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Tyler Shoemaker

@t-shoemaker.bsky.social

Assistant Professor, Critical AI tylershoemaker.info

567 Followers  |  284 Following  |  20 Posts  |  Joined: 31.08.2023
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Posts by Tyler Shoemaker (@t-shoemaker.bsky.social)

Post image 02.03.2026 21:00 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Bonus: this one's also about OCR

02.03.2026 17:47 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

If you’re around NYU next week, join us! We have a very exciting list of speakers lined up

01.03.2026 18:04 β€” πŸ‘ 13    πŸ” 5    πŸ’¬ 0    πŸ“Œ 0

Dang

25.02.2026 18:27 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
the watchers: how openai, the US government, and persona built an identity surveillance machine that files reports on you to the feds 53MB of source code leaked from a government endpoint. 269 verification checks. biometric face databases. SAR filings to FinCEN. and the same company that verifies your ChatGPT account.

Seems fine!

vmfunc.re/blog/persona/

22.02.2026 22:18 β€” πŸ‘ 4    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

I think it's republished in Grammalepsy but he did it separately here: mediarep.org/server/api/c...

19.02.2026 19:00 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Weirdly (or not so weirdly), coding is currently the most prominent site at which to glimpse these new forms of "writing on complex surfaces" (Cayley). Peer into any repo with an AGENTS.md file, and you will see whole new infrastructures of text springing up

19.02.2026 18:56 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Call for papers!

INSCRIPTION 7 (out 2027) will be all about BLANKS. It will be (as ever) a BEAUTIFUL and MAXIMAL object.

Send us your ideas!

Historical / theoretical / creative / creative-critical -- or some strange blend.

First step: 400-word proposal + brief CV by 1 April 2026.

CFP attached.

14.02.2026 09:27 β€” πŸ‘ 27    πŸ” 22    πŸ’¬ 2    πŸ“Œ 0
Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

Series of photos of the book showing its cover, some early pages that are just spotted gibberish, then basic word forms with no semblance of sentence or paragraph, and then finally organized language recognizable as derived from the prose of the novel, including character names like Heathcliff and Catherine.

_for the sleepers in that quiet earth._ is a 2017 print on demand volume containing snapshots of an RNN trained (solely) on the text of WUTHERING HEIGHTS. Each copy as unique. Besides the novelty of this experiment, it has the great value of giving us a rare diachronic look at how the model learns.

18.02.2026 15:48 β€” πŸ‘ 22    πŸ” 8    πŸ’¬ 1    πŸ“Œ 2

Oh man, these are still available!? So good

18.02.2026 15:52 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Hosted by Acid Horizon, this free, open-to-the-public event will explore our recent book Digital Theory and its central claims.

Join us!

February 19, 2026 - 10AM EST.

www.acidhorizonpodcast.com

16.02.2026 14:07 β€” πŸ‘ 8    πŸ” 3    πŸ’¬ 1    πŸ“Œ 0

Maybe! I haven't done much on the OCR front for a long while, but others are reporting that HTR and other document extraction tasks are seeing big improvements with newer VLMs. Not exactly flawless though: bsky.app/profile/jimc...

15.02.2026 21:03 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

The vibes have shifted

15.02.2026 20:06 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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Today in research software

15.02.2026 17:06 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
Preview
Amodern Amodern is a peer-reviewed, open-access scholarly journal devoted to the study of media, culture, and poetics.

Late to the show but: new Amodern issue drop!

amodern.net

14.02.2026 20:48 β€” πŸ‘ 5    πŸ” 0    πŸ’¬ 0    πŸ“Œ 1
CFP: Stanford-Leuphana Summer Academy on Humanities and Media 2026:Β Periodization After a one-year hiatus, the Stanford-Leuphana Summer Academy on Humanities and Media is back! The theme for 2026 is Periodization, and we'll meet for the week of June 22-26 in Berlin. How, why, and with what epistemic implications is history divided into temporal segments? Periodizationsβ€”whether in the form of epochs, ages, turning points, or more heroic β€œeras”—belong to the most fundamental and at the same time most frequently contested historiographical operations in literary, art, and media studies.

CFP: Stanford-Leuphana Summer Academy on Humanities and Media 2026:Β Periodization

After a one-year hiatus, the Stanford-Leuphana Summer Academy on Humanities and Media is back! The theme for 2026 is Periodization, and we'll meet for the week of June 22-26 in Berlin. How, why, and with what…

10.02.2026 02:07 β€” πŸ‘ 10    πŸ” 5    πŸ’¬ 0    πŸ“Œ 0

You guys are gonna get me in trouble

07.02.2026 17:31 β€” πŸ‘ 5    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

We’re on the precipice of CC-juiced hack vs yack debate. Dangerous times

07.02.2026 16:45 β€” πŸ‘ 7    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Two (2)

07.02.2026 05:37 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

You get two (2)

07.02.2026 00:31 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
Call for PapersNoisy Systems: Aesthetics, Epistemology, and Computation Bibliotheca Hertziana – Max Planck Institute for Art History, Villino Stroganoff, Via Gregoriana 22, 00187 Rome, and online (Zoom),Β  4th and 5th June 2026

We have another exciting CFP! "Noisy Systems: Aesthetics, Epistemology & Computation examines noise across technical, social, and cultural domains, bringing together machine learning, critical AI studies, media theory and archaeology, art history, philosophy, and practice-based research."

06.02.2026 20:22 β€” πŸ‘ 33    πŸ” 17    πŸ’¬ 3    πŸ“Œ 1
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discussion over

01.02.2026 18:12 β€” πŸ‘ 3    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
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Shot. Chaser

01.02.2026 18:06 β€” πŸ‘ 4    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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β€œIt’s Pythonic”

29.01.2026 04:18 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Yes! Unclear where they went. Aspic content was strong

30.10.2025 16:54 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Amazing. Also: cf. the bottom bookcase shelf in Glyn’s office

28.10.2025 18:32 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0