The Theater of the Matters presents…
A RISKY LIFE: LETTERS FROM JEAN-CLAUDE ROUSSEAU
A 7-film retrospective of the romantically materialist films of JCR, incl. all of his Super-8mm work on 16mm prints. June 26-30 at @anthologyfilm.bsky.social.
theaterofthematters.com/programs/a-r...
10.04.2025 17:43 — 👍 18 🔁 5 💬 0 📌 1
On the new episode of Emulsion, Nick Newman talks to Cinema Guild's @edwardmc.bsky.social about Shinji Somai, the new restoration of Love Hotel, and particulars of distribution. thefilmstage.com/emulsion-epi...
03.04.2025 18:27 — 👍 12 🔁 3 💬 1 📌 0
Feedback Loop: The Portuguese Revival
Up until last year, my understanding of Portuguese cinema was rather limited. I’d encountered the work of contemporary directors such as João Pedro Rodrigues and Catarina Vasconcelos over the years, a...
Thank you for looking at Portuguese cinema yet again @screenslate.bsky.social & @nicopsetzer.bsky.social 💫 (apologies for saying Queer Lisboa was the oldest film fest in Portugal—they're not, but they've been around since the 20th century FWIW...)
31.03.2025 17:48 — 👍 6 🔁 2 💬 1 📌 0
The Theater of the Matters presents…
In the Midst of the End of the World—a reading
Join us at Unnameable Books to celebrate the new publication on Reis/Cordeiro. There will be reading and talking, and we will screen a film by Marguerite Duras. April 6!
theaterofthematters.com/programs/xxv...
27.03.2025 22:25 — 👍 5 🔁 1 💬 0 📌 0
Jaime, José Manuel Costa, 1985
The directorial debut of António Reis was something of a bolt from the blue. While it was certainly not the first instance of a great first work in Portuguese cinema – a cinema whose most interesting ...
“The directorial debut of António Reis was something of a bolt from the blue ... Jaime was nonetheless an arresting spectacle, due to its own beauty as a work as well as the striking impression that it conveyed.” – José Manuel Costa
26.03.2025 12:46 — 👍 10 🔁 3 💬 1 📌 1
A look at the pristine check print we’ll be screening tomorrow. See you at BAM! We’ve been moved to the biggest theater, so bring your friends, families, loved ones, comrades.
04.03.2025 00:01 — 👍 3 🔁 2 💬 0 📌 0
‘Fire Of Wind:’ Locarno & NYFF Title From Marta Mateus Lands North American Distribution Via Cinema Guild
'Fire Of Wind' debuted at last year’s Locarno Film Festival and had its North American premiere at the New York Film Festival
Marta Mateus' first feature FIRE OF WIND is a film of rare strength and beauty. An investigation of a land, a people, and their struggles expressed through the most essential cinematographic matter: bodies, faces, words, noises, light, shadow. See it in the cinema in 2025.
26.02.2025 16:35 — 👍 6 🔁 4 💬 0 📌 0
In collaboration with
Punto de Vista, International Film Festival of Navarra, we are pleased to present two Frans van de Staak texts from 1966: ‘An Interview with Jean-Marie Straub’ + an essay ‘On NICHT VERSÖHNT and MACHORKA-MUFF.’
Links below.
25.02.2025 17:38 — 👍 5 🔁 4 💬 1 📌 0
Thanks to David and Criterion Daily for highlighting our Reis/Cordeiro program, opening tomorrow in NYC and Chicago.
21.02.2025 20:39 — 👍 3 🔁 1 💬 0 📌 0
Something very special this weekend at Metrograph thanks to @theaterofmatters.bsky.social: António Reis & Margarida Cordeiro.
20.02.2025 19:08 — 👍 6 🔁 4 💬 0 📌 0
Read Jonathan’s great article.
20.02.2025 18:37 — 👍 3 🔁 1 💬 0 📌 0
Thank you, Francisco!
18.02.2025 14:44 — 👍 1 🔁 0 💬 0 📌 0
I spoke with Pedro Costa about António Reis and Margarida Cordeiro. Hope to see you in the cinema this weekend.
17.02.2025 18:16 — 👍 9 🔁 5 💬 2 📌 0
We are honored to publish two poems by António Reis from his legendary book 'Poemas Quotidianos' (1957-60), newly translated by Miguel Cardoso.
theaterofthematters.com/texts/two-po...
15.02.2025 18:05 — 👍 5 🔁 2 💬 0 📌 0
The story of João César Monteiro’s Marquis de Sade film, according to Pedro Costa:
13.02.2025 00:49 — 👍 6 🔁 3 💬 0 📌 0
Come see Matías’ great film, the astonishing preface he’s just completed for it, and the selection of films accompanying it.
For instance, Jean-Daniel Pollet’s MÉDITERRANÉE, which inspired Rivette to make OUT 1:
10.02.2025 20:09 — 👍 3 🔁 0 💬 0 📌 0
João César Monteiro (Santos)’s favorite films from 1968.
O CHARLATÃO = THE BIG MOUTH by Jerry Lewis
02.02.2025 16:40 — 👍 6 🔁 1 💬 0 📌 0
READ:
1) The Big Mouth Strikes Again: A Dialogue by Chris Fujiwara & A.S. Hamrah
theaterofthematters.com/texts/the-bi...
2) “The Big Mouth” from Le Monde de Jerry Lewis by Noël Simsolo, translated by Nicholas Elliott
theaterofthematters.com/texts/the-bi...
29.01.2025 19:02 — 👍 4 🔁 2 💬 0 📌 0
The Theater of the Matters presents…
Jerry Lewis’ THE BIG MOUTH
“If Jerry Lewis had been working in 1917, he would have made genuine Marxist movies.” - Jean-Luc Godard
March 4 at BAM.
Rare 35mm.
theaterofthematters.com/programs/jer...
28.01.2025 15:30 — 👍 7 🔁 1 💬 0 📌 2
The Big Mouth Strikes Again — The Theater of the Matters
A Dialogue on Mid-Period Jerry Lewis by Chris Fujiwara & A.S. Hamrah
The Big Mouth (Jerry Lewis, 1967) will be playing in 35mm at BAM on Mar 4, so the programmers asked Chris Fujiwara and me to discuss it, which you can read here: theaterofthematters.com/texts/the-bi...
28.01.2025 15:17 — 👍 12 🔁 6 💬 0 📌 0
JAIME, THE UNEXPECTED IN PORTUGUESE CINEMA:
António Reis interviewed by João César Monteiro (1974)
This astonishing conversation appears here for the first time in English, incl. JCM’s introductory text.
theaterofthematters.com/texts/jaime-...
24.01.2025 22:08 — 👍 10 🔁 6 💬 0 📌 0
The Theater of the Matters presents…
PEASANTS OF THE CINEMA:
ANTÓNIO REIS & MARGARIDA CORDEIRO
A full retrospective of the legendary Portuguese duo, who made films of deep commitment rooted in reality and poetry, the earth and the cosmos. Opens Feb 21 at Metrograph and Doc Films.
17.12.2024 20:12 — 👍 9 🔁 3 💬 0 📌 2
Stavros Tornes // Statue of a seated old man, Chrysippus, a Greek Stoic philosopher, 2nd century AD
16.12.2024 01:59 — 👍 2 🔁 0 💬 1 📌 0
02.12.2024 18:15 — 👍 4 🔁 0 💬 1 📌 0
a terrific new archival find, an article about Francis Ford, from Photoplay magazine Feb 1914, which discusses his three years of directing experience. yay!
30.11.2024 21:56 — 👍 21 🔁 3 💬 0 📌 0
É rir para não chorar | Medieval/EM Iberia, ecopoetics & maritime humanities, ethnorace, cantigas, al-Andalus, Ottoman Jewry & לאדינו, modernism, Macau, translation
“I’m just a little nobody, you know."
https://www.critikat.com/author/maringerard/
The Home of Film in Ireland.
A historic 3-screen cinema in the heart of Temple Bar, with Ireland's only 70mm projector 🎞
Visit http://ifi.ie + watch online via http://ifiarchiveplayer.ie and https://www.ifihome.ie
Charity Number: 20021429
film critic & programmer, currently based in Bucharest. occasional poet and photographer. 🦥🪷
🇵🇸🇺🇦
NYC / PVD / BCN / LX / Cinema
https://www.orfeunegro.org/products/espelho-magico
Longtime film critic -- Chicago Reader, Chicago Tribune, New York Times -- now a curator in the Department of Film of the Museum of Modern Art, New York. Opinions are my own.
Peliculero de la vida. Profesor en Universidad Loyola. Investigador en cine japonés y análisis fílmico (http://bit.ly/2kEfQoh). Crítico en El antepenúltimo mohicano.
Bilingual frenchie of the progressive kind
https://www.instagram.com/eva.truffaut/
Ao infinito, o teu imenso, duro, indiferente parentesco.»
Professor de cinema ESTC + ESAD
Lisboa, Portugal
https://x.com/aindanao
https://www.facebook.com/aindanaocomecamos
https://letterboxd.com/aindanao/
North American Film Distribution 🇵🇸 www.severalfutures.com
Former programming director for the Austin Film Society.
Letterboxd: https://boxd.it/4hC1
Programador, crítico, docente y cineasta dominicano
http://xcentric.cccb.org
https://outskirtsmag.com/
https://linktr.ee/diegocepeda
Sabzian is an international film journal, hailing from Belgium.
→ www.sabzian.be
A film troupe.
“Come as you are, don't expect any transfiguration from the cinema, there will be no aura." - Serge Daney
theaterofthematters.com