Paula Albuquerque

I’ll be in The Hague for the Presentation of and Q&A about Like the Glitch of a Ghost at Filmhuis Den Haag on the 26th of November at 21:00 during a programme about experimental cinema organized by -…-(,’:wysiwyg”.,?’!

The pictures missing in the previous post about our panel at DocLisboa two days ago. Experimenting with film archives from a decolonial perspective.

Today’s session with Catarina Alves Costa, Andrés Jurado and myself, moderated by Stephanie Baumann, was really excellent. Actualization of colonial archives and experimentation. More to follow this first encounter at DocLisboa International Film Festival.

Today at 16:00, Culturgest, Doclisboa International Film Festival.

Speaking at this event about experimenting with archives at Doclisboa - International Film Festival moderated by Stefanie Baumann

Participating in the AICA’s webminar at 17:00. Join us:
aicainternational.news/agora/2025/9...

@valizbooks.bsky.social

Happy to contribute to this incredible and very relevant book organized by Carolyn Strauss. It will be launched soon.

I Conferência Anual do Instituto de História Contemporânea 1st Annual Conference of the IHC, which promotes the relationship between Research Groups and disseminates the IHC's research to a wider audience.

In Lisbon, presenting at this exciting conference on Contemporary History ihc.fcsh.unl.pt/en/events/ih...

Back at ANIM, the Portuguese Cinematheque Archive.

Oh, perfect. I loved Nadine’s presentation and already cited her during the Q&A interview EYE on Art two days ago. Wonderful to know it’s online.

Q&A after Like the Glitch of a Ghost at EYE on Art, Filmmuseum, in Amsterdam. Thank you all so much for coming.

In thirty minutes in Cinema 2 at EYE Filmmuseum, my film Like the Glitch of a Ghost is shown as part of EYE on Art. With Q&A.

New Selected Artists' Moving Image | Eye Filmmuseum New work by Dutch artists and experimental filmmakers that was recently added to Eye’s collection. The program includes four short films by filmmakers and artist’s Ansuya Blom, Jordi Wijnalda, Paula A...

Here another post with the schedule for EYE on Art on the 9th of September: www.eyefilm.nl/en/whats-on/...

My film Like the Glitch of a Ghost will be on EYE on Art at EYE Filmmuseum on the 9th of September. See the programme here: www.eyefilm.nl/en/programme...

Siluman will be at MUTA festival in Lima, Peru.

Happy to share the new edition of ANIKI (Portuguese Journal of the Moving Image) where I was invited to co-edit a special section on Artistic Research with Francisco Paiva: aim.org.pt/ojs/index.ph... (scroll down for English

Editing has become my favorite activity. Happy to be working on this project with EYE Filmmuseum for group show in February 2026 (Amsterdam, NL).

An early morning presentation at NECS Conference discussing the comparative analysis of EYE Filmmuseum’s and the Portuguese Cinematheque’s colonial film collections. Thank you, Cátia Rodrigues, for the photo.

Masculinization of the Motherland, Vandana Shiva, & this chapter by Mies are central in the book Ecofeminism. Even though knowing of this publication for the past 10 years, it is the first time I am able to read it back to back. Perfect for a low-energy weekend in-between travels and conferences.

It was pretty amazing to be at ANIM again at the start of the week. Now watching Ruy Cinatti’s films shot in Timor.

Working on my next article. Presenting first approach at the NECS Conference on my next trip to Lisbon.

Presenting at this great congress at Algarve University. Happy to be back at AIM (Association of Moving Image Researchers) and (re)connecting with fellow researchers and filmmakers.

Siluman was just shown in this very interesting section during Strangloscope Experimental Film Festival in Brazil.

Throwback to last week’s magnificent show by Tyler the Creator

Siluman at UnArchive Found Footage Fest

Still enjoying my post-25 de Abril 51 years celebration. SEMPRE!

If interested in an internship during my coming project with EYE Filmmuseum, please message me. You are at home with film editing and post-production (including masking). Premiere and After Effects are a pre.

"Art is the highest power of falsehood, it magnifies the ‘world as error’, it sanctifies the lie; the will to deception is turned into a superior ideal.’ (Deleuze 1983: 102)."
Palgrave Macmillan, 2024
@bramleytweets.bsky.social @paalbuquerque.bsky.social @huongngo.bsky.social
#workingclass #labor

ANIKi film studies magazine announcement. New deadline for Artistic Research special section is 15th of February. English version tab below aim.org.pt/ojs/index.ph...