Alphaville: Journal of Film and Screen Media (@alphavillej) — Bluesky Profile

1 year ago

Check out the latest issue of Alphaville, hot off the presses!

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1 year ago

New issue of Alphaville 👇🏼

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1 year ago

Great to see another issue of Alphaville launched!

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1 year ago

A nice review of our book below. Highlights a lot of the cool stuff in the book, especially our Covid and movies chapter.

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1 year ago

Diseased Cinema: Plagues, Pandemics and Zombies in American Movies, by Robert Alpert, Merle Eisenberg and Lee Mordechai The Covid-19 pandemic exposed the mass inequalities experienced in late-stage capitalism. This recent rediscovery of the sociological shifts enabled by disease makes Diseased Cinema an appropriately t...

Kane Geary O’Keeffe @Mouldyfajita reviews Diseased Cinema: Plagues, Pandemics and Zombies in American Movies, by Robert Alpert, Merle Eisenberg @merleeisenberg.bsky.social @OKState_History and Lee Mordechai published @edinburghup.bsky.social
doi.org/10.33178/alp...

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1 year ago

Directed by Yasujirō Ozu, by Shiguéhiko Hasumi The films of Yasujirō Ozu have been so universally acclaimed that it may seem as though his work is beyond criticism, as though we have collectively agreed not only on his status as a singular directo...

Directed by Yasujirō Ozu, by Shiguéhiko Hasumi, published by @ucpress.bsky.social
is reviewed by David Franklin
doi.org/10.33178/alp...

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1 year ago

Gaza on Screen, edited by Nadia Yaqub published by @dukepress.bsky.social is reviewed by Jarvis Curry
doi.org/10.33178/alp...

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1 year ago

Alphaville Issue 28, Moving Beyond the (De)Colonial Container: The Work of Film Festivals. Table of Contents Issue 28 - This Alphaville issue brings together contributions that probe innovative approaches and methods of decolonising knowledge in screen cultures. Beginning with the question of what and whose ...

Issue 28 features an array of book reviews, from City Films, to Gaza on Screen, to studies of auteurs such as Yasujirō Ozu and Preston Sturges, to pandemics & zombies! doi.org/10.33178/alp...

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1 year ago

In “The Muestra de Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice” Claudia Lora et al analyse “the curatorial work and collective exhibition of the Muestra de Cinea Afrodescendencias
doi.org/10.33178/alp...

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1 year ago

In “Stories Are in Our Bones!” From mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart” Janine Windolph and Sheila Petty @PettySheila join together to map out, probe, two Indigenous focused film festivals in Saskatchewan – mispon (2006-2018) and Ācimowin (2024-)”

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1 year ago

In “Tigritudes: A Subjective Anthology of Pan-African Cinema to Decolonise the Gaze” Estrella Sendra interviews Dyana Gaye about her project Tigritudes @kingscollegelondon.bsky.social
doi.org/10.33178/alp...

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1 year ago

In “Documenting the Territory in Saint-Louis (Senegal)”, Laura Feal Sánchez interviews Mamadou Sellou Diallo, exploring his work in the creation of “audiovisual projects” that “document a space in all its complexity”
doi.org/10.33178/alp...

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1 year ago

In “Decolonising Through Co-Curation” Rachel Johnson @universityofleeds.bsky.social traces “the complex relationships between curation, funding, placemaking and labour” in reference to the “Women Creators of the Future” programme doi.org/10.33178/alp...

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1 year ago

Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...

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1 year ago

Black and white photo, circa 1916. He has short, blac, straight hair. He is wearing a black suit, a stripped tie and a white shirt with high collar.

Jack Pickford (born John Charles Smith, August 18, 1896 – January 3, 1933), was a Canadian-American actor, film director and producer. He was the younger brother of actresses Mary and Lottie Pickford.

Wikipedia link: en.wikipedia.org/wik...

#silentfilm #silentera #cinema #film

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1 year ago

‘The King of Comedy’ at 42.

Martin Scorsese’s ‘The King of Comedy’ remains a chillingly relevant satire on fame, obsession, and loneliness. Explore the film’s making, themes, and legacy in our deep dive.

cinephiliabeyond.org/the-king-of-...

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1 year ago

Donna Hill, 1960 – 2024 Silent film biographer and researcher Donna Hill, 64, died in her San Francisco apartment on Dec. 30. Donna helped me with just about all of my books, supplying contacts, facts, and great gossip. In 2010 she wrote the gorgeous coffee-table book Rudolph Valentino the Silent Idol: His Life in Photographs, and at the time of her death was working on a Dorothy Gish bio. One online “virtual friend” wrote that Donna was “a kind, thoughtful, unfailingly generous friend, and a helpful and supportive sch

This is a lovely obit for our friend, Donna Hill: www.evesobits.com/post/donna-h...

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1 year ago

CFP from THE MOVING IMAGE!
Special issue: "Reassessing Small Gauge, Amateur, and Nontheatrical Film"
Guest editors: Hugo Ljungbäck, Louisa Trott, and Patricia Ledesma Villon
Proposals due — April 1, 2025
Final manuscripts due — October 1, 2025

amianet.org/wp-content/u...

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1 year ago

Charles Burnett’s Lost Comedy ‘The Annihilation of Fish’ Lands 4K Theatrical Release — Watch the Trailer Charles Burnett's lost comedy 'The Annihilation of Fish' has a 4K release.

Charles Burnett's Annihilation of Fish trailer has been made public! www.indiewire.com/news/trailer...

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1 year ago

Bogie's little helpers: the shoes Humphrey Bogart used during scenes with Ingrid Bergman in Casablanca in 1942. 🙂

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1 year ago

a drawing of a girl standing in front of the number 28 by minka comics.com ALT: a drawing of a girl standing in front of the number 28 by minka comics.com

Coming soon..............

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1 year ago

News from Home by Chantal Akerman, 1976

Back on the big screen @wshed.bsky.social Sun 16 - Tue 18 Feb

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1 year ago

Visual image of a call for papers:
Response: Reflection and Action

A response is both an engagement and a reflection, followed by an action that confronts a question, situation, challenge or opportunity The concept of response, and the act of responding, takes on new significance in our own contemporary moment, as the ‘self’ is subjected to unprecedented connectivity and an overload of information. Responses can agree and reinforce, challenge and deconstruct, as well as modify, remould, and extend that which they reflect on. Spanning from the personal to the universal, they entwine with politics, ecology, culture, aesthetics, and beyond.

For the upcoming issue of Aigne we encourage critical and scholarly explorations on this theme. We invite submissions from across the arts, humanities, and social sciences which engage with the theme, welcoming diverse and inventive interpretations

Suggested papers could include, but are not limited to, responses and reflections on the following:

Conflict
Confrontation
Violence
Trauma
Healing
Resilience
Resistance
Postcolonialism
Imperialism
Censorship
Control
Empowerment and Gaze
Gender
Contemplation
Self-reflection
Representation
The ‘Other’ and Othering
Stereotypes
Education
Interpretation
Memory
Epistemology
Art
Belief Systems
Ecocriticism
Nature and the Natural Environment
The Built Environment
Sustainability
Social Unrest
Migration
Ethical Dilemmas
Social Responsibility
Globalisation
Artificial Intelligence
Transhumanism / Posthumanism
Dystopia / Utopia

To be considered submit the following by February 21st 2025:

250–500 word abstract of proposed article
Contact information - name, email address, and any institutional affiliation
Resume/CV for each author (in any format)
Email: aigne@ucc.ie. Title email “Abstract: Surname, Forename”

Selected authors notified by March 4th 2025, and required to submit 4-7k word paper by May 4th

📢CALL FOR ARTICLE ABSTRACTS📢
Aigne is seeking submissions on the theme: "Response: Reflection and Action"

✍️ Abstracts: 250–500 words
📅Deadline: Feb 21
📝 Full papers (4,000–7,000 words) due by May 4
🔗Details: aigne.ucc.ie/index.php/ai...
📣 Please share widely!

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1 year ago

Some good tips for the upcoming two-month Bergman season @irishfilminstitute.bsky.social

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1 year ago

Celebrating Black History Month - JSTOR Daily JSTOR Daily editors pick their favorite stories for Black History Month.

February is Black History Month. @jstordaily.bsky.social's latest roundup highlights stories on influential Black voices, community spaces, and groundbreaking contributions across literature, science, and the arts.

Explore the stories: bit.ly/4hL27mM

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1 year ago

ICYMI. Also, @alphavillej.bsky.social is now on Bluesky!

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1 year ago

Only three more days until our virtual event!

We are delighted to be joined by @larascaroli.bsky.social, @annaviolasborgi.bsky.social, and more!

lu.ma/sm2kv17l

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1 year ago

A true bumper issue of Alphaville, and what a roster of esteemed colleagues and fellow video essayists Liz Greene has assembled: with a theme of film music/sound and an incredibly robust Reviews section, the issue honours my late doctoral supervisor Danijela Kulezic-Wilson 💛

doi.org/10.33178/alp...

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1 year ago

Text: Aphaville Journal of Film and Screen Media. Alphaville is in red except for the v which is in grey. Journal of Film and Screen Media is also in grey. The title is on a white background.

New blog post by Elizabeth Noonan @ucclibrary.bsky.social "Diamond Open Access at UCC: Journals honoured at the IOAP Inaugural Diamond Open Access Publishing Awards 2024" theriverside.ucc.ie/... #OpenAccess #OA

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