Anyway, the framing of that @slate.com piece is absolute fucking dog water, and no amount of "our industry is suffering, and we need the clicks" can excuse that headline.
Any publication that uses ragebait tactics to downplay the success of SINNERS tonight is racist and attempting to profit off racism. Do not give them the clicks. Do not give them the hate traffic.
If you're going to call them out, take a screenshot of them and tag them. Do not link to them.
A big takeaway this year has to be that Sinners and One Battle After Another were big, artist driven, swings bankrolled by WB whose future is ultimately unclear. I like living in a world where people like PTA and Ryan Coogler get to make the films they want to make with those resources.
Anyway, I interviewed Delroy Lindo last year for SINNERS and it remains the highlight of my professional career — a living legend who consistently deserves better than what the Awards bodies of this industry give him.
www.slashfilm.com/1837633/delr...
I only missed three on my Oscars ballot, which is the best I've ever done. I'm the real winner here.
Anyway, I can now say that an Oscar winner has told me she "loves me and loves the way my brain works."
Well deserved, Jessie Buckley.
I love you, you magnificent magpie of a woman.
Tonight was actually a viking funeral for Warner Bros. when you really think about it.
JAVIER BARDEM, MY KING! FREE PALESTINE!
Mayor Jerry would absolutely do a podcast with Ben Shapiro.
I have also been trying (and failing) to recruit more members to the cause.
(i also love you so much right back)
sure max landis is a huge piece of shit but you gotta admit his writing is painfully affected corny trash and his dad decapitates children
You rang?
I'll never own a home with enough wall space to fill with art, so I gotta put it SOMEWHERE.
I have gotten so many more tattoos since this was taken. 🥰
#ReadyOrNot 2: Here I Come goes double or nothing and plays for keeps. Either you get on board with the way the world is changing, or you die. It's really that simple.
www.slashfilm.com/2122735/read...
Wow I can really see why it’s so important to stay on twitter
This is my absolute nightmare thank you so much for sharing oh my god
This is why I wear the art I love in videos I make LMAO.
Return to Oz feels like an entire season of ARE YOU AFRAID OF THE DARK tossed in a blender and that's exactly why I love it so much.
Living in LA, while wanting to financially support cool podcasts/bands/performers by buying their merch is a cringe vortex because the likelihood of running into someone while wearing their merch is too damn high, and there's no way to be like "I swear to god I'm not parasocial" when it happens.
Chicks dig scars.
Yesterday was my pancreatic cancerversary.
It's been 12 years and I'm still here.
Some of the phrasing made me go a little dog-eared, but I was pretty shocked by how bold some of the political swings were for 1974 by how matter of fact the parents were about hating their racist neighbor lol
The LGBTQIA+ community was instrumental in turning the Triple Dipper into a viral meme and reinvigorating Chili's.
Goodbye forever, you baby back bigots.
Didn't think 2026 was going to be the year I developed a hyperfixation on The Brady Bunch, but here we are.
www.slashfilm.com/2119812/the-...
Gen X did a great job with this one. Not as good as "psycho hose beast" from Wayne's World, but consider me a fan.
New fave shitty nickname from a faceless troll just dropped.
Piggybacking off of an article about women’s anger and the way our industry doesn’t finance women filmmakers to make big swings or allow a runway to try and then judge our views on films as a barometer of our character instead of engaging with us to say “guess I’m an asshole” is certainly a choice.
I feel insane lol
Everyone acting like we’re “beyond this,” meanwhile last year we had mad scientist-ass shit keeping Adriana Smith on life support to bring a baby to gestation. What feminist utopia do these people think we live in because I sure would love to see it!!!
