I've posted another engaging conversation on my Substack. This time with Maria Mavropoulou, discussing what’s lost in the translation from the physical to the digital, novelty-seeking as a cultural phenomenon, and more.
danielleezzo.substack.com
@danielleezzo.bsky.social
artist-writer • In the collections / libraries of The Met, Santa Barbara Museum of Art, Cornell • gun for hire ✍️ https://linktr.ee/danielleezzo
I've posted another engaging conversation on my Substack. This time with Maria Mavropoulou, discussing what’s lost in the translation from the physical to the digital, novelty-seeking as a cultural phenomenon, and more.
danielleezzo.substack.com
Ooo!
15.10.2025 16:18 — 👍 1 🔁 0 💬 0 📌 0I've posted another engaging conversation on my Substack. This time with @travisleroy.bsky.social about the invisible labor of image production, CERN, and the challenges of balancing a creative and commercial practice.
danielleezzo.substack.com/p/the-compre...
I reviewed David Alekhuogie’s exhibition, highlifetime, at Yancey Richardson for Dear Dave Magazine.
deardavemagazine.com/deardaverevi...
My first Substack post, a thoughtful conversation with Aimee Walleston, about risk is live. Have a look or follow along if that's your thing.
danielleezzo.substack.com
Lately, I’ve been thinking about what’s at stake for us creative folks when the ground beneath us feels uncertain.
Beginning next Wednesday, every other week, I’ll be sharing conversations with creative people about the idea of risk. Strap in!
From the opening of ‘Current States of Being: Exploring AI’s Influence on Memory, Identity, and Creativity,’ curated by Sarah Knobel. It was a pleasure to exhibit two bodies of work side-by-side, and to be in such good company alongside @cyberneticforests.bsky.social and Ameera Kawash.
08.09.2025 16:21 — 👍 1 🔁 0 💬 0 📌 0Eryk Salvaggio, bearded man with black glasses, in blue shirt on stage in front of a projected slide of an abstract image with “pollen x diffusion” written on the slide.
This week I spoke at St Lawrence University with @danielleezzo.bsky.social and Ameera Kawash as part of the Brush Art Gallery show, “Current States of Being,” examining AI’s impact on memory, identity and creativity. artgallery.stlawu.edu/current-stat...
06.09.2025 03:09 — 👍 5 🔁 1 💬 0 📌 0I'm honored to be a Lumen Prize finalist in the Still Image category for An Incantation in Twelve Prompts, a poem paired with camera-born images about falling out of love with photography.
Hats off to all the other artists this year!
I'm thrilled to finally share that Psychic Telephone is going to Indonesia for JIPFest this September. The 22 artist lineup includes two of my favorite working photographers right now, Mackenzie Calle and Nikita Teryoshin, among others.
phmuseum.com/festivals/ji...
I wrote about Raque Ford's exhibition ‘The Barkeeper’s Friend’ on view at Greene Naftali for @ocula.com. The show is on view until August 8th. A big thank you to Aimee Walleston for the invitation.
ocula.com/magazine/spo...
On the front page of @thetransmitter.bsky.social
this morning: 'Breaking the jar: Why NeuroAI needs embodiment' written by Bing Wen Brunton and John Tuthill. This is a fun one. Art Direction, Rebecca Horne
thetransmitter.org
My favorite time of the year is when I start printing my work, getting exhibition-ready, and inviting people into the studio for private viewings before things ship off, which is what I'm busy with all this month. From the series Psychic Telephone, UV prints on metal, 16x20"
15.07.2025 21:02 — 👍 0 🔁 0 💬 0 📌 0Oh hey @nytopinion.nytimes.com
06.07.2025 15:56 — 👍 2 🔁 0 💬 1 📌 0I’m over the moon to share with you my first @nytopinion.nytimes.com assignment. “Squashing Spotted Lanternflies Will Get Us Only So Far. We Need Wasps.” by Andrew Zaleski, about managing invasive bug species using biocontrol. An enthusiastic thank you, Elana Schlenker 🐞 Link in bio.
02.07.2025 12:39 — 👍 1 🔁 0 💬 0 📌 0My story traces the phantom presence of a man I’ve never met—my biological father—through inherited photo albums, a vintage brooch, and pixelated home videos. Part speculative memoir, part forensic investigation, it follows the trail of objects and memories across family lines.
01.07.2025 17:52 — 👍 1 🔁 0 💬 0 📌 0I wrote a personal story for the forthcoming book Double Feature from Saint Lucy Books, which pairs vernacular photos from artist Patrick Pound's collection with texts that play into the theme of doubling.
Preorders coming soon: saintlucybooks.com
This is especially interesting.
26.06.2025 14:21 — 👍 0 🔁 0 💬 0 📌 0It's been a moment since I shared some new images from the series, Psychic Telephone—a collaboration with the author Marin Sardy. It's affirming to see a body of work emerge from time and effort spent. It's a slow process, but it happens bit by bit.
23.06.2025 16:23 — 👍 1 🔁 0 💬 0 📌 0Wish I could make it!
20.05.2025 17:04 — 👍 1 🔁 0 💬 0 📌 0I was commissioned by @thetransmitter.bsky.social for the NeuroAI column. 'The BabyLM Challenge: In search of more efficient learning algorithms, researchers look to infants' written by Alona Fyshe. Art Direction Rebecca Horne.
www.thetransmitter.org/neuroai/the-...
Venice was nothing short of magic. A big thanks to the EA-AI Conference for the invitation.
11.05.2025 10:51 — 👍 2 🔁 0 💬 0 📌 0Glad to run into you mid-tour!
09.05.2025 22:06 — 👍 1 🔁 0 💬 1 📌 0Special thanks to the British Journal of Photography for inviting me to report on the NEA defunding.
“Anticipatory obedience”: The precarious state of photography for the trans community in the United States.
www.1854.photography/2025/05/phot...
Look at that brat.
30.04.2025 10:40 — 👍 2 🔁 0 💬 0 📌 0💯💯💯
24.04.2025 02:58 — 👍 1 🔁 0 💬 0 📌 0I was invited to write about Dana Karwas' solo exhibition at Spill 180, which opens May 2nd. Have a read, it's a fun one:
spill180.com/beans-1#subl...
Oh! Very interesting.
12.04.2025 20:28 — 👍 1 🔁 0 💬 0 📌 0An overdue website update. Have a look:
www.danielleezzo.com
My review of the Mungo Thomson exhibitions at Karma for Dear Dave Magazine is live.
deardavemagazine.com/deardaverevi...