Joseph Rizzo Naudi

A brown tiled effect background. Overlaid it says Writing Experimental Fiction 7, 14 and 21 April 2025 6.30-8.30PM GMT Online

Discuss & explore a range of approaches & practical tasks. Some reading before the sessions & a reading list provided at the end.

£110 (max. 12 participants, min. 6 participants) or £135 to also have a 1hr feedback meeting over zoom on up to 3,000 words.

jenniferannecalleja [at] gmail [dot] com

05.03.2025 10:39 — 👍 9    🔁 8    💬 0    📌 2

Anne Carson · Beware the man whose handwriting sways like a reed in the wind This​ is an essay about hands and handwriting. I think of handwriting as a way to organise thought into shapes. I like...

"It is hard to live within constant striving. It is hard to live within the word ‘degenerative’, which means that, however I strive, I do not win"

www.lrb.co.uk/the-paper/v4...

03.03.2025 21:04 — 👍 3    🔁 1    💬 0    📌 0

come do some description with me and Sally Booth on 30th April at @yspsculpture.bsky.social

25.02.2025 20:46 — 👍 1    🔁 0    💬 0    📌 0

Installation view of The Traumatic Surreal at Henry Moore Institute, until 16 March 2025, showing Ursula, C'est moi / Das bin ich / That's me 1966, courtesy Museum Ludwig and Renate Bertlmann, Blinder Engel / Blind Angel 1987 © Renate Bertlmann / Bildrecht Vienna / DACS 2024. Photo: John McKenzie

We're hiring a Full Time Assistant Curator
£26,500-£28,500 + 12.5% pension contribution + other benefits
Deadline: 17/03/25

Could you could support us to deliver a varied programme of historic and contemporary exhibitions, displays and publications?

henry-moore.org/jobs/#assist...

#artsjobs

24.02.2025 14:07 — 👍 6    🔁 5    💬 0    📌 0