I will not talk you out of greatness β sorry Iβm not sorry.
28.09.2025 00:12 β π 2 π 0 π¬ 0 π 0@casini.bsky.social
Music publishing professional, rights and royalties attorney, Professor, consigliere. "Another lawyer," according to the Wall Street Journal. LinkedIn.com/in/casini
I will not talk you out of greatness β sorry Iβm not sorry.
28.09.2025 00:12 β π 2 π 0 π¬ 0 π 0If you advise brands, stop letting them peddle products with others' IP. Be the good partner, I promise you rightsholders are open to making licensing fast, easy, and in many cases less expensive than you think.
The cost of doing it right is always less than the cost of getting caught.
Itβs holding the line and setting boundaries in a market where the lines btwn personal and commercial use are being blurred on purpose as an end-run around protections the EULA affords. If you rep writers & artists, now is the time to educate, and act.
12.08.2025 04:24 β π 0 π 0 π¬ 1 π 0Courts have upheld this for decades, and no amount of fast-fashion, "creator economy" influencer culture is going to rewrite that.
For rightsholders and their advisors, this is the moment to get loud. Enforcement matters, and not just for revenues.
The idea that βeveryone does itβ or βthe music was on TikTokβ is the same logic the legal dept decries and marketing and sales hope matters, but it's getting companies blindsided by seven-figure claims. This isn't nuanced: using music to sell something? Get a license. Period.
12.08.2025 04:24 β π 1 π 0 π¬ 1 π 0The latest lawsuit (Sony) v. DSW isn't just another case. Itβs a promise kept and should be an alarm for every brand / agency clinging to the myth that platform licenses magically cover comm'l use. They donβt. Never have. Hoping otherwise is a liability. t.co/vELzcCDTRz
12.08.2025 04:24 β π 0 π 0 π¬ 1 π 0A warning shot to AI developers that the era of unregulated data mining may be ending? Sure, but it may be placing an undue burden on individuals and rightsholders.
My analysis: lnkd.in/ebG2QRjT
No registration required. No fair use defense. Just a clear path to court. Itβs a bold, bipartisan signal that Congress is no longer content to let the courts sort it out piecemeal.
31.07.2025 03:17 β π 0 π 0 π¬ 1 π 0The bill creates a new federal tort for artists and consumers whose data or works have been scraped, trained on, or mimicked by generative AI systems. It bypasses the limitations of copyright law, sidesteps the DMCA, and removes Section 230 immunity for AI-generated content.
31.07.2025 03:17 β π 0 π 0 π¬ 1 π 0The Blumenthal-Hawley AI Accountability and Data Protection Act doesnβt nibble around the edges. It literally calls AI training without consent βthe largest intellectual property theft in American history.β
31.07.2025 03:17 β π 0 π 1 π¬ 1 π 0Artificial streaming fraud is theft, and it demands immediate, coordinated action.
Support this call for clarity and accountability and join us in protecting the integrity of digital music.
t.co/Nw6RSHoxHj
Of course the case in NC cost rightsholders $10M. These arenβt edge cases, theyβre evidence of a growing pattern of digital fraud that violates platform terms, breaches licensing agreements, and in many cases constitutes wire fraud, civil and criminal conspiracy, and criminal copyright infringement.
22.07.2025 02:12 β π 0 π 0 π¬ 1 π 0In Sweden, criminal gangs have reportedly used Spotify to launder money and recruit members by purchasing fake streams for affiliated artists, converting illicit cash into royalties and visibility. Authorities called Spotify βan ATMβ for these groups.
t.co/P1Fh7r6Cvm
March of last year, in Denmark, a man was sentenced to 18 months in prison for using bots to generate $300,000 in fraudulent royalties, including copyright violations. t.co/scOLePcqEI
22.07.2025 02:12 β π 0 π 0 π¬ 1 π 0Recent cases make this clear:
In Brazil, authorities uncovered a scheme involving 28 million fake streams, fake artist profiles, and AI-generated music, resulting in arrests and asset seizures exceeding $400,000. t.co/yZqQQs4AX5
AI is a real concern. Cases like the Anthropic class action may reshape the legal landscape and change behavior, but AI's direct negative impact is still somewhat abstracted.
Artificial streaming is happening now, and itβs prodigious, organized, criminal, and global.
As Counsel to the Music Fights Fraud Alliance, I give full-throated support to the defense of the integrity of music streaming, and fandom. Michael Lewan's recentΒ BillboardΒ column rightly identifies artificial streaming as the most immediate threat to the music industry. t.co/nK4ab44BFD
22.07.2025 02:07 β π 0 π 0 π¬ 1 π 0Really fun and frankly proud news to share: on the heels of my dear friend Maggie Rose signing on, I've officially joined the Folk Americana Roots Hall of Fame Board of Artist/Industry Advisors.
17.05.2025 18:31 β π 4 π 0 π¬ 0 π 0
68th Annual Report of the Register of Copyrights, 1966
www.copyright.gov/reports/annu...
The crucial question appears to be whether the work is basically one of human authorship, with the computer merely being an assisting instrument, or whether the traditional elements of authorship in the work...were actually conceived and executed not by man but by a machine."
12.05.2025 15:08 β π 1 π 0 π¬ 1 π 0...This year, copyright was claimed for an abstract drawing, and for compilations of various kinds, which were at least partly the "work" of computers. It is certain that both the number of works proximately produced or "written" by computers...
12.05.2025 15:08 β π 0 π 0 π¬ 1 π 0"As computer technology develops and becomes more sophisticated, difficult questions of authorship are emerging. The Copyright Office had previously received an application for registration of a musical composition created by computer...
12.05.2025 15:08 β π 0 π 0 π¬ 1 π 0As the end of my semester meets the announcement of the new Pope, the story of Michelangelo and the Sistine Chapel seems very relevant.
Censoring the Sistine Chapel
threadreaderapp.com/scrolly/1920...
You can watch it in its entirety on Paramount +
www.paramountplus.com/movies/video...
Extremely happy for friend client and colleague Prof. Erik Nielson, University of Richmond, for his Outstanding Arts and Culture Documentary Emmy nomination as Producer on "As We Speak: Rap Music on Trial"
www.hollywoodreporter.com/tv/tv-news/2...
The fine folk at Salt Lick Incubator invited me to join their Leadership Council and I didnβt even let Liza finish the pitch before I accepted. They're just the type of people and organization I want to work with.
Visit www.saltlickincubator.org to see how we support indie artists.
This may not be a stated goal of current immigration policy, but silencing expressions of culture that are considered minority is an absolutely foreseeable outcome, and immigration is now a censorship weapon. Maybe it always was.
Thank you, Griselda Flores.
Not just being a member but contributing to advocacy efforts of the Recording Academy has been a great privilege. I'm extremely proud of the work done to forward legislation in states nationwide to address the use of art as evidence in criminal trials.
www.grammy.com/news/2024-gr...
The original article in question
apnews.com/general-news...
Wynn petitioned SCOTUS after Nevada's high court dismissed a 2018 lawsuit against the AP related to an article published that reported on police records from the '70s that included allegations of sexual misconduct against him. Wynn has firmly denied the allegations.
law.justia.com/cases/nevada...