Anna Bonitatibus

A dear fan of mine, living in China, and yet attending all my productions 🙏, made this video of my recent "Agrippina" at the #Opernhaus as an invitation to purchase tickets for Handel's "Trionfo" at the @operaroma.bsky.social next April 2026.
👇
www.operaroma.it/spettacoli/i...

General sale now open! Rossini rarities: www.wigmore-hall.org.uk/whats-on/202...

🌹

Ars est Vita.
Let's start a new season: see you in Rennes, Nantes, Barcelona, ​​Angers, London, Karlsruhe, Rome, Paris, Caen, Rouen, and with Cavalli, Vivaldi, Händel, Rossini. 

And then, a new recording and many other projects.

annabonitatibus.com/index.php/it...

Molte grazie, gentile Rosa! 🙏🤗💐

3 agosto 1829: #GuillaumeTell, Grand Opéra, Salle Le Peletier, Paris. 💝
Gioachino Rossini, Laura Cinti-Damoreau, Adolphe Nourrit, Henri-Bernard Dabadie.

Ciao Alan 🌹

10th anniversary
10° anniversario

Firenze, 15.07.2015
#AlanCurtis

La Calisto, N° 3 today.

Festival d'Aix-en-Provence
📸 Monika Rittershaus.

🤗🌺

100 anni oggi: Cathy Berberian. 💝

Oh, good question...

Not sure about filming; but Radio France will be there, I think it will be broadcast on July 13th.

Thank you! 🙏
... and yes, it is very🌡

Happy to return to the glorious Festival d’Aix-en-Provence after my debut as Idamante in “Idomeneo” back in 2022, with a new production of “La Calisto” by Cavalli surrounded by an extraordinary cast of interpreters!

La Calisto
7, 10, 12, 15, 16, 18, 20, 21
July 2025
festival-aix.com/programmatio...

#MakeMusicDay

«Mogli mie sconsolate
Noi sempre siam l’offese, e abbiamo il torto:
Lasciate dal conforto
Moriam spesso di sete in mezzo al fiume:
La notte ne le piume,
Stanchi ne’ gusti loro i rei mariti,
Stan sempre sonnacchiosi, o risentiti».
Giunone

«La Calisto»
Aix-en-Provence
🎫: 7.07.2025

So very grateful to @michaelvieth.bsky.social for this fantastic review! 🙏💝

Thank you so much for coming and for your kind words, dear Michael! 🙏💝

Today we remember #Haydn. I dedicated my first solo album entirely to his vocal, operatic & chamber music. Then there is the oratorio recorded in Salzburg (unfortunately not advertised with artist's names on platforms). I also add the album of his famous pupil Marianna #Martines.

Agrippina, avec une belle distribution autour d’Anna Bonitatibus. Magistrale dans le rôle-titre à Zürich en mars dernier.
#OperaDeRouen #Agrippina Saison 2025/2026.
www.diapasonmag.fr/agenda/2025-...

Una nuova, illuminata, straordinaria interpretazione della Storia del melodramma, ricchissima di spunti e riflessioni! Godibile e stimolante la scrittura di Mattei.

#LeMonnier #UniversitàDiBari
#Opera #Melodramma #Musicologia

Thank you to the amazing Angela Hewitt for creating a unique event with Music, talks and laughs, to celebrate the 20th anniversary of the Trasimeno Music Festival in London, together with Donna Leon - a special friend of mine since 2002 - with her notorious nice touch of irony!!

And to my heart as well, dear Tom!! Thank you for remembering Didone, very dear to me. 💝

Bonjour Paris. 💝

A heartfelt thanks to the Conservatory “G. Verdi“ of Turin, together with the Conservatories of Novara & Cuneo, with the Atelier Lyrique Opéra de Montréal, Canada.
A warm hug to all the participants who worked with extraordinary enthusiasm: I bring with me all their voices and humanity!
2/2.

More than a Master Class, it was a marathon:
4 days; 26 singers from Italy, China, Korea, Russia, Ukraine, England, Uruguay, Argentina, Canada; 50 arias from Oratorio, sacred music, Opera; Monteverdi, Sances, Handel, Vivaldi, Mozart, Rossini, Bellini, Donizetti, Verdi, Bizet, Brahms, Saint-Saëns.
1/

Nel frattempo, a Berlino, il Don Giovanni mozartiano, evidentemente non più di Da Ponte, diventa terreno per la sostituzione delle donne cantanti da uomini cantanti: Donna Elvira cantata da un falsettista.

Povere noi... Ci risiamo!
Cosa abbiamo fatto per ricevere così tanto odio.

Meanwhile, in Berlin, Mozart's Don Giovanni, but evidently no more by Da Ponte's, becomes the terrain for the replacement of women singers by men singers: Donna Elvira sung by a falsettist.

Poor us, here we go again...
What have we done to receive so much hate.

Happy Monday!

Intanto, dal maschile mondo delle sovrintendenze nei teatri d'opera italiani...
Mentre per le donne cantanti, in particolare, l'età per essere scritturate, viene abbassata sempre di più, soprattutto se combinata all'avvenenza.
www.corriere.it/spettacoli/2...

Emilio Longoni (1859-1932), «esponente del Divisionismo italiano, rappresenta in quest'opera lo strazio materno per la perdita di un figlio».
Pastello su carta, 1900, Museo diocesiano, Milano.