Yoann Lossel

Yoann Lossel

@yoannlossel.bsky.social

Award-winning artist ⟡ Sculptor of memory, thresholds, and unfinished worlds. Creator of Labyrinth. www.yoannlossel.com/link

11,522 Followers 657 Following 494 Posts Joined Nov 2024
Posts Following
1 week ago

Thank you!

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1 week ago
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I’m drawing a map of the Labyrinth.

The problem is
no one has ever mapped it completely.

Every path changes.
Every map is only an attempt.

This is mine.

#labyrinth #mapmaking #darkfantasy #worldbuilding #artprocess

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2 weeks ago
Oil painting on paper titled The Love of Bastet (2022). A dark, symbolist-inspired scene referencing Böcklin and Ferdinand Keller. At the center stands a stylized feline goddess figure, upright and frontal, framed by deep shadows and architectural elements reminiscent of a tomb or sacred threshold. The palette is muted, with warm browns and greens. A decorative gold ornamental border surrounds the composition, filled with intricate intertwined motifs blending Egyptian-inspired lotus shapes and Nordic-style animal forms. The gold leaf catches the light against the darker tones of the painting.

Details of 'The Love of Bastet'
See previous post

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2 weeks ago
Oil painting on paper titled The Love of Bastet (2022). A dark, symbolist-inspired scene referencing Böcklin and Ferdinand Keller. At the center stands a stylized feline goddess figure, upright and frontal, framed by deep shadows and architectural elements reminiscent of a tomb or sacred threshold. The palette is muted, with warm browns and greens. A decorative gold ornamental border surrounds the composition, filled with intricate intertwined motifs blending Egyptian-inspired lotus shapes and Nordic-style animal forms. The gold leaf catches the light against the darker tones of the painting.

The Love of Bastet — oil and gold leaf on paper, 2022
Final version.

A tribute to Ferdinand Keller and Böcklin.

Bastet waits. The rest happens in the gold.

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3 weeks ago

Thanks a lot ⭐️

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3 weeks ago

Thank you so much ⭐️

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3 weeks ago

Many thanks!

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3 weeks ago

Thank you very much Joaquin. I love this song!

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3 weeks ago

Thank you very much!

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3 weeks ago

Next step: building the tree!

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3 weeks ago

Thank you so much 🙏

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3 weeks ago

Thank you so much for your kind words Deb ☀️

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3 weeks ago

Thanks a lot ⭐️

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3 weeks ago
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A habitable wreck, built plank by plank.

This is a fragment of Labyrinth: a world I’m building in images, objects, and stories.

The boat will return. Somewhere else. At another height.

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1 month ago

Thank you, it's a place that inspires me a lot

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1 month ago

There is an exhibition in Paris right now on Escher's work. I would have loved to see it!

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1 month ago
A wide view of an artist seated in his studio, working on a large hand-drawn map pinned to a drawing board. The map depicts a vast, fragmented city rising from floating landmasses, rendered in graphite and muted washes, with circular and elliptical shapes left empty around the composition. In the foreground, the artist holds a smartphone. On its screen is displayed a photograph of the same scene: the artist, the map, and the studio, creating a visual loop where the map appears inside its own image. The atmosphere is quiet and intimate, filled with drawing tools, papers, and warm light, suggesting a long, meticulous process of world-building and cartography.

Zoom

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1 month ago
A wide view of an artist working in his studio. Seated on a wooden chair, he faces a large, illuminated drawing board holding an expansive, unfinished map drawn in pencil and washes. The map depicts a fragmented city suspended in space, with towers, bridges, and architectural masses floating amid mist, arranged around large circular outlines. The room is warm and intimate, filled with wooden furniture, shelves, tools, and scattered art materials. The walls are covered with ornate, patterned wallpaper. In his hands, the artist holds a smartphone, photographing the artwork; on the phone’s screen, the same scene appears again, creating a recursive image of the map within the map. The atmosphere feels quiet, meticulous, and slightly uncanny, as if documenting the act of mapping a world while being inside it.

Zoom

20 0 1 0
1 month ago
A wide view of an artist working in his studio. Seated on a wooden chair, he faces a large, illuminated drawing board holding an expansive, unfinished map drawn in pencil and washes. The map depicts a fragmented city suspended in space, with towers, bridges, and architectural masses floating amid mist, arranged around large circular outlines. The room is warm and intimate, filled with wooden furniture, shelves, tools, and scattered art materials. The walls are covered with ornate, patterned wallpaper. In his hands, the artist holds a smartphone, photographing the artwork; on the phone’s screen, the same scene appears again, creating a recursive image of the map within the map. The atmosphere feels quiet, meticulous, and slightly uncanny, as if documenting the act of mapping a world while being inside it.

The improvised cartographer I am.

A photo of the map,
inside a photo,
inside the map.

At this point, I’m not sure who’s mapping whom.

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1 month ago

Many thanks!

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4 months ago
[ENGLISH ALT-TEXT] A surreal artwork in warm sepia and gold tones. A masked woman, Lilith, kneels on a wooden scaffold and carves a marble wall covered with the relief of a tree heavy with fruit. A golden serpent winds around her, its sinuous body catching the light. Below, the fragmented head of a colossal statue lies half-buried in stone. Thin lines of gold run through the composition like veins of memory, linking Lilith’s gesture, the serpent, and the fallen face. The atmosphere is quiet, sacred, and timeless. [FRANÇAIS TEXTE ALTERNATIF] Une œuvre onirique aux teintes sépia et dorées. Une femme masquée, Lilith, agenouillée sur un échafaudage de bois, sculpte dans le marbre la façade d’un arbre chargé de fruits. Autour d’elle, le Serpent d’Or s’enroule, son corps lumineux suivant le mouvement de la main qui taille. En dessous repose la tête brisée d’une statue colossale. De fines lignes d’or traversent la scène, reliant le geste de Lilith, le serpent et le visage effondré. L’atmosphère est silencieuse, sacrée, hors du temps.

"Lilith in the Valley of a Thousand Sculptures" — detail.

A closer look at the gesture.
See the full image in the previous post.

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1 month ago
Model : Claire Tardieux

"The White Laurels" - 2026.

These photographs speak of all those women, across eras and cultures, whose work, commitment, or genius has never been recognized. Of those whose efforts have been forgotten, made invisible, or sometimes even stolen.

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1 month ago

I am amazed at how you have captured, with such a small detail from a work that will bring together many images and texts, and in very few words, the spirit of the Labyrinth.

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1 month ago

Thank you so much Deb ⭐️

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1 month ago

And love 🤍

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1 month ago

Thank you Sheryl ⭐️

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1 month ago
A work-in-progress illustration seen from above. On warm-toned paper, a dense, hand-drawn city appears suspended like an island or fragment, rendered in graphite and ink. Tall towers, bridges, and clustered buildings rise vertically, some fading into mist or shadow. Small touches of gold leaf catch the light on a few structures. In the lower right corner, a hand holding a fine brush is adding dark washes to the drawing. At the top of the image, a metal tool and small pieces of gold leaf rest on the paper, revealing the artist’s workspace and the meticulous, slow process of making the map.

Detail :

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1 month ago
A work-in-progress illustration seen from above. On warm-toned paper, a dense, hand-drawn city appears suspended like an island or fragment, rendered in graphite and ink. Tall towers, bridges, and clustered buildings rise vertically, some fading into mist or shadow. Small touches of gold leaf catch the light on a few structures. In the lower right corner, a hand holding a fine brush is adding dark washes to the drawing. At the top of the image, a metal tool and small pieces of gold leaf rest on the paper, revealing the artist’s workspace and the meticulous, slow process of making the map.

A work in progress for Labyrinth.

— 𝐻𝑜𝑤 𝑑𝑜 𝑦𝑜𝑢 𝑘𝑛𝑜𝑤 𝑤ℎ𝑒𝑛 𝑦𝑜𝑢’𝑣𝑒 𝑙𝑒𝑓𝑡 𝑡ℎ𝑒 𝐿𝑎𝑏𝑦𝑟𝑖𝑛𝑡ℎ?
— 𝑌𝑜𝑢 𝑑𝑜𝑛’𝑡 𝑙𝑒𝑎𝑣𝑒 𝑖𝑡.
𝑌𝑜𝑢 𝑙𝑒𝑎𝑟𝑛 ℎ𝑜𝑤 𝑡𝑜 𝑙𝑖𝑣𝑒 𝑖𝑛𝑠𝑖𝑑𝑒.

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1 month ago
A detailed photograph of a hand-crafted scale model boat held at chest height by a bearded person wearing a white shirt and deep red trousers. The boat is made of wood, fabric, and thread, with a weathered, aged appearance. Its hull is dark and worn, showing fine plank details. The sails are irregular, stitched from rough fabric, marked with red symbols and stains, and connected by a dense network of ropes and rigging. Two small wooden structures rise from the deck, resembling lookout platforms or cabins on stilts, giving the vessel a fragile, improvised architecture. Threads and cloth strips hang loosely, suggesting damage, ritual markings, or long abandonment. The boat rests carefully in both hands, emphasizing its small scale and the delicacy of its construction. The background is softly blurred, showing a patterned wall, which draws attention to the object. Overall, the image conveys a sense of a mythical, fragmented vessel — part ship, part relic — evoking themes of journey, exile, and transformation.

www.patreon.com/posts/148954...

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1 month ago

Thank you very much!

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