Last week I contributed to a panel on the topic of "ghost labour" at the Nordic Labour Film Festival – invited by @annekaun.bsky.social. I presented my installation EZ Quality Sorter V2, which was previously shown in Sweden in the context of Anne's research project on the automation of welfare.
27.11.2025 14:36 — 👍 0 🔁 0 💬 0 📌 0
I'm currently participating in the #WORK2025 conference on "Work in the Era of Unruly AI". Three interesting days ahead!
20.08.2025 08:03 — 👍 4 🔁 1 💬 0 📌 0
... scientists and hands-on work in laboratories. In 2016, Friedrich created The Long Now, a persistent soap bubble, achieved by sealing the bubble in an atmospheric chamber where it can remain indefinitely. Her 2019 work Office Plants compares the disparate time scales of plant versus human life."
25.06.2025 13:10 — 👍 1 🔁 0 💬 0 📌 0
„There are a cluster of art–science projects around the subject of time. Verena Friedrich is a former resident of SymbioticA and the Max Planck Institute who creates time-based installations with organic, electronic, and sculptural media. Her artistic practice involves direct interventions with ...
25.06.2025 13:10 — 👍 1 🔁 0 💬 1 📌 0
Routledge Handbook of Art, Science, and Technology Studies | Hannah Ro
Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played
Just realized that my work is being mentioned in the remarkable "Routledge Handbook of Art, Science, and Technology Studies" edited by Hannah Rogers, @mhalpern.bsky.social, Dehlia Hannah, and Kathryn de Ridder-Vignone – surrounded by fellow artists Erich Berger, Mari Keto, and Thomas Feuerstein.
25.06.2025 13:10 — 👍 4 🔁 0 💬 1 📌 0
Erbsenzähler is a german derogative for bureaucratic minded people heavily fixated on quantifyable detail. The digital turned us all into them, the erbsenzählerei infiltrating every aspect of our life, down to the tokens of our language.
Great piece!
27.05.2025 07:15 — 👍 3 🔁 2 💬 1 📌 0
Thanks for your comment René!
01.06.2025 10:01 — 👍 1 🔁 0 💬 0 📌 0
The piece is part of the ERBSENZÄHLER project, which explores the quantification and datafication of life. In the EZ Weight Sorter, the material world is mapped onto digital data, which then reshapes physical order. But where to draw the lines—and what happens at the threshold and in the gaps? (5/5)
23.04.2025 14:11 — 👍 1 🔁 0 💬 0 📌 0
Detail: Here the sorted peas start to accumulate. Over time one can see the beginnings of a bell curve forming in the tubes. (4/5)
23.04.2025 14:06 — 👍 1 🔁 0 💬 1 📌 0
Detail: The seed travels towards the right on the linear slider and is guided by actuators into its designated glass tube—each tube represents one weight class. (3/5)
23.04.2025 14:04 — 👍 0 🔁 0 💬 1 📌 0
Detail: a single pea seed has been dispensed and placed on the fine scale, where its weight is registered. Seeds that fall outside of the predefined weight range are rejected, the rest are transported along the metal axis for final sorting (2/5)
23.04.2025 14:01 — 👍 0 🔁 0 💬 1 📌 0
Meet the EZ Weight Sorter MINI – a new machine in the ERBSENZÄHLER series that sorts individual pea seeds into predefined weight classes. As seeds accumulate in the glass tubes, their distribution traces a bell curve, turning the sorter into a live statistical display. (1/5) #projectpeacounter
23.04.2025 13:46 — 👍 6 🔁 1 💬 1 📌 1
Krieg mit KI: Die Cloud wird tödlicher
Die Cloud ist nicht so unsichtbar, wie es scheint. Auch ihre Rolle in der modernen Kriegsführung wird greifbarer. Neben bekannten Konzernen drängen Startups auf den militärischen Markt.
The conference "Investigating the #KillCloud", held last November in Berlin, looked at IT companies and their contributions to military programs to shed light on the ethical problems associated with the use of #AI.
Read the full article on @ndaktuell.bsky.social:
https://buff.ly/4h3pGa8
#DNL34
20.01.2025 17:11 — 👍 7 🔁 2 💬 0 📌 0
I'm excited to share that my project "ERBSENZÄHLER Quality Sorter V2" is featured in ANTENNAE! 🌱🤖
The work explores the hidden biases in automated systems and invites visitors to directly engage in the sorting process—highlighting the complexities and subjectivity behind data classification.
04.12.2024 11:08 — 👍 10 🔁 2 💬 0 📌 2
Open access peer-reviewed journal connecting debates on emerging Big Data practices & how they reconfigure academic, social, industry, & government relations.
Professor for Media and Communication @ZeMKI.bsky.social
@unibremen.bsky.social // Director @pgmt.bsky.social and MA Digital Media and Society // platform governance, (generative) AI, hype, regulation, tech discourses, norms
Longtime student of work, technology, and class domination. Current research centers on labor platforms and logistics workers at Amazon. Dogs, forestry, Celtics, & Frankfurt School among my passions.
Senior Research Fellow, TCLS at University of Turku. Life Member of Clare Hall, University of Cambridge. Research interests include digitalisation, platformisation, assetization, new work, changing boundaries between private and public sectors.
Tutkija-opettaja eli akateeminen pätkätyöläinen, UEF. Yhteiskuntatieteet ja feminismi, vapaa-ajalla fillarointi ja jooga. Osa-aikainen kommuunin asukas.
Tiettävästi kaikki muumit laaksossa, mutta outo huumorintaju.
Tampere ja vähän myös Joensuu
Information & knowledge management researcher, Professor at Uppsala University
Professor at University of Turku, Finland. Visiting fellow at University of Cambridge 24-25. Board of Strategic Research Council 22-24. Researching platformization.
Multidisciplinary, international WORK2025 conference on work and working life research is organized on 20-22 August 2025 online and in Turku, Finland.
See more in https://www.work2025.fi
Director of the Center for Interdisciplinary Research, Collaboration, Learning, and Engagement (CIRCLE) at Michigan State University
i learned more from a three minute record than i ever learned from a large language model.
Meme Magic / SocMed Psy / AI / Climate / Ex-Nerdcore.de
http://goodinternet.substack.com
http://goodmusic.substack.com
https://sigmoid.social/@rawx
The Critical Data Lab is a space for critical reflection on the current state of technopolitics and the data economy at Humboldt University, Berlin and Carl von Ossietzky University Oldenburg www.criticaldatalab.org
Independent Curator / Museum bod. Own views.
Specialising in Contemporary and Interdisciplinary Arts (Digital / Media Art; Art + Science, Data, AI)
Director, Data as Culture at Open Data Institute (Associate)
Curator Oxford Cultural Programme (External)
Artist & Creative Director imagining new ways of existing in this burning world.
Contributing to Boys Club, RADAR, ELWP & more.
🌈 coding care | 🤖 intersectional ai | 🌀 making datasets and labyrinths
⛆ Environmental media prof @ American University
࿓ Writer, media-maker, curator
𓅪 Resident: MAK Center & SOM (2024) Caltech & Huntington (2023)
꩜ B4: Curator @ BMoCA; Media Archaeology Lab
𓆞 Biodiversity, critical data & AI, land use, media arts
𓆺 LA / DC
Visual artist
www.femkeherregraven.net
https://DISNOVATION.ORG
> Radical Art Collective, Working on Ecology x Energy x Economics
> Technological Disobedience & Action Research
> Editors of "A Bestiary of the Anthropocene" 2020 and "The Pirate Book" 2014
DIZH bridge professorship
University of Zurich
Zurich University of the Arts
digitalculturesandarts.ch
Los Angeles-based writer of video games, articles, songs and books (in no particular order). 🚨 Hopelessly negligent poster.
See also @com.y-a-c-h-t.com
See also @blippo.plus
https://clairelevans.substack.com/