@violetshrieks.bsky.social's #UFF coverage continues rolling out with Killmageddon, a brutal, entrancing US premiere.
@violetshrieks.bsky.social continues her #UFF coverage with Hexham Heads, a journey into Uncanny Valley that asks us: what do the stones remember? (Featured in this week’s DG newsletter!)
#HorrorSky #FilmSky
@violetshrieks.bsky.social makes her DG debut with #UFF Vol 8 coverage, starting with the latest immersive emotional ride from @robbiebanfitch.bsky.social, Tinsman Road.
#HorrorSky #FilmSky
hiii! ✨
she’s writing again, people!
finally getting into the last two episodes of THE CREEP TAPES. I haven’t been ready for them to end
thank you 😭
well, you’re the sweetest and coolest and most tolerant of my musical ravings
oh! The Duplass one from 2008? I really like it
absolutely!
THE MEDIUM (2021)
VAGABOND (1985)
VIBRATOR (2003)
this white-knuckle Brazilian thriller reckoning with the harms wrought by deeply entrenched class relations feels extra relevant right now. you won’t regret it
PROPERTY (2022)
Toho: You get that Jaws riff done?
Obayashi: Sure did boss, real fuckin psychedelic just like you asked.
Toho: what
I didn’t know Shunji Iwai came out with a new one last year! omg!
KILLERS (2014)
A TALE OF TWO SISTERS (2003)
MILLENNIUM MAMBO
THIS TRANSIENT LIFE (1970)
MOTHER JOAN OF THE ANGELS (1961)
Here’s 6 seconds from Takashi Miike’s 2006 film IMPRINT
Lord I think about this a lot.
ahhhhhhhh!!!!!!!
do it!
you’re just also a sicko with a taste for despair! but thank you ✨🫶
JU-ON THE CURSE 2
UGETSU (1953)