Blood&SteelAnepicromanticfantasy

Lol, I have a cover artist who helps with mine also, she's great... Would you be open to a private convo?😆

Just glanced through... Great cover as well, you made it yourself?

No amazons yet?

Just glanced through... Great cover as well, you made it yourself?

Nice! Are they tied to it?

Howdy...
Do you have published work?

Howdy...
Do you have a published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have a published work?

No amazon yet?

Lol, I had a cover artist like that too, she's great... You enjoying this convo?😆

Howdy...
Do you have published work?

Just glanced through... Great cove as well, you made it yourself?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy
Do you have a published work?

Nice Cover, what the book all about? Might be an intersting one to add to my TBR pile

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Howdy...
Do you have published work?

Absolutely. Writing and reading fiction aren’t indulgences, they’re anchors. They help us process, endure, and stay human when the world feels heavy. Creating in hard moments can be an act of quiet resistance. How do you protect that space for yourself when everything feels loud?

That level of research really shows, it’s rare to see historical fiction grounded so deeply in primary sources, and serendipity always feels like a gift when it sharpens character that way. I’d love to continue this conversation more privately if you’re open to it.

That makes sense, those inherited threads carry a gravity you can’t manufacture. When personal history intersects with fiction, the stakes feel quieter but heavier. Has working that close to the material changed how you’re approaching character, memory, or truth on the page?

That focus really comes through, writing rooted in overlooked military history, especially with family ties, gives the work a grounded authority. I love how that depth can quietly enrich fiction. Do those personal connections feel like they’re shaping the emotional core of this novel?

That balance makes a lot of sense. A solid skeleton gives the story direction, but it’s those emotional surprises that make it feel alive. I love when characters start nudging the plan in unexpected ways. Do those moments ever change your original ending, even slightly?