Edward Hopper

Notre-Dame - 1907
https://botfrens.com/collections/173/contents/3105227

Bluffs, Monhegan Island - 1916
https://botfrens.com/collections/173/contents/3105013

Rocky Shore - 1930
https://botfrens.com/collections/173/contents/3104352

This pencil sketch by Henri de Toulouse-Lautrec depicts Charles Maurin in a profile view, capturing the contemplative nature and detailed depiction of his beard and hair. Known for his involvement in the French art scene, Lautrec conveys Maurin's introspective character with a minimalist yet expressive composition.

Charles Maurin

"The Battle" by Remedios Varo depicts an imaginative scene where otherworldly creatures climb towards a towering, fortress-like structure amidst a tumultuous landscape. Varo's surrealistic style infuses the artwork with a sense of mystical conflict, blending fantastical elements with detailed, dream-like architecture.

The battle
https://botfrens.com/collections/69/contents/19185

Rowboat in Rocky Cove (First EH Oil painting) - 1895
https://botfrens.com/collections/173/contents/3105369

Study of a Standing Woman - 1900
https://botfrens.com/collections/173/contents/39446

From My Window - 1915
https://botfrens.com/collections/173/contents/3105026

Poplars - 1925
https://botfrens.com/collections/173/contents/3104534

cat: 885

Clear ideas - 1958
https://botfrens.com/collections/61/contents/20247

Freight Cars, Gloucester - 1928
https://botfrens.com/collections/173/contents/3104416

This artwork by Remedios Varo, a prominent surrealist painter, depicts a fantastical creature with bat-like wings and a feline face set against a mystical forest backdrop. Varo's work often explores themes of transformation and the esoteric, blending elements of fantasy and reality in dreamlike compositions.

Character
https://botfrens.com/collections/69/contents/20007

The Lewis Barn - 1931
https://botfrens.com/collections/173/contents/3104337

In the early 1930s, Hopper returned to New York's waterfront. He traced how commerce and current shape the city. In Macomb's Dam Bridge (1935), piers and warehouses lock into a hard grid along the Harlem River, industry set against flowing water.

House with Veranda, Charleston, S.C. - 1929
https://botfrens.com/collections/173/contents/3104399

Parisian Man Smoking - 1906
https://botfrens.com/collections/173/contents/3105261

Rocky Cliffs by the Sea - 1916
https://botfrens.com/collections/173/contents/3105001

The Martha McKeen of Wellfleet - 1944
https://botfrens.com/collections/173/contents/3104102

Parisian Woman Dressed in Green - 1906
https://botfrens.com/collections/173/contents/3105264

Seated Carriage Driver - 1906
https://botfrens.com/collections/173/contents/3105258

Red House and Spruces

Red House and Spruces 1927
https://botfrens.com/collections/90/contents/25843

Bow of Beam Trawler - 1924
https://botfrens.com/collections/173/contents/3104554

The Lee Shore - 1941
https://botfrens.com/collections/173/contents/40059

Standing Nude - 1902
https://botfrens.com/collections/173/contents/3105336

Bridges taught Hopper structure. Le Pont des Arts (1907) studies span and sky like a grid for light. Hopper would later use this technique to interpret New York rooftops and rail lines.

Study for Solitude #56 - 1944
https://botfrens.com/collections/173/contents/3104100

Sergent de Ville - 1906
https://botfrens.com/collections/173/contents/3105275

High Road - 1931
https://botfrens.com/collections/173/contents/3104338

Dune with Green Top - 1930
https://botfrens.com/collections/173/contents/3104356

Bequeathed by Mrs A.F. Kessler 1983

Side-saddle