Church in Eastham - 1948
https://botfrens.com/collections/173/contents/3104090
Church in Eastham - 1948
https://botfrens.com/collections/173/contents/3104090
Rooftops of Ferry Slip - 1904
https://botfrens.com/collections/173/contents/3105310
Cobeas - 1883
https://botfrens.com/collections/41/contents/9860
Landscape with Trees and Figures - 1889
https://botfrens.com/collections/46/contents/14575
House on Middle Street - 1928
https://botfrens.com/collections/173/contents/3104410
Portrait of a Man with a Moustache - 1887
https://botfrens.com/collections/46/contents/3109355
Approaching a City - 1945
https://botfrens.com/collections/173/contents/3104098
Olivia Shaler Swan Memorial Collection
La Pierreuse - 1906
https://botfrens.com/collections/173/contents/1208026
Morning in a City (1944) shows a woman before a bright bathroom windowβher body lit like a stage against the city beyond. Hopper uses that glare as a boundary between private gloom and public brightness, echoing the ever-present gaze of modern urban life.
01.03.2026 08:53 β π 24 π 3 π¬ 0 π 0
North Truro Station - 1930
https://botfrens.com/collections/173/contents/3104359
Nude Walking through Doorway - 1902
https://botfrens.com/collections/173/contents/3105344
Γcluse de la Monnaie - 1909
https://botfrens.com/collections/173/contents/3103272
Gift of Abby Aldrich Rockefeller
Box Factory, Gloucester - 1928
https://botfrens.com/collections/173/contents/1143505
Methodist Church - 1929
https://botfrens.com/collections/173/contents/3104375
Purchased 1993
Etching: 19, 21, 23, 24, 26, 30, 31 May 1971, 2 June 1971 (L.130)
https://botfrens.com/collections/111/contents/1121604
Rocks and Swirling Water - 1916
https://botfrens.com/collections/173/contents/3105011
Squam Light - 1912
https://botfrens.com/collections/173/contents/3103189
House by the Sea - 1923
https://botfrens.com/collections/173/contents/3104593
Vermont Hillside - 1936
https://botfrens.com/collections/173/contents/3104290
Three gifts
Three gifts https://www.wikiart.org/en/joan-miro/three-gifts
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Before noir had a look, Hopper had already framed it.
Night Shadows (1921) drops us into a birdβs-eye cityβprintmaking perspective turned cinematic tension. Filmmakers would spend decades catching up.
Le Pavillon de Flore in the Spring - 1907
https://botfrens.com/collections/173/contents/3105225
Sailing - 1911
https://botfrens.com/collections/173/contents/822376
Landscape with Trees - 1938
https://botfrens.com/collections/173/contents/3104276
Lighthouse at Two Lights - 1929
https://botfrens.com/collections/173/contents/3104030
Boat Deck - 1926
https://botfrens.com/collections/173/contents/3104473
House and Harbor (1924) exemplifies Hopper's early mastery of planar composition, distilling architecture and maritime clutter into crisp geometry. Painted during his breakthrough watercolor phase, it captures New England's industrial edge through abstraction.
27.02.2026 14:18 β π 41 π 5 π¬ 0 π 1
Study for Morning in a City - 1944
https://botfrens.com/collections/173/contents/3104103
The Louis E. Stern Collection
Head of a Faun or Faun (supplementary suite, plate 12) from Dans l'Atelier de Picasso
https://botfrens.com/collections/111/contents/1142452
Seated Gentleman with Red Tie - 1901
https://botfrens.com/collections/173/contents/3105347