UrszulaK. 🇺🇦 🇦🇫 🇵🇸 STOP the GENOCIDE in Gaza🍉

'You create a powerful sinister world in a rural setting that it is very original'- it is one of the quotes about my work as a playwright.

''Sponges'' is the earliest play and it should be produced long time ago but it hasn't been produced yet cos British theatre discriminates Eastern European, working class who studied philosophy at the university, disabled people.

-my third play ''My sweet Diego'' has been chosen for R&D Microgrant Award- Liberty Festival 2025

-my play Sponges- semi final round of Titchfield Festival Theatre's New Playwriting Competition in 2021
-my play Sponges- longlisted by the Bread &Roses Playwriting Award 2024
-my second play Farmer had a reading at the festival FreshFest 2025 at the Old Red Lion Theatre in January 2025

-longlisted as a Clive and Sylvia Richards' Charity Writer in Residence, Pentabus Theatre in 2020.
-Creatives Group- The Lyric Hammersmith- Autumn Classes in 2020,
-my play Sponges- shortlisted- New Page- The Other Room Theatre-in 2020,

CV of my writing experience:
-rehearsed reading of my first play Sponges as a part of the festival called working class stories on 25th January 2019 at The Tristan Bates Theatre and in the John Thaw Studio, which is part of the Actors Centre in London
-longlisted as a Clive and Sylvia Richard

from a stay in a mental health unit. She plans for them to escape to Spain, to Madrid. Does a safe country really exists? Will Sara succeed? Is love enough?

They live with her toxic, dysfunctional market gardening family, in a xenophobic Northern village, in a currently hostile BRITAIN led by a fascist, anti-refugee, anti-immigrant government. Her beloved Diego is in danger. His life under threat... Sara wants to protect him. She comes home to the farm

''My sweet Diego'' is a play about mental health and fighting for a true love. Sara is a British- from a Polish background- teen dreamer and an aspiring poet. She suffers with depression. She is passionately in love with her Spanish boyfriend- Diego and their circumstances are challenging.

the calves,some of them he even kills.HENRY also terrorizes his whole family,he threatens them.They're scared and exhausted.He is pure evil. Historic family secret's were heading towards the grave but Sara is committed to exposing the trauma but as is so often in life,the truth will come out anyway.

dysfunctional and frightened family? How does cruelty to animals impact on their consciences and the already fractured relationships between them? Sara’s father- Henry is a psychopath- animal cruelty is a first sign of psychopathy. He terrorizes the animals- the cats, the sheep, the dog, the cows,

living in Italy. She is an animal activist who had abandoned her son to her families care. She discovers that her father is now abusive towards his livestock. Will her visit stop this cruelty for good and the farm stock be safe? Or will she aggravate and force deeper rifts in this increasingly

"Farmer" is a drama about cruelty, fear and conscience.
A Farmer- Henry and his wife- Maria look after their grandson- Leo on a farm in a remote Northern village, close to GLOSSOP, in the HIGH PEAK, DERBYSHIRE. The farmer's daughter (the lad's mother)- SARA returns to the family after many years of

and their secrets. This play asks the fundamental question: how to live, when your dreams have been robbed.

The factory manager -Max is exploitative towards them and a sexual predator.Agata- is Polish,Petra is Czech and Helena is Polish with a Hungarian roots.It's a fight to survive.They go on a journey, not only of their struggle and resistance but also their friendship,passions,addictions, motherhood

I am the author of three plays: "Sponges","Farmer","My sweet Diego" and I think about my next play."Sponges" is a drama about three Eastern European women who live in Manchester, in a Brexit Britain and work in a sponge packing factory for a minimum wage /zero hours contracts -as agency workers.

Poland prepares for evacuation of most important artworks in case of Russian invasion

Poland’s culture ministry has set up a special department, headed by a former military intelligence officer, to prepare for the evacuation of the country’s most important artworks and other cultural artefacts in the event of a Russian invasion.

Paula Rego (Portugal-England), the exile, 1963

In place of war and genocide, we demand a free Palestine. On Monday June 9, Israeli forces boarded the Freedom Flotilla Coalition sailboat Madleen in international waters and kidnapped her crew to prevent the passage of aid to the besieged Palestinian people. Despite at least 62,000 deaths and countless more people killed, injured, bereaved and displaced over the last two years in Gaza, it fell to one small boat to attempt to break Israel's blockade. The international community has allowed a genocide to unfold in plain sight. And the poison of impunity is spreading. A month ago the aid ship, Conscience, was bombed off the Maltese shoreline, over a thousand miles from Gaza.

In place of racialised and deadly borders and blockades, we demand free movement. Tens of thousands - Palestinians fleeing occupation among them - have drowned in the central Mediterranean on the world's deadliest migration route. Here too, civilian ships and people seeking safety face obstruction and criminalisation as they keep humanitarian action alive; whilst European states sponsor. crimes against humanity. In return, Europe demands its neighbours act as border guards, buyers of its weapons and tech, and a stead supplier of fossil fuels and resources. The outcome is a sea where humanitarian ships and refugees are blocked whilst deadly arms and ecosystem-destroying fossil fuels move freely.

In place of climate and environmental destruction and extraction, we demand a just transition and the restoration of our natural world.

Read and sign The Madleen Declaration on our website (https://freedomflotilla.org/). Palestine provides a glimpse of where this could end for us all. Against this system, we must build a different future while we can.

On #WorldRefugeeDay, Palestinian climate campaigners, Rescue workers, @thunberggreta.bsky.social, civil society & activists launch #MadleenDeclaration! We call for a unified movement for a #FreePalestine & #ClimateJustice
palclimateinstitute.org/madleen-decl...
Follow bsky.app/profile/palc....

Hannah Arendt was a groundbreaking political thinker, refugee, and influential philosopher. Don't miss the premiere of "Hannah Arendt: Facing Tyranny” this Friday, 27 June on PBS!
Details: www.pbs.org/wnet/america...

Albert Einstein standing in front of a chalkboard with diagrams and equations

Albert Einstein was a refugee too. He escaped Nazi Germany in 1933 and was granted asylum (and later citizenship) in the United States. He arrived by boat.

Claude Forthomme, Darfour la tente des refugies

Ahmad Kalij, Réfugiés

Tamara de Lempicka, The Refugees, 1931

Nizar Ali Badr
Refugees

Nizar Ali Badr (Latakia, Syria)
Refugees
found pebbles

World Refugee Day should be every day not only on 20th June cos every day people escape persecution,war, violence,genocide. Also many of us might become a refugee cos there are dark times or some of us were the refugees so give a refuge for the refugees and don't be a racist.
#StandWithTheRefugees

#WorldRefugeeDay

We are a growing movement of 600+ organisations, institutions and businesses demanding for a fairer, more compassionate system for refugees.

We refuse to accept the broken status quo.

Get involved. Join the #FairBeginsHere movement.

togetherwithrefugees.org.uk

World Refugee Day 2025: ‘Let Us Choose Solidarity. Let Us Choose Courage. Let Us Choose Humanity’ - America's Voice On World Refugee Day 2025, solidarity with displaced people must go beyond words and translate into actions, say directly impacted individuals, their advocates, faith voices, and international leaders...

World Refugee Day 2025: ‘Let Us Choose Solidarity. Let Us Choose Courage. Let Us Choose Humanity’ americasvoice.org/blog/world-r... via @americasvoice.bsky.social

Starmer is a hypocrite.