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Ott3r

@thatott3r.bsky.social

3D artist // cyber skeleton // in your walls No AI, No NFTs, No crypto.

46 Followers  |  123 Following  |  14 Posts  |  Joined: 18.10.2023  |  1.9426

Latest posts by thatott3r.bsky.social on Bluesky

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♡Help Needed♡

Hello All ♡

I'm, unfortunately, having alot of trouble covering some unforseen expenses this month. I don't think I can physically take on any more commissions until I've finished the lot I have.

So I am asking for a little help.

Shares would be super appreciated ♡

Link Below ♡

11.03.2025 15:47 — 👍 862    🔁 911    💬 16    📌 10

remember to block and move on everyone

23.04.2025 05:10 — 👍 3048    🔁 552    💬 33    📌 11
Two feminine figures, digitally illustrated, dressed in translucent green garments inspired by the Gelatinous Cube. Beneath these glossy green layers sits garments constructed from the bones found absorbed within the cubes.

Two feminine figures, digitally illustrated, dressed in translucent green garments inspired by the Gelatinous Cube. Beneath these glossy green layers sits garments constructed from the bones found absorbed within the cubes.

The Gelatinous Cube 🟩 third design in my DnD meets Monster Hunter series! Making clothes out of defeated monster parts ⚔️

24.03.2025 19:33 — 👍 2932    🔁 503    💬 49    📌 16
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Kiss kiss bang bang! 💥🔫
It's my birthday today~! 😍

It costs nothing to repost my art and it would make for a marvelous birthday present, to help me reach a wider audience! 🥰

25.03.2025 11:01 — 👍 1287    🔁 287    💬 56    📌 1

if you see this post, your actions are:
- if you have a spare buck, give it to Wikipedia, then repost this
- if you don't have a spare buck, just repost

your action is mandatory for the world's best source of information to survive

26.12.2024 12:03 — 👍 27233    🔁 35502    💬 259    📌 396
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"Make CEO's scared"
Spotted in Portland, Oregon

29.12.2024 14:17 — 👍 1185    🔁 232    💬 3    📌 3
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Two yolks are talking about showing their skeletons. One shows his little one. He can stand because he has backlog of games inside instead. The second one has a creepy entity inside his body. He is standing because of coffee.

Two yolks are talking about showing their skeletons. One shows his little one. He can stand because he has backlog of games inside instead. The second one has a creepy entity inside his body. He is standing because of coffee.

Yolk Folk - Skeleton

18.12.2024 08:46 — 👍 4593    🔁 473    💬 28    📌 13
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The kind of shit I read when the depression hits bigly.

14.12.2024 15:39 — 👍 5    🔁 1    💬 0    📌 0

I dont want AAA games anymore, i want games made by a little freak with a vision

12.12.2024 08:15 — 👍 5484    🔁 2004    💬 92    📌 107
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Suzu, Intrepid Thief
Acrylic on Paper!

Commission for @hypfoo.bsky.social! Ty for sharing!

10.12.2024 15:42 — 👍 5858    🔁 1130    💬 90    📌 3

A list of reasons to make art:
-horny
-spite
-for the bit
-if you don't who will

09.12.2024 22:54 — 👍 16970    🔁 7308    💬 113    📌 298
Preview
Luigi's Manifesto Exclusive: read Luigi Mangione's 262-word manifesto on the killing of UnitedHealthcare CEO

I got the Luigi Mangione manifesto. The real one, not the forgery circulating online. www.kenklippenstein.com/p/luigis-man...

10.12.2024 20:51 — 👍 14124    🔁 5014    💬 435    📌 998

Fug, Yeag Judy?

08.12.2024 16:23 — 👍 2    🔁 0    💬 0    📌 0

Yeah Paige?

08.12.2024 16:20 — 👍 0    🔁 0    💬 1    📌 0
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Preface to the Johns Hopkins Paperbacks Edition 
tHE CHEVALIER D'EON CHANGED my own ideas about gender. I never thought it possible for an eighteenth- 
roles and gender theory. But he did. I don't mean that I cross-dress today century person to alter the fundamental ways that I view gender or live as a woman, but I certainly admire those who do, such as the eco- nomic historian Deirdre McCloskey.' Before d'Eon, I was a feminist in the sense that I hoped the avenues to power, wealth, and independence once monopolized by men could be extended to women. I married a physician and applauded myself that I was liberal enough to allow her to act like a man. But d'Eon was not a feminist in this sense. He did not simply think that the opportunities accorded to men should be extended to women. He believed that men should live as women. sexual, the victim At first,I thought that d'Eon must have been Europe's first trans- of a 
disorder that certain psychiatrists label gender 
dysphoria. I assumed that today he would have been a prime candidate for sex reassignment surgery. Indeed, since the 1920s communities of transsexuals and transvestites have thought of d'Eon as their patron saint. However, several conversations with a psychiatrist who had worked in gender identity clinic convinced me that d'Eon was not sick.2 He did not hate himself. He did not hate his body. He did not think that he was trapped in the wrong body. But if d'Eon was not a transsexual, then, well, what was he? Of course, my book argues that 'Eon came to a cognitive decision that it was best for him to live life as a woman. And obviously, as a historian, I became convinced of this argument through Tonnerre, and especially at the University of Leeds. 
reading the archival records that remain today in Paris, London,

Preface to the Johns Hopkins Paperbacks Edition tHE CHEVALIER D'EON CHANGED my own ideas about gender. I never thought it possible for an eighteenth- roles and gender theory. But he did. I don't mean that I cross-dress today century person to alter the fundamental ways that I view gender or live as a woman, but I certainly admire those who do, such as the eco- nomic historian Deirdre McCloskey.' Before d'Eon, I was a feminist in the sense that I hoped the avenues to power, wealth, and independence once monopolized by men could be extended to women. I married a physician and applauded myself that I was liberal enough to allow her to act like a man. But d'Eon was not a feminist in this sense. He did not simply think that the opportunities accorded to men should be extended to women. He believed that men should live as women. sexual, the victim At first,I thought that d'Eon must have been Europe's first trans- of a disorder that certain psychiatrists label gender dysphoria. I assumed that today he would have been a prime candidate for sex reassignment surgery. Indeed, since the 1920s communities of transsexuals and transvestites have thought of d'Eon as their patron saint. However, several conversations with a psychiatrist who had worked in gender identity clinic convinced me that d'Eon was not sick.2 He did not hate himself. He did not hate his body. He did not think that he was trapped in the wrong body. But if d'Eon was not a transsexual, then, well, what was he? Of course, my book argues that 'Eon came to a cognitive decision that it was best for him to live life as a woman. And obviously, as a historian, I became convinced of this argument through Tonnerre, and especially at the University of Leeds. reading the archival records that remain today in Paris, London,

directly, Virginia's private publishing company is called " Chevalier Pabl (Virginia Prince- -the virgın princey al TO d'Eon More mame cations. "3 But when I sat down with her in Xest Hollywood café1 a booming voice, somehow inhabldge me seemed to be & Eon saw the similarities most starkly: there before himself. And she knew it. In So, you are writing about ths a d'Eon's gigantic ego, she said to me: Chevalier d'Eon. What could you possibly tell me about d'Eon that don't already know?" Across the table sat someone who dared to do what never even imag ined. As I grew up in the same 1950s Los Angeles as Virginia Prince, take on various roles, identities, sexual orientations, and occupations or even French, that I coud was aware that could become Catholic, ~ woman was THE OTHER. That which 1 was not. I figured that folks Who but it was clear that I must never seem like a woman. Gay was fine, bur moved across gender boundaries were sick. D'Eon's autobiographical memoirs and essays. filtered through exper "O ences such as the interview with Virginia Prince, taught me that my oWn upbringing had been narrow and prejudiced insofar as it never gave me the opportunity to express myself as a woman. That such feels bizarre and comical to express makes it no less true. The Chevaliet statement taught me-a late-twentieth-century man-that my refusal to consider womanhood is & bigotry my hangup. However liberal I think I am, whatever kind of 1970s feminist think have become, the story of this man's chutzpah makes me aware of what 1S possible for all men. One of the most important decisions made writing my book was us- ing the pronoun be for d'Eon, which continually reminds readers of d'Eon's anatomy, ignoring linguistically his self-fashioning. never refer to Virginia Prince as a "he, and indeed, neither would any- 1 would one else who respects members of the transgendered community. But writing about d'Eon iS different.

directly, Virginia's private publishing company is called " Chevalier Pabl (Virginia Prince- -the virgın princey al TO d'Eon More mame cations. "3 But when I sat down with her in Xest Hollywood café1 a booming voice, somehow inhabldge me seemed to be & Eon saw the similarities most starkly: there before himself. And she knew it. In So, you are writing about ths a d'Eon's gigantic ego, she said to me: Chevalier d'Eon. What could you possibly tell me about d'Eon that don't already know?" Across the table sat someone who dared to do what never even imag ined. As I grew up in the same 1950s Los Angeles as Virginia Prince, take on various roles, identities, sexual orientations, and occupations or even French, that I coud was aware that could become Catholic, ~ woman was THE OTHER. That which 1 was not. I figured that folks Who but it was clear that I must never seem like a woman. Gay was fine, bur moved across gender boundaries were sick. D'Eon's autobiographical memoirs and essays. filtered through exper "O ences such as the interview with Virginia Prince, taught me that my oWn upbringing had been narrow and prejudiced insofar as it never gave me the opportunity to express myself as a woman. That such feels bizarre and comical to express makes it no less true. The Chevaliet statement taught me-a late-twentieth-century man-that my refusal to consider womanhood is & bigotry my hangup. However liberal I think I am, whatever kind of 1970s feminist think have become, the story of this man's chutzpah makes me aware of what 1S possible for all men. One of the most important decisions made writing my book was us- ing the pronoun be for d'Eon, which continually reminds readers of d'Eon's anatomy, ignoring linguistically his self-fashioning. never refer to Virginia Prince as a "he, and indeed, neither would any- 1 would one else who respects members of the transgendered community. But writing about d'Eon iS different.

In the 18th century, la Chevalier d'Eon, Lia de Beaumont, got the actual, literal King of France to amend her birth certificate and legally recognize her as a woman.

If you ever catch yourself doubting whether trans women's erasure from history is intentional or not, just come back to this post.

08.12.2024 14:46 — 👍 468    🔁 167    💬 6    📌 11
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I am VERY upset with Twitch for releasing a global emote that appears to be made with AI 🤮

Help support me and every artist on this platform by voting on this uservoice! It's the best way to get Twitch to listen.

VOTE HERE ⬇️
twitch.uservoice.com/forums/92873...

07.12.2024 04:21 — 👍 5918    🔁 3447    💬 156    📌 199
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𝚃𝚑𝚎 𝙱𝚘𝚍𝚢 𝙺𝚎𝚎𝚙𝚜 𝚝𝚑𝚎 𝚂𝚌𝚘𝚛𝚎

30.12.2023 01:03 — 👍 7348    🔁 2337    💬 58    📌 4

i've seen several accounts with AI generated pfp and banner roleplaying as an e-girl. what are these ? wtf
I've also seen one roleplaying as luke skywalker saying they're protecting indie games especially star wars ones...
WHAT ARE THESE? WHY?

05.12.2024 23:12 — 👍 36    🔁 5    💬 9    📌 0
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pixel farm screenshot

pixel farm screenshot

🐝Pixel Farm🐝

It's done! Collab between 36 artists, where imaginary cozy farm life meets pixel art.

Please check out final piece I E E I O
➡️ lampy.casa/farms

03.12.2024 08:43 — 👍 710    🔁 171    💬 31    📌 17
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