Leda

I should draw my OCs more…

Post a blonde ✨💛

YouTube video by 듀콩 어느 날 눈을 뜨니 이상한 공간,괴물이 있었다 공포 쯔꾸르(공포게임,NeverHome Ch1 Hall of Apathy)

A very talented player translated the first two chapters of NeverHome to Korean!! Please check out their video and show them some appreciation :)

youtu.be/skgaCLcGt9I?...

Trash baby

Today is my birthday (turning 29), which is the only time all year that I ask for a repost 🌿
I hope you get lost in fantasy worlds as much as I do 🔮

Now that I have a job, I decided to make a frivolous purchase and order a coffee, but as soon as I placed the order I felt immense guilt. Hopefully this feeling goes away soon.

I have to play through NeverHome again so I can take screenshots of all the things I wanna draw fanart of 😩

Ooh I think I know why Delilah looks so pissed 😭

Here's a CG that didn't make it into NeverHome: Tower of Vanity. Could you guess where this was supposed to be shown?

#neverhome #indiedevhorror #digitalart

This is how I look when I write (I should have gone to bed two hours ago):

repost if you're tired and you're not sure when you'll ever be not tired again

First day at the new job. It seems hard, but also easy if that makes sense. And I’ll be home by noon every day, so I’ll still have time to work on my creative endeavors

A black and white comic page with three panels. Panel 1: A bedroom, seen from above, mostly shrouded in darkness. There is a big bed, and a poster above the bed featuring a demonic band called Beelzebabes. There is a bedside table with a lamp, spreading a circle of light around it. A young woman lies curled up on the bed, clutching a pillow. A rectangle of light falls from an off-panel doorway over the bed, and the shadow of a person appears in the light. The title of the comic: "Branded", appears in the top left corner. The shadowy figure says "You should go outside."" Panel 2: Closeup of the young woman's face. She looks haggard and frightened. The rectangle of the doorframe, with the shadowy figure within it, appears behind her in the darkness. The young woman says: "I... I can't. That..." Panel 3: A slightly abstract rendition of a window with venetian blinds drawn. Insects buzz in the light filtering through the blinds, and something that resembles smoke rises across the panel. The young woman says: "That thing is still out there."

A black and white comic page with six panels. Panel 1: A white void, in which sits a rectangular stairway framed by a low brick wall, apparently leading down underground. A crooked sign post stands next to the stairs. Narration boxes: "It followed me from the subway station. At first, I thought it was just a beggar, but..." Panels 2-4: In a sequence of three panels, a pale, deformed humanoid figure emerges from the darkness, its arms abnormally long, its fingers long with claw-like nails. The figure seems to twist and bend in unnatural ways, and keeps poking at its own eyelids with its nails, as if its trying to force its own eyelids open. Narration boxes: "With every step it took, it changed. I could hear its bones snap and slot into place. And somehow, I was trapped with it. Like a bird in an oil spill." Panel 5: The young woman, now wearing an overcoat and hat, and a long scarf sustained on the wind, clasps her face in horror. Her face and hands have been blacked out with rough pencil strokes, but the whites of her eyes can still be seen, staring in terror. Her purse is flying through the air, spilling its contents as it goes: a set of keys, a book, a pencil, a smartphone. Narration boxes: "And something passed from it to me. I can't get rid of it." Panel 6: A closeup of the creature's eye, being pried open by two long, cracked fingernails. The pupil in the eye resembles a twisted reflection of the young woman. Narration boxes: "You know how smoke sticks to your collar? Or when a sick baby puts its fingers in your mouth."

A black and white comic page with six panels. Panel 1: The young woman is peeking out her window, parting the venetian blinds with her fingers. Her face is brightly lit, and her eyes look astonished with disbelief. Narration boxes: "Ever since then, little by little... the world has fallen apart." Panel 2: A bizarre view of the street outside the young woman's house. A gigantic dog is being walked by a tiny person, who appears to be much farther away than the dog, despite walking in front of it. The dog is intersected by lamp posts which appear to be at different distances from the viewer, and in each section the dog is much larger than the last. The curb itself appears to be a smartphone, and a broken clock is floating among some rubble in the void. Narration boxes: "Pieces disappear, or appear elsewhere. Things change size without moving. Nothing is the same when you look again." Panel 3: In a white void, a deformed figure, distinct from the one we saw on the previous page, is shambling around. It is dressed in a blouse and skirt, and its neck is long, snaking away from its body, head lolling. Narration boxes: "There are others like it, shambling about. I can see them clearly now. Maybe they were always there." Panels 4-6: Three panels of the young woman sitting on her bed, clutching her pillow, first seen as a white silhouette over pitch black, then straight from the front, then in closeup as she turns her head toward the figure in the doorway. The young woman says: "There is no outside anymore. My room is the only place I feel safe." The figure in the doorway says: "You should go outside." Irritated, the young woman says: "Weren't you listening? I said–" The figure in the doorway interrupts: "Outside." Now suddenly anxious, the young woman says: "What..." The figure in the doorway interrupts, this time with a scratchy, deformed word balloon: "You should go outside."

A black and white comic page with two panels. Panel 1: The young woman is sitting up in her bed, clutching her sheet as it wraps around her lower body. She is looking over her shoulder, toward the doorway. Concentric circles with hatched patterns inside them frame her head. The young woman says: "M... mom?" A word balloon at the bottom of the panel extends into the next panel, with the letters spilling out of it as if entering the same physical space as the characters themselves, spelling out the words "Go outside". Panel 2: In a big panel, seen from the young woman's point of view, a monstrous humanoid creature emerges from the darkness, reaching its long, clawed hands toward us. Its neck is crooked, head lolling, eyes apparently clawed open, with fresh scratch wounds running down its cheeks. The mouth is open, with worm-like appendages dangling from its lips. The young woman's hand reaches into frame, fingers spread, as if trying to ward off the monster in fear. A small box in the bottom right corner informs us that this is the end of the story. Thank you for reading!

Branded, the first in a series of four-page horror comics.

This is my first attempt at rendering a whole comic in "pure" black and white linework, without shades of gray. It's a style I've always admired but never felt strong enough to do.

Enjoy! 👻

#comics, #art, #horror, #DarkArt

So I had my orientation today, and on one hand it’s like “yay I finally got a job :D” and I think it’s a good job too, but on the other hand I’m feeling the existential dread set in.

Felt the random urge to listen to FE Awakening’s soundtrack and now I’m crying over chrobin like it’s 2013

I OFFICIALLY GOT THE JOB AND MY ORIENTATION IS ON THURSDAY!!!

Yeah, I love kids, but I don’t think actually raising them is for me. Hell, even finding a relationship is a pretty low priority for me right now. I like taking my time and doing my own thing. I’m happy for the people around me who are settling down, but it’s still feels kinda weird too 😅

I am, thanks. But yeah, I’ve seen a few other people falling out the last couple days too, so it’s an odd coincidence

I was dead for the last 48 hours, but I think it was a me thing and not a bug 😅

I’m finally at the point in life where people around me are getting married and having babies, but I’m too busy being young and hot

I slept for twelve hours and the pain is finally gone 🙏😩

Painkillers don’t help what do I do

5 years progress ✨

QRP yours!

God is always giving me His toughest battles (tummy ache)

NeverHome - Tower of Vanity OST - YouTube The official soundtrack for NeverHome - Tower of Vanity. These are the original, highest-quality versions of these tracks.

I forgot to mention it, but yesterday I uploaded the whole NeverHome - Tower of Vanity OST to YouTube! You can take a listen here (spoilers ahead!): youtube.com/playlist?lis...

I hope people enjoy these new tracks. I'm really proud of them!

#indiegame

Save 40% on NeverHome - Tower of Vanity on Steam NeverHome - Tower of Vanity is the second chapter of the NeverHome horror anthology. Explore an abstract new world and use your wits to solve its mysteries and find a way out.

Hey everyone! Today is @shadow-gengis.bsky.social ‘s birthday, so it’d be super cool if you check out their game! He just released chapter 2, but it’s an anthology so you can hop right in! (But you should still check out chapter 1 ;) )

6K SILENT #ARTSHARE

— drop your art silently;
- like & rt this post for
visibility;
- like and rt on other people works;
-No A/I/N/F/T

(Optional): follow me if you want.

Sorry if I’m annoying about NeverHome, but I’m hyped as hell and have nowhere else to put that energy 😩😩