If, like me, you're feeling the commentary around the Epstein files has depressingly shifted focus away from the crimes against women and girls, and the gross misogyny of powerful men, this piece by Helen Rumbelow sets things right. Free to read. www.thetimes.com/article/3c43...
Wrote this about the craggy stars of 1970s and 80s cinema having a second wind on the small screen. Appearing on TV was a step down for the stars of Old Hollywood - remember Charlton Heston on the Colbys? - but there's no sense of them slumming it now. www.theguardian.com/commentisfre...
Today's Film & Music cover! My interview with the incomparable Emmylou Harris: we talked about dogs, Gram Parson, Dolly, Pete Seeger, the strain of writing a memoir and why she's embarking on her European farewell tour. www.theguardian.com/music/2026/j...
My rules for superior arts experience in 2026:
*Don't let musicians go bankrupt making/playing the music WE love
*Cinematographers! Turn the lights up!
*Stop paying celebs stupid ££ to pretend to be children's authors
*Enough with the shit biopics
And so on....
www.independent.co.uk/arts-enterta...
Asking people, again, to pay me for the work that was commissioned, written and published in November. It’s illegal to make us wait this long and I‘m too old to be begging like this. So if anyone dares to give writers shit for monetising their Substacks - it’s better than begging the broadsheets…
Thanks Ben
Thank you - and I agree with all of that!
😂
Bravo! Complaining to shows directly is the best way - probably more effective then grumbling newspaper articles!
Thank you!
In today's @guardian, I had a little grumble about the audio-visual podcasts that are forgetting – or have ceased to care – about the experience of listeners. www.theguardian.com/tv-and-radio...
Just putting a seasonal hex on those publications who haven't yet paid their October/November invoices. Merry Christmas, especially to all the struggling freelancers! 🎄🫠
In today's Guardian, I interviewed 1980s punk pioneer Lesley Woods about rebooting the Au Pairs, industry sexism, her 35 years as an immigration lawyer and how, as a musician, she still has more to do ("I don’t think I’ve given the best of me yet"). www.theguardian.com/music/2025/d...
Another piece from the weekend: I interviewed Paul Bettany and Will Sharpe about playing Salieri and Mozart, respectively, for the upcoming reboot of Amadeus. It's GREAT (the series, I mean, though the piece ain't bad either). www.theguardian.com/tv-and-radio...
For this long read in @theguardian.com, I visited a Threshold Choir - people who sing to those on their deathbeds - and interviewed the choir's leader, Nickie Aven, who has turned her experiences of grief into something beautiful. Please give it a read if you can. www.theguardian.com/society/2025...
Seventeen years! Ridiculous! xxx
My memoirs & biogs of the year in @theguardian.com. It's never easy to whittle it down and you always mourn the books you can't include for reasons of space/variety. 2025 has been a punishing year for those in the creative industries but a great one for readers. www.theguardian.com/books/2025/d...
Great culture can save lives. Literally.
Amazing letter in today’s @thetimes.com about Tom Stoppard
For today's @the-independent.com, I put my Catholic education to good use and pondered the new Rosalía album and the blossoming relationship between the Vatican and pop culture. www.independent.co.uk/arts-enterta...
It's Monday so here's my @FT pod column on an immersive and gripping new series about the real-life family who were shipwrecked in the Pacific for 38 days. www.ft.com/content/0fd9...
It's Monday so here's my @FT pod column on A View from a Bridge, the compelling and sometimes profound audio spin-off of the hit Instagram series in which strangers on bridges stop, pick up a phone receiver and tell stories from their lives. www.ft.com/content/715d...
Me on Patti (again) and her new memoir, Bread of Angels, in today's @theipaper.com inews.co.uk/culture/book...
I agree! Not my decision alas.
I'd love to continue writing about the audio industry which has changed beyond recognition in the last decade. So if you're looking for a pod reviewer/commentator or would like to expand your pod coverage, please get in touch!
It's Monday so here's my @FT pod column on Becoming Meg Dashwood, a pacy, racy spin-off of Sense & Sensibility with Emma Thompson and Erin Doherty.
Sadly, the column is ending later this month after 10 glorious years, so read it while you still can. www.ft.com/content/a6eb...
Haha, indeed. I think there's room for more of those, if we're going to correct the decades of memoirs in which male artists reflect on their soaring brilliance.
For @GuardianBooks, I reviewed Debsey Wykes' Teenage Daydream, a memoir/coming-of-age tale about her adventures as singer and bassist in the early 80s post-punk band, Dolly Mixture. www.theguardian.com/books/2025/o...
It's Monday so here's my @FT pod column on Ill-Advised with Bill Nighy, in which listeners send in their quandaries for the great man to answer. Problem-solving may be the pretext of this pod but it's really about the (excellent) company.
www.ft.com/content/4ed5...
And from the weekend, I wrote this for @theipaper on the new Harper Lee collection The Land of Sweet Forever. What should we make of it when the publisher of a cherished writer who is clear about having said all she wanted to say releases two more books under her name? inews.co.uk/culture/book...
It's Monday so here's my @FT column on an epic new podcast on Fela Kuti, hosted by Jad Abumrad, which examines the Afrobeat pioneer's life, loves, sounds and politics. The series is vast and wide-ranging and, after 12 eps, I still didn't want it to end. www.ft.com/content/2737...