México no es Abya Yala. Nombrar todo un continente como lo nombraron unos pueblos originarios de Centroamérica y norte de Sudamérica es tan colonialista como llamarlo todo América.
14.06.2025 14:12 — 👍 0 🔁 0 💬 0 📌 0@ssbeltran.bsky.social
qhimära: arquitecturas, violencias, memorias & memoriales | investigué con @ForensicArchi, ahora en @representare en la @faunam_mx | 🚴🏽🌈 🌱 (él/suyo)
México no es Abya Yala. Nombrar todo un continente como lo nombraron unos pueblos originarios de Centroamérica y norte de Sudamérica es tan colonialista como llamarlo todo América.
14.06.2025 14:12 — 👍 0 🔁 0 💬 0 📌 0El cringe cuando llaman México “abya yala”.
Este valle es el Anáhuac, carajo.
El Ministro Votos Nulos tuvo más votos que Lenia y Yasmín… juntas.
03.06.2025 02:45 — 👍 1 🔁 1 💬 0 📌 0Hubo más gente que no supo cómo usar la boleta para votar, que los que votaron con intención de anular.
Un problema clásico donde las prisas mandan alv al. diseño en experiencia (UX) de la persona usuaria. Fue más importante la UX del CEO/ejecutivo-expresidente que la UX de la persona votante 🥲.
Descubriendo las goterías de Arturo Pani.
28.05.2025 16:53 — 👍 1 🔁 0 💬 0 📌 0D: cuenta massss
23.05.2025 22:41 — 👍 0 🔁 0 💬 1 📌 0🕵️♂️⚠️ El gobierno del expresidente López Obrador usó Pegasus para espiar por lo menos a 456 personas, entre abril y mayo de 2019, revelaron documentos judiciales del litigio entre WhatsApp y la empresa israelí NSO Group.
14.04.2025 20:56 — 👍 13 🔁 9 💬 0 📌 2“Si yo no los busco nadie lo va a hacer”: 7 personas desaparecieron en carretera de Chiapas; familiares exigen plan de búsqueda
animalpolitico.com/estados/chia...
10.85 persons are reported disappeared each day since the Trump administration began (74 days), on average, according to public.tableau.com/app/profile/...
04.04.2025 20:29 — 👍 0 🔁 0 💬 0 📌 0🔴El análisis de FGR es pobre, sin análisis de contexto ni uso intensivo de tecnología, soslayando que la federalidad es clara al subyacer evidentemente delincuencia organizada.
Es lamentable también que el tono que privó no haya sido de la solemnidad y empatía que ameritaba el caso.
🧵 3/7
El informe presentado hoy por La Fiscalía General de la República sobre el caso #Teuchitlán evidencia que la reforma necesaria en justicia es en las fiscalías, claramente rebasadas e incapaces.
🧵 1/7
Imagínate estar en el cablebús con estos vientos.
06.03.2025 20:51 — 👍 2 🔁 0 💬 1 📌 0que si el patrimonio de la UNESCO esto, que si es un acto autoritario, que si solo es una minoría, que si son externos a la universidad, que si un comité.
da para pensar.
pero sin duda: #SamirVive y #FueElEstado.
Pusieron un busto de Samir en Las Islas 🥺😭😭😭🥹🥹
20.02.2025 04:25 — 👍 0 🔁 0 💬 0 📌 1Fascism is the frailest of masculinities.
20.02.2025 03:20 — 👍 2 🔁 0 💬 0 📌 0Gracias por leer manito. Estoy obsesionado con este show (y soy mega fan del Kendrickcito)
11.02.2025 22:02 — 👍 1 🔁 0 💬 1 📌 0Kendrick compels to turn the "TV Off", and see the NFL Super Bowl as just another fiction.
“GAME OVER” flashes—stadium lights flare, dancers retreat. In a few electric minutes, he’s redefined the field as a stage for raw, radical critique against Americans on their most beloved ritual.
Despite art, we live in a segregated reality where space and architecture dictate how our bodies behave.
It's especially heartbreaking bc during this song a protester raised the flags of Palestine and Sudan, almost censored on the live broadcast in this “land of the free”.
Then “TV Off” snaps us back to reality. Kendrick’s signature move: raise hope, then remind us of the daily grind. The circle breaks, and we’re left with the starkness behind the stage lights—real life awaits., and the dancers snap back to their controlled colors.
11.02.2025 20:25 — 👍 1 🔁 0 💬 1 📌 0K paints Drake as a pawn of the system, and flips the biggest stage in America into a protest mic. He’s pressing each “button” of white conformity.
I love how this moment of defiance is when all color-coded dancers "desegregate" to enjoy the music, in contrast to the previous rigid choreographies.
Freshly commended, Kendrick cuts Uncle Sam's appraisal, and returns to the central field—the space of his subversion.
He fires up “Not Like Us,” flouting corporate white America’s legal chokehold—Drake included. It’s a lyrical strike against how industry rules try to cage Black artistry.
Kendrick leaves the penalty box and meets SZA in the triangle—symbol of difference—where they ease into the show’s mellow heart.
Their pop duet soon morphs into a circle of unity, briefly appeasing Uncle Sam. But harmony rarely lasts in the worlds where Kendrick’s albums live. He ALWAYS does this.
Kendrick moves to stage 2: a Red Cross, blinking like a giant error message. The bright slash on real, green turf says, “Oops, you messed up.”
I love how football’s sacred grass features in the camera frame in this subversive stage—no safe zone in sight in this blend of show and reality.
“STAGE 1” flashes. Kendrick leaves the square, crosses outside of the button's white boundary lines, and gets scolded by Uncle Sam (Samuel L. Jackson, who has acted as white-conforming Black characters in films like Django).
“WRONG WAY” screams overhead—he’s stepping off America’s scripted path.
Big focus on the segregated color-coded choreography: Black male bodies line up, backs turned towards each other—calling up forced labor and segregation—in current cultural and political divides. The colors never "mix" (but will later).
The “flag” isn’t just fabric; it’s lived history.
From kickoff, four PlayStation shapes—square, triangle, circle, cross—flood the field. It’s a giant “game” board, hinting Kendrick’s ready to break the game rules (and maybe a few hearts) in this performance.
(Also the lighting sequence is a well-known GTA cheat code).
A spatial and political take on K-Dot's half-time show:
As an architect obsessed with how space shapes politics and memory, I see Kendrick turning the NFL field into a battleground of meaning.
Drake? Just a cameo in Kendrick’s bigger quest to press America’s buttons.
Architecture in Mexico is often a tool of power—but re/presentare is rewriting the script. This CDMX-based research group is turning forensic architecture into action, working with communities to expose injustice & reimagine space as a force for social justice. www.themexicobrief.org/culture/repr...
10.02.2025 14:11 — 👍 4 🔁 3 💬 0 📌 0jfc
se siente horrible que seamos una especie capaz de hacer estas cosas.
www.bbc.com/news/article...