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Popcasting

@popcasting.bsky.social

Desde 2005, podcast quincenal de música: pop, americana, instro, synth, r'n'r. 1920s-2020s. “It's the song, not the singer”. Escúchalo en popcastingpop.com. Además escribo en jenesaispop.com

692 Followers  |  502 Following  |  659 Posts  |  Joined: 23.11.2023  |  2.9634

Latest posts by popcasting.bsky.social on Bluesky

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EL DETECTIVE DEL VINILO - Liburuak La primera entrega de un thriller trepidante: vinilos que esconden secretos, clientes oscuros y una investigación que suena a peligro. Una colección que atrapará a cualquier fan del cozy crime y tambi...

No he venido aquí a hablar de mi libro porque no lo he escrito. ¡Pero lo he traducido! Aquí tenéis la primera aventura del detective del vinilo. Una historia fascinante centrada en la búsqueda por encargo de un vinilo rarísimo por las tiendas de Londres. ¡Buenísimo! liburuak.org/producto/el-...

15.10.2025 11:30 — 👍 10    🔁 2    💬 2    📌 1

Enhorabuena!! Qué buena pinta…

15.10.2025 12:52 — 👍 0    🔁 0    💬 1    📌 0
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Popcasting #495 Popcasting 495 small factory · valentine  ::  kenny roberts · newsboy  ::  lemonheads · the key of victory  ::  keren ann · l’experience étrange de l’inégal  ::  insecure men · alien  ::  the cosmi…

Popcasting #495: Alison Krauss, Small Factory, Cocteau Twins, John Cale, Keren Ann, The Shirelles, The Mothers of Invention, Insecure Men… popcastingpop.com/2025/10/15/p...

15.10.2025 08:05 — 👍 3    🔁 2    💬 0    📌 0
Monochrome photograph featuring a white woman sitting sideways on a patterned armchair dressed in a dark jacket and skirt and with her hand raised to her face

Monochrome photograph featuring a white woman sitting sideways on a patterned armchair dressed in a dark jacket and skirt and with her hand raised to her face

I will cut adrift—I will sit on pavements and drink coffee—I will dream; I will take my mind out of its iron cage and let it swim—this fine October.

- Virginia Woolf
#Womensart

15.10.2025 05:02 — 👍 501    🔁 120    💬 0    📌 7
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¡Voy siguiendo a Marc Bolan!

15.10.2025 08:45 — 👍 13    🔁 1    💬 1    📌 1

😆😆😆😆

15.10.2025 08:45 — 👍 0    🔁 0    💬 0    📌 0
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…y (mencionado en el programa) el loco mundo de los diseños gráficos en los CDs piratas de los 90.

15.10.2025 08:06 — 👍 1    🔁 1    💬 1    📌 0
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Suenan en #495

15.10.2025 08:05 — 👍 0    🔁 0    💬 0    📌 0
Preview
Popcasting #495 Popcasting 495 small factory · valentine  ::  kenny roberts · newsboy  ::  lemonheads · the key of victory  ::  keren ann · l’experience étrange de l’inégal  ::  insecure men · alien  ::  the cosmi…

Popcasting #495: Alison Krauss, Small Factory, Cocteau Twins, John Cale, Keren Ann, The Shirelles, The Mothers of Invention, Insecure Men… popcastingpop.com/2025/10/15/p...

15.10.2025 08:05 — 👍 3    🔁 2    💬 0    📌 0

❤️❤️❤️❤️

15.10.2025 08:01 — 👍 1    🔁 0    💬 0    📌 0
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Aprovecho para desvelar el misterio y anunciar que este viernes 17 estaré pinchando en Madrid junto a Juan de Pablos. De nuevo en el Fotomatón, después del concierto de J’aime. “Anachronistic d’amour DJs, c’est nous” :-)

14.10.2025 11:10 — 👍 4    🔁 1    💬 0    📌 0
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Mojo 21 (Aug 1995)

13.10.2025 20:18 — 👍 3    🔁 0    💬 1    📌 0
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Pope Leo calls for news agencies to stand as bulwark against "post-truths," lies and manipulation Pope Leo XIV has encouraged international news agencies to stand firm as a bulwark against the "ancient art of lying" and manipulation.

Pope Leo quotes Hannah Arendt:

“The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction and the distinction between true and false no longer exist."

www.cbsnews.com/chicago/news...

12.10.2025 13:00 — 👍 9460    🔁 3087    💬 176    📌 223

Alucinante, 😆😆😆😆

11.10.2025 18:15 — 👍 0    🔁 0    💬 0    📌 0

Hostias, jajajajaja

11.10.2025 18:14 — 👍 0    🔁 0    💬 0    📌 0
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¿¿En serio?? ¿Ya ni se respeta la línea tácita de Halloween?

11.10.2025 14:07 — 👍 3    🔁 0    💬 1    📌 0
club of all time by performing for Igor Stravinsky at Birdland. Alfred Appel tells it definitively in his book Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce:
The house was almost full, even before the opening set - Billy Taylor's piano trio - except for the conspicuous empty table to my right, which bore a RESERVED sign, unusual for Birdland.
After the pianist finished his forty-five-minute set, a party of four men and a woman settled in at the table, rather clamorously, three waiters swooping in quickly to take their orders as a ripple of whispers and exclamations ran through Birdland at the sight of one of the men, Igor Stravinsky. He was a celebrity, and an icon to jazz fans because he sanctified modern jazz by composing Ebony Concerto for Woody Herman and his Orchestra (1946) - a Covarrubias
"Impossible Interview" come true.
As Parker's quintet walked onto the bandstand, trumpeter Red Rodney recognized Stravinsky, front and almost center. Rodney leaned over and told Parker, who did not look at Stravinsky.
Parker immediately called the first number for his band, and, forgoing the customary greeting to the crowd, was off like a shot. At the sound of the opening notes, played in unison by trumpet and alto, a chill went up and down the back of my neck.
They were playing "Koko, which, because of its epochal breakneck tempo
- over three hundred beats per minute on the metronome - Parker never assayed before his second set, when he was sufficiently warmed up. Parker's phrases were flying as fluently as ever on this particular daunting "Koko." At the beginning of his second chorus he interpolated the opening of Stravinsky's Firebird Suite as though it had always been there, a perfect fit, and then sailed on with the rest of the number. Stravinsky roared with delight, pounding his glass on the table, the upward arc of the glass sending its liquor and ice cubes onto the people behind him, who threw up their hands or ducked.
Parker didn't just happen to…

club of all time by performing for Igor Stravinsky at Birdland. Alfred Appel tells it definitively in his book Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce: The house was almost full, even before the opening set - Billy Taylor's piano trio - except for the conspicuous empty table to my right, which bore a RESERVED sign, unusual for Birdland. After the pianist finished his forty-five-minute set, a party of four men and a woman settled in at the table, rather clamorously, three waiters swooping in quickly to take their orders as a ripple of whispers and exclamations ran through Birdland at the sight of one of the men, Igor Stravinsky. He was a celebrity, and an icon to jazz fans because he sanctified modern jazz by composing Ebony Concerto for Woody Herman and his Orchestra (1946) - a Covarrubias "Impossible Interview" come true. As Parker's quintet walked onto the bandstand, trumpeter Red Rodney recognized Stravinsky, front and almost center. Rodney leaned over and told Parker, who did not look at Stravinsky. Parker immediately called the first number for his band, and, forgoing the customary greeting to the crowd, was off like a shot. At the sound of the opening notes, played in unison by trumpet and alto, a chill went up and down the back of my neck. They were playing "Koko, which, because of its epochal breakneck tempo - over three hundred beats per minute on the metronome - Parker never assayed before his second set, when he was sufficiently warmed up. Parker's phrases were flying as fluently as ever on this particular daunting "Koko." At the beginning of his second chorus he interpolated the opening of Stravinsky's Firebird Suite as though it had always been there, a perfect fit, and then sailed on with the rest of the number. Stravinsky roared with delight, pounding his glass on the table, the upward arc of the glass sending its liquor and ice cubes onto the people behind him, who threw up their hands or ducked. Parker didn't just happen to…

Stravinsky saw Charlie Parker play at Birdland

08.10.2025 00:46 — 👍 236    🔁 50    💬 5    📌 9

Well played, Merriam-Webster!
Well played.

10.10.2025 19:17 — 👍 365    🔁 57    💬 4    📌 1

Me han entrevistado en Mondo Sonoro, una conversación muy amena con Jerry Corral.

09.10.2025 14:17 — 👍 7    🔁 2    💬 1    📌 0

Increíble, jajaja ❤️❤️❤️❤️

08.10.2025 19:35 — 👍 0    🔁 0    💬 1    📌 0
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J’aime - Anachronistic d’amour (Jabalina) - Muzikalia J’aime consigue engarzar un hermoso conjunto de canciones que, si todavía quedaba alguna duda, lo revalida como uno de los

Primera crítica de Anachronistic d’amour’ en @muzikalia.bsky.social firmada por Luis Moner.

"Pop mayúsculo de un autor en estado de gracia (…) Un disco que es un regalo para los oídos."

Reseña completa ⬇️

muzikalia.com/jaime-anachr...

08.10.2025 10:52 — 👍 3    🔁 1    💬 0    📌 0

I'm going to share the weird William Friedkin story that's been stuck in my head almost my whole life. Some folks know this, I guess. But it always blows people's minds.

07.08.2023 21:33 — 👍 127    🔁 56    💬 6    📌 15

Bien observado, yo no había visto eso. Crudo el importarlo, pero esperanzador, tal como dices!!

07.10.2025 18:41 — 👍 2    🔁 0    💬 0    📌 0

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