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Michael Marcinkowski

@michaelmarcinkowski.org.bsky.social

Currently Digital Humanities at King’s College London. Director of Education Digital Futures Institute. Formerly Bristol, Ambient Literature, poetryfoundation.org. LIVES OF THE SAINTS available from Broken Sleep Books michaelmarcinkowski.org

715 Followers  |  1,029 Following  |  31 Posts  |  Joined: 05.08.2023  |  2.4557

Latest posts by michaelmarcinkowski.org on Bluesky

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PTR Poetry Theory Review

Early Summer issue of Poetry Theory Review now available. Featuring reviews of books from Kulvert, Broken Sleep, The Last Books, Monitor Books, Sad Press, and more. www.michaelmarcinkowski.org/ptr

12.07.2025 11:21 — 👍 3    🔁 2    💬 0    📌 0
Preview
PTR Poetry Theory Review

Early Summer issue of Poetry Theory Review now available. Featuring reviews of books from Kulvert, Broken Sleep, The Last Books, Monitor Books, Sad Press, and more. www.michaelmarcinkowski.org/ptr

12.07.2025 11:21 — 👍 3    🔁 2    💬 0    📌 0
And someday there will be a more complete machine.
One's thoughts or feelings during life—or while the machine is recording—will be like an alphabet with which the image will continue to comprehend all experience (as we can form all the words in our language with the letters of the alphabet).
Then life will be a repository for death. But even then the image will not be alive; objects that are essentially new will not exist for it. It will know only what it has already thought or felt, or the possible transpositions of those thoughts or feelings.
from Adolfo Bioy Casares's THE INVENTION OF MOREL (1940)
translated from the Spanish by Ruth L.C. Simms

And someday there will be a more complete machine. One's thoughts or feelings during life—or while the machine is recording—will be like an alphabet with which the image will continue to comprehend all experience (as we can form all the words in our language with the letters of the alphabet). Then life will be a repository for death. But even then the image will not be alive; objects that are essentially new will not exist for it. It will know only what it has already thought or felt, or the possible transpositions of those thoughts or feelings. from Adolfo Bioy Casares's THE INVENTION OF MOREL (1940) translated from the Spanish by Ruth L.C. Simms

29.06.2025 14:21 — 👍 7    🔁 3    💬 0    📌 0

Bristoooool please join us on the 4th of July, a day of no other significance, to hear Michael Marcinkowski launching LIVES OF THE SAINTS with Yẽ Yẽ and John Phillips at Bristol’s most-best-poetry bookshop, East Bristol Books.

29.06.2025 11:32 — 👍 1    🔁 1    💬 0    📌 1
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Tottering State #7: Marcinkowski, Yě Yě, Phillips at East Bristol Books Tottering State: Poetry for Unsteady Times. Tottering State #7 celebrates the launch of Michael Marcinkowski's *Lives of the Saints* (Broken Sleep), with poetry from Yĕ Yĕ (*South*) and from John ...

Friday 4 July at East Bristol Books! 7pm! Marcinkowski! Yě! Phillips! www.headfirstbristol.co.uk/whats-on/eas... @brokensleepbooks.bsky.social

29.06.2025 11:24 — 👍 1    🔁 0    💬 0    📌 1

The dream of AGI is amazingly limited.

16.05.2025 19:29 — 👍 1    🔁 0    💬 0    📌 0

YES I AM. See you there.

02.05.2025 15:20 — 👍 3    🔁 1    💬 0    📌 0
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New handbook explores the future of literature in the AI era The Routledge Handbook of AI and Literature offers perspective on the past, present and future of AI and literature.

📕 Prof @drkatedevlin.bsky.social and Dr @michaelmarcinkowski.org contributed to The Routledge Handbook of AI and Literature.

The book explores how literary lenses can be used to better understand human interactions with AI 🔽

@jgibristol.bsky.social @bristoluni.bsky.social @liverpooluni.bsky.social

29.04.2025 08:58 — 👍 12    🔁 5    💬 0    📌 0
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Tottering State #7: Marcinowski, Kemp, Phillips at East Bristol Books Tottering State: Poetry for Unsteady Times. Tottering State #7 marks two recently published titles from Broken Sleep Books concerned with poetic relations between language, belief, politics & the wor...

Upcoming reading at East Bristol Books! 4 July! Linda Kemp, John Phillips, and me! Get tickets! www.headfirstbristol.co.uk/whats-on/eas...

25.04.2025 20:44 — 👍 2    🔁 2    💬 0    📌 0
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Feelings are Facts: Love, Privacy, and the Politics of Intellectual Shame A debut of new research and analysis, focused on emotions and the affective register—love! shame! intimacy! What happens when we put lov...

Talk from @meredithmeredith.bsky.social. Great example of using serious theory/philosophy in tech discussion. media.ccc.de/v/38c3-feeli...

20.01.2025 10:11 — 👍 2    🔁 0    💬 0    📌 0
A picture of the book Lives of the Saints by Michael Marcinkowski sitting upright against a wooden background and pieces of slate. It has an orange cover with an image from a disciple of Hieronymus Bosch showing grotesque creatures facing a figure in a chair with a book on his lap with other figures smaller in the background.

A picture of the book Lives of the Saints by Michael Marcinkowski sitting upright against a wooden background and pieces of slate. It has an orange cover with an image from a disciple of Hieronymus Bosch showing grotesque creatures facing a figure in a chair with a book on his lap with other figures smaller in the background.

BIG DAY. Official release date for LIVES OF THE SAINTS. Huge thanks to @brokensleepbooks.bsky.social and @godzillakent.bsky.social for making it happen!

31.12.2024 17:32 — 👍 4    🔁 4    💬 2    📌 0
Preview
Michael Marcinkowski - Lives of the Saints | Broken Sleep Books Lives of the Saints by Michael Marcinkowski explores poetry's power as it intersects with faith and governance, set against a backdrop of ecological ruin and dystopian futures. In a landscape that ble...

You can order it here! www.brokensleepbooks.com/product-page...

31.12.2024 17:44 — 👍 3    🔁 1    💬 0    📌 0
An image of a page of a book showing the text of two poems: 

VI
WAS DECIDED
II.
As to gauge against the true democratic question of how many times an election may be run until an answer's decided as the grandeur of democracy is that it is able to be changed from one moment to the next as the belief that any particular event may not preclude any future occurrence as democracy is weighted by its expedience to change both as a benefit to and its mandate that if nothing can be done in the span before the next vote then it is not a thing to be done as there is no lasting decision possible in a democracy or whatever except the [uhh] continuing stranglehold of the state.

VII
for Harold Garfinkel
Dependence on the already established.

An image of a page of a book showing the text of two poems: VI WAS DECIDED II. As to gauge against the true democratic question of how many times an election may be run until an answer's decided as the grandeur of democracy is that it is able to be changed from one moment to the next as the belief that any particular event may not preclude any future occurrence as democracy is weighted by its expedience to change both as a benefit to and its mandate that if nothing can be done in the span before the next vote then it is not a thing to be done as there is no lasting decision possible in a democracy or whatever except the [uhh] continuing stranglehold of the state. VII for Harold Garfinkel Dependence on the already established.

A photo of a page of a book showing two poems: 

LII
Woe! Torn down! What value knowing be?'
Pastoral black landscape to name.
Limp branch pin arbor ox wood pine low woollen thick of love to know box calculate gone locust thrush wrench grandeur effort rhizome splint where valley woe devotion torn in felis glory long what rest as pollen garner seed hap stress of value given bother something know.
LIMI
Metallic blaze shim golden bronze blaze glisten rough pine split hard cut nail pressed pine tack plate sheet fit cup back tar keep sand rend sum blaze tuck light blend keep rise want wrent long look hung plank pine sheet felt blaze rise up far knot for grace ground slant land rough grime far place sheet fit count rend shunt lank hung crisp tend seamlessness and upwardness debar.

A photo of a page of a book showing two poems: LII Woe! Torn down! What value knowing be?' Pastoral black landscape to name. Limp branch pin arbor ox wood pine low woollen thick of love to know box calculate gone locust thrush wrench grandeur effort rhizome splint where valley woe devotion torn in felis glory long what rest as pollen garner seed hap stress of value given bother something know. LIMI Metallic blaze shim golden bronze blaze glisten rough pine split hard cut nail pressed pine tack plate sheet fit cup back tar keep sand rend sum blaze tuck light blend keep rise want wrent long look hung plank pine sheet felt blaze rise up far knot for grace ground slant land rough grime far place sheet fit count rend shunt lank hung crisp tend seamlessness and upwardness debar.

Photo of a page of a book with a poem: 

LXIX
fine-grain single achieve latencies 10 cycle performance measure switch tolerate parallel overhead implementation Encore Multimax scalability over large-scale describes average base binary network latency 55 cycles requires are different unprocessing parallel environment machine resident synchronisation the need add provide other bandwidth processing exploit.

Photo of a page of a book with a poem: LXIX fine-grain single achieve latencies 10 cycle performance measure switch tolerate parallel overhead implementation Encore Multimax scalability over large-scale describes average base binary network latency 55 cycles requires are different unprocessing parallel environment machine resident synchronisation the need add provide other bandwidth processing exploit.

An image of a poem title “about poetry today”

An image of a poem title “about poetry today”

31.12.2024 17:41 — 👍 1    🔁 1    💬 1    📌 0
A picture of the book Lives of the Saints by Michael Marcinkowski sitting upright against a wooden background and pieces of slate. It has an orange cover with an image from a disciple of Hieronymus Bosch showing grotesque creatures facing a figure in a chair with a book on his lap with other figures smaller in the background.

A picture of the book Lives of the Saints by Michael Marcinkowski sitting upright against a wooden background and pieces of slate. It has an orange cover with an image from a disciple of Hieronymus Bosch showing grotesque creatures facing a figure in a chair with a book on his lap with other figures smaller in the background.

BIG DAY. Official release date for LIVES OF THE SAINTS. Huge thanks to @brokensleepbooks.bsky.social and @godzillakent.bsky.social for making it happen!

31.12.2024 17:32 — 👍 4    🔁 4    💬 2    📌 0
Post image

8PM (UK) 30 DECEMBER! Online launch event for @brokensleepbooks.bsky.social !!!!!!!!! I can’t be there live, but there will be a recording of me reading from LIVES OF THE SAINTS (available December 31!)!!! www.eventbrite.co.uk/e/broken-sle...

05.12.2024 19:27 — 👍 7    🔁 5    💬 0    📌 0
Hand holding a copy of LIVES OF THE SAINTS.

Hand holding a copy of LIVES OF THE SAINTS.

Page from LIVES OF THE SAINTS with poetry reading:

1) Equal pay for equal work; 2) Direct election; 3) Disarm the police; 4) Abol ition of capital punishment; 5) Wages are an evil; 6) Free schools supported by the state; 7) Total separation of mo ney and state; 8) Total ban on fossil fu els; 9) Abolition of land ownership; 10) Aggressive reforestation; 11) Redistrib ution of private property; 12) Common allocation of living space; 13) Abolition of currency; 14) Open all borders; 15) Everything for everyone without labour or prejudice.

I REFUTE IT THUS

The organ projects what is the true question of poetry. 'If the necessity of every duty is to be estimated by the frequency with which it is inculcated and the sanctions by which it is enforced and whose decrees are established forever in a particular manner the observation of those commands which seem to be repeated that they may be strongly impressed and secured by habitual submission against violation there is scarcely any virtue we ought more diligently exercise than that of compassion to the needy and.

Page from LIVES OF THE SAINTS with poetry reading: 1) Equal pay for equal work; 2) Direct election; 3) Disarm the police; 4) Abol ition of capital punishment; 5) Wages are an evil; 6) Free schools supported by the state; 7) Total separation of mo ney and state; 8) Total ban on fossil fu els; 9) Abolition of land ownership; 10) Aggressive reforestation; 11) Redistrib ution of private property; 12) Common allocation of living space; 13) Abolition of currency; 14) Open all borders; 15) Everything for everyone without labour or prejudice. I REFUTE IT THUS The organ projects what is the true question of poetry. 'If the necessity of every duty is to be estimated by the frequency with which it is inculcated and the sanctions by which it is enforced and whose decrees are established forever in a particular manner the observation of those commands which seem to be repeated that they may be strongly impressed and secured by habitual submission against violation there is scarcely any virtue we ought more diligently exercise than that of compassion to the needy and.

Page from LIVES OF THE SAINTS with poetry reading: 

Potato okra garlic turnip parsnip yam dill onion cabbage carrot spinach beet kohlrabi radish mushroom barley hops alfalfa lettuce chard corn ginger sprouts gourd apple bean kale rutabaga groat.

Page from LIVES OF THE SAINTS with poetry reading: Potato okra garlic turnip parsnip yam dill onion cabbage carrot spinach beet kohlrabi radish mushroom barley hops alfalfa lettuce chard corn ginger sprouts gourd apple bean kale rutabaga groat.

Now in the material world, @mrm1.bsky.social 's LIVES OF THE SAINTS. Out officially on 31 December from @brokensleepbooks.bsky.social. New year new you new book.

19.12.2024 09:50 — 👍 7    🔁 3    💬 0    📌 0
Preview
a black and white cartoon of a man holding a sign that says ' sickos ' . Alt: a black and white cartoon of a man holding a sign that says ' sickos ' .

Somebody's just bought Pedagogy of the Oppressed. It is 10am

14.12.2024 10:01 — 👍 75    🔁 10    💬 0    📌 1
Post image

8PM (UK) 30 DECEMBER! Online launch event for @brokensleepbooks.bsky.social !!!!!!!!! I can’t be there live, but there will be a recording of me reading from LIVES OF THE SAINTS (available December 31!)!!! www.eventbrite.co.uk/e/broken-sle...

05.12.2024 19:27 — 👍 7    🔁 5    💬 0    📌 0

This year’s anthology has a wonderful selection from me!

28.11.2024 15:19 — 👍 4    🔁 1    💬 0    📌 0
Preview
Michael Marcinkowski - Lives of the Saints | Broken Sleep Books Lives of the Saints by Michael Marcinkowski explores poetry's power as it intersects with faith and governance, set against a backdrop of ecological ruin and dystopian futures. In a landscape that ble...

Just a reminder that I have book coming out with Broken Sleep 31 December. You can pre-order now! www.brokensleepbooks.com/product-page...

25.11.2024 20:17 — 👍 1    🔁 2    💬 0    📌 0

This kind of thing is so great.

19.11.2024 22:08 — 👍 2    🔁 0    💬 0    📌 0

Thanks for this! Can I be added?

14.11.2024 07:00 — 👍 0    🔁 0    💬 0    📌 0

Thanks for making this! Can I be added?

14.11.2024 06:58 — 👍 1    🔁 0    💬 1    📌 0
Preview
Michael Marcinkowski - Lives of the Saints | Broken Sleep Books Lives of the Saints by Michael Marcinkowski explores poetry's power as it intersects with faith and governance, set against a backdrop of ecological ruin and dystopian futures. In a landscape that ble...

available for pre-order from @brokensleepbooks.bsky.social www.brokensleepbooks.com/product-page...

13.11.2024 09:23 — 👍 10    🔁 4    💬 0    📌 0

Hi! Can I be added to the DH starter pack?

12.11.2024 14:23 — 👍 0    🔁 0    💬 1    📌 0
Cover of the book Lives of the Saints by Michael Marcinkowski, published by Broken Sleep Books. The cover features a surreal medieval-style painting with strange, fantastical creatures and figures in bizarre scenarios, typical of the works of Hieronymus Bosch. A figure in regal attire sits on a throne, surrounded by grotesque hybrid creatures and surreal characters. The background includes pastoral scenes, with additional figures and animals engaging in mysterious activities. The book title appears at the top in teal, the author's name in dark red below it, and the publisher's name at the bottom in the same red on an orange background.

Cover of the book Lives of the Saints by Michael Marcinkowski, published by Broken Sleep Books. The cover features a surreal medieval-style painting with strange, fantastical creatures and figures in bizarre scenarios, typical of the works of Hieronymus Bosch. A figure in regal attire sits on a throne, surrounded by grotesque hybrid creatures and surreal characters. The background includes pastoral scenes, with additional figures and animals engaging in mysterious activities. The book title appears at the top in teal, the author's name in dark red below it, and the publisher's name at the bottom in the same red on an orange background.

Postscript to Lives of the Saints


	‘As such the crush the Lord our God whose
	chaunce like grief veil plait drownt death.

	Haecceity “just this” the chaine of chalice 
	Rome vom fear buck leave gland sear and

	truss in martyr’s weave. Agone hap burnt 
	as Passion’s Lot, hwaet penss lack waft in 

	wither wake blear solum mark not knowing 
	known as diaphragm the cannon’s march 

	to poem begg and vanguard soil rotten 
	breathe as groaning crush and blaring doubt 

						selah 
						selah 
						selah.’

Postscript to Lives of the Saints ‘As such the crush the Lord our God whose chaunce like grief veil plait drownt death. Haecceity “just this” the chaine of chalice Rome vom fear buck leave gland sear and truss in martyr’s weave. Agone hap burnt as Passion’s Lot, hwaet penss lack waft in wither wake blear solum mark not knowing known as diaphragm the cannon’s march to poem begg and vanguard soil rotten breathe as groaning crush and blaring doubt selah selah selah.’

Lives of the saints


I
Number One

Which might just be something specific to the afterimage 
of an empirical society and I guess it’s a question of 
whether or not there’s much value in worrying about 
methodology or thinking about the question of social 
organisation and no matter what we might want to say 
about management or teleology they’re both just 
dependent on the question of cause and I had stupidly 
thought that Arnold’s book was going to be about the 
variability of culture and how it exists previous to our 
understanding of it or the way that culture is nothing 
except a refactoring of the non-sensible into the sensible 
but really he just seems to talk about reticence and 
cause and I guess it’s that ‘I think that the artists who 
aren’t very good should become like everybody else 
so that people would like things that aren’t very good’
which is still just that the intelligibility of anything is 
always just the intelligibility of some previous state of 
affairs which is still really just only about an older belief 
in a particular understanding of the movement of time 
which to me is only just a bare and somewhat foolhardy
commitment to the lasting efficacy of cause. 

II
Or that

it’s the readability of the poetic line or more than any-
thing it’s the lyrical proposition of the thing and no matter 
my feelings toward you or the collective will of ours toward 
history or the balkanisation of the state it’s forgetting

Lives of the saints I Number One Which might just be something specific to the afterimage of an empirical society and I guess it’s a question of whether or not there’s much value in worrying about methodology or thinking about the question of social organisation and no matter what we might want to say about management or teleology they’re both just dependent on the question of cause and I had stupidly thought that Arnold’s book was going to be about the variability of culture and how it exists previous to our understanding of it or the way that culture is nothing except a refactoring of the non-sensible into the sensible but really he just seems to talk about reticence and cause and I guess it’s that ‘I think that the artists who aren’t very good should become like everybody else so that people would like things that aren’t very good’ which is still just that the intelligibility of anything is always just the intelligibility of some previous state of affairs which is still really just only about an older belief in a particular understanding of the movement of time which to me is only just a bare and somewhat foolhardy commitment to the lasting efficacy of cause. II Or that it’s the readability of the poetic line or more than any- thing it’s the lyrical proposition of the thing and no matter my feelings toward you or the collective will of ours toward history or the balkanisation of the state it’s forgetting

which is the supposed progressive idea of language 
being the bulwark of memory and trace or the recognition
of trace and the repetition in which it’s the very idea of 
trace that is underwritten in the perspectivist longevity 
of trace and it’s that repetition is itself just change in the 
longue durée which as in the contextualisation of the thing
or the actual density of a line built up and the particular 
coherence of gravity none of this being choice but only 
our situation being previous to the invention of the ideal 
or the repetition of form which in the opposition to a
monist realism there’s nothing that we can say about 
the line other than that it’s just the return of the same 
which laid out across the moment of the lyric is change. 

III

all of which is just the question of whether or not we 
can have some criteria against which the poem is able 
to be judged or the idea that there is an outside to the 
informational question of judgement or the communica-
bility of judgement and it’s about the supposition of 
certain sets of particular facts which is really just a 
question of judicial selection or the bracketing off of 
certain parameters toward the claim of phenomenolog-
ical experience and in that there’s a need for the delineation 
of certain understandings of horizon or the possibilities 
of the repeatability of phenomena which are not such 
as the specificity of texture or the absence of texture but 
for some reason I always think that you’re unhappy with 
me or that I’m somehow screwing things up and it’s that 
I don’t seem to have any real purpose with things and 
maybe there are other methods of reparative behaviour 
or things I could do differently but the difficulty is maybe 
to be able to feel the quality of a work without any recourse

which is the supposed progressive idea of language being the bulwark of memory and trace or the recognition of trace and the repetition in which it’s the very idea of trace that is underwritten in the perspectivist longevity of trace and it’s that repetition is itself just change in the longue durée which as in the contextualisation of the thing or the actual density of a line built up and the particular coherence of gravity none of this being choice but only our situation being previous to the invention of the ideal or the repetition of form which in the opposition to a monist realism there’s nothing that we can say about the line other than that it’s just the return of the same which laid out across the moment of the lyric is change. III all of which is just the question of whether or not we can have some criteria against which the poem is able to be judged or the idea that there is an outside to the informational question of judgement or the communica- bility of judgement and it’s about the supposition of certain sets of particular facts which is really just a question of judicial selection or the bracketing off of certain parameters toward the claim of phenomenolog- ical experience and in that there’s a need for the delineation of certain understandings of horizon or the possibilities of the repeatability of phenomena which are not such as the specificity of texture or the absence of texture but for some reason I always think that you’re unhappy with me or that I’m somehow screwing things up and it’s that I don’t seem to have any real purpose with things and maybe there are other methods of reparative behaviour or things I could do differently but the difficulty is maybe to be able to feel the quality of a work without any recourse

PREORDER (31.12.2024):
Lives of the Saints by Michael Marcinkowski explores poetry's power as it intersects with faith and governance, set against a backdrop of ecological ruin and dystopian futures.
www.brokensleepbooks.com/product-page...

12.11.2024 10:27 — 👍 16    🔁 5    💬 1    📌 1

Tomorrow!! 6PM Priory Rd Lecture Theatre www.eventbrite.co.uk/e/bristol-po...

06.02.2024 11:00 — 👍 4    🔁 3    💬 0    📌 0
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Bristol Poetry Institute Annual Reading 2024: Don Paterson Join the Bristol Poetry Institute in the Great Hall of the Wills Memorial Building for a reading from award winning poet Don Paterson.

The Bristol Poetry Institute is pleased to announce the 2023-2024 Annual Reading featuring Don Paterson. 6PM on 7 February in Wills Memorial. Free and open to all. Book here to secure your place! www.eventbrite.co.uk/e/bristol-po...

23.01.2024 14:39 — 👍 6    🔁 4    💬 0    📌 2
Post image

The Golden Mountain, painted on David Hume's Treatise, in which he introduces the image as an example of how we form concepts from experiences.

16.12.2023 07:11 — 👍 8    🔁 3    💬 0    📌 0
Image of text: 

DO

I’ll

Image of text: DO I’ll

Quality early Anne Waldman

03.12.2023 10:22 — 👍 0    🔁 0    💬 0    📌 0

@michaelmarcinkowski.org is following 20 prominent accounts