James Randall

James Randall

@randalljamesp.bsky.social

writer, editor - wild & visual stories mostly, for adults & children, incl. illustrated folktales & non-fiction (26/27) - Hachette: https://shorturl.at/xJBrT, HarperCollins. PhD, Goldsmiths (literature, 2018).

1,257 Followers 1,851 Following 563 Posts Joined Dec 2023
7 hours ago
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Silent breath ... daily dose of green and fog, west coast Canada
#photography #nature #trees #canada #landscape #fujifilm #forest #rainforest #vancouver #fog #mist

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they became lost in the only poetry that matters— all liquid eyes and senses, flowing hands, touch, without need of words

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Mexica carved images meant to remain unseen! This is Tlaltecuhtli, the living Earth itself. His body forms the ground beneath our feet, and here he appears with the head of Cipactli. These Images were part of monuments, facing the earth. They were made for Tlaltecuhtli to see, not for human eyes.

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19.10, a luminous gloaming 1 week before equinox: Venus at the seam of seasons

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Hazel Macnab (British, b. 1965). Kynance Light (colour reduction lino).

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Photo of an orange lichen growing the length of a crack/crevice in a rock surface. The rock is a pink/rose colour. The lichen is ribbon-like in shape. The centre of the ribbon has a sugary look to it (hence the name). The outside of the ribbon consists of tightly packed branches radiating out from the sugary middle of the lichen.

Sugared Sunburst Lichen (Xanthoria sorediata). Northwest Territories, Canada.
#lichen #fungi #fungifriends

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metallic lichens

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this morning at Pangolin Editions, metal foundry in the golden valley, Gloucestershire - makers for Paolozzi, Hirst, Gormley et al

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Pencil on paper....drawing by yours truly...
( got deleted earlier one by mistake😅)
Enjoy your weekend my Bluesky friends !! ❤️

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patina / tears of bronze

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bronze-lipped: a pouring jug for molten metal

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this morning at Pangolin Editions, metal foundry in the golden valley, Gloucestershire - makers for Paolozzi, Hirst, Gormley et al

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Belladonna Delphinium

The individual flowers are pretty small and kind of transparent in the middle.

I got a closer look at one with the macro lens, and thought I'd share.

Happy Friday, friends. Spring equinox is officially only a week away here in the Northern Hemisphere.

#flowers #photography

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daffodil tip

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Anna's Hummingbird. Union Bay Natural Area, Seattle, WA #birds

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A poem from Picasso's Dora Maar. She was so effing talented.
From Surrealist Love Poems, tr. Mary Ann Caws

I rested in the arms of my arms
I no longer slept
It was night in the summer, winter in the day

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daffodil tip

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The mystery of the Madonna lily, for instance, has never been satisfactorily explained. #gardening

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Tängelgårda I is one of the Gotlandic picture stones most associated with the mythology of Óðinn and Valhǫll / the afterlife, with a possible eight-legged Sleipnir, a 'valkyrie', three 'valknut/triquetra' symbols, a battle, ravens, and a possible ring oath scene.

My 📷 Historiska museet

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SUNDOWN & ALL THE DAMAGE DONE. Nearly nine and still the sun’s not slunk into its nightly digs. The burnt-meat smell of midweek cookouts and wet grass hangs in the air like loose familiar summer garb. Standing by the magnolia tree, I think if I were to live as long as she did, I’d have eleven more years. And if I were to live as long as him, I’d have forty-nine. As long as him, I’d be dead already. As long as her, this would be my final year. There’s a strange contentment to this countdown, a nodding to this time, where I get to stand under the waxy leaves of the ancient genus, a tree that appeared before even the bees, and watch as fireflies land on the tough tepals until each broad flower glows like a torchlit mausoleum. They call the beetle’s conspicuous bioluminescence “a cold light,” but why then do I still feel so much fire? Ada Limón

“fireflies land on the tough tepals / until each broad flower glows like a torchlit / mausoleum. They call the beetle’s conspicuous / bioluminescence ‘a cold light,’ but why then / do I still feel so much fire?” —Ada Limón, “Sundown & All the Damage Done” @milkweededitions.bsky.social

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John Singer Sargent
Thistles (c.1883)

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Paul was born in 1947 in Tofino on Vancouver Island’s west coast. He was raised in Nanaimo, British Columbia. 
 
After graduating from the Emily Carr School of Art and Design in the early 1970’s, he spent some time living and travelling in Europe, from Norway to the Greek Island of Mykonos. 

After several business ventures and painting in his “spare” time, and with the encouragement from well known artists, Nixie Barton and Grant Leier, he started painting full time with success 20 years ago. He has painted since childhood, but considers himself an “overnight success after 55 years”. 
 
Collectors appreciate his winning combination of fantasy, whimsy, patterns and colour. The whimsical paintings are full of questions and little gems of interest can be found every time you look at his paintings. His bright cheerful colours, and textures, with twisted houses and stretched or fat trees create interest in looking for more surprises. The paintings tell a story and create new perspectives with an interlocking puzzle of forms and shapes. 
 
“My paintings are not intended to be a serious view of the world. I like work that involves imagination and technique, and suggests a story. I just want to make people happy looking at my paintings."

Paul Jorgensen (Canadian, b.1947) :
On the Road to Cortona, 2017

Acrylic on Canvas
60 × 40 inches

Paul Scott Gallery

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Goodnight🌕

Andrew Bret Wallis ~ Dream Catcher

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art by Geninne Zlatkis featuring birds and butterflies, commonly found as prints, decoupage plates, or original watercolor paintings.

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Margaret Macdonald Mackintosh,
Textile design for chiffon, 1915-23.

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This work © 2026 by Lee Zimmerman is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International

Succulents

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Joan Miró (1893-1983) :
Tir à l’Arc (Archery), 1972

Vibrant, Large-scale, limited-edition (50) etching, aquatint, and carborundum on Arches paper
41.5 x 29.5 in

Published: Maeght
Printed: Morsang in Paris

Referenced as D. 554 in Miró Engravings Vol. 2

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The Jellyfish nebula taken from my balcony

1/ My relationship with the Jellyfish Nebula (IC 443) has been difficult ever since we first met. Over the past few weeks I was back on it for the fourth year in a row and once again I’m not thrilled, even though the result is better than in past years. 🔭

#astrophotography

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Photo of a yellow-green crustose lichen growing flat on reddish rock. The lichen is sort of rectangular and is made up of numerous tiny “islands” of yellow-green with black lines separating the islands. In the top left you can see a tiny bit of similar looking, but grey, lichen.

Rhizocarpon sp #lichen in the process of “taking over” another species of crustose lichen. This Rhizocarpon is the yellow-green colour. The species it is taking over is grey…see top, left of pic. A lichenologist recently explained that several species of Rhizocarpon do this.
#fungi #fungifriends

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