblblbl

Rejoignez la fête ! #halloween #parade #ulule #art

La Parade de Minuit prêt.e à vous éblouir !
Lançement de la campagne Ulule le 8 octobre en live ! Rdv à 17h30 sur Twitch ~ #ulule #paradedeminuit #jeudesociété #jeudecarte #halloween
fr.ulule.com/la-parade-de...

#Floktober2025
rattrapage avec les thèmes : "Animal Hybride, Masque Rituel et Voyage Initiatique" en une illustration.
La frise avance.. c'est épuisant x__x

okay, donc c'est officiel, mais est-il enfin allé sur Mars?

On est d’accord qu’elle a des bras qui disent "cherche même pas à me faire chier", n’est-ce pas?

ou Ftephen!

Here is an update #AlienEarth

Et y a ce gros sac à merde de Jeremy Piven. Qu'est-ce que cet enfoiré fout là?

Bon, Alors, que dire de Primal War?
Bon, petit budget mais les dino sont pas si pire, en plus de design sympa. Fin des compliments.
Trop long pour ce qu'il a à raconter, des raccords de merde en accord avec un montage catastrophique, une histoire pulp mais qui se prend trop au sérieux.

#Floktober2025
Jour 2 : Monstre Mythique